The Rector’s Daughter is the story of Mary Jocelyn, a woman who fears life is passing her by. Having lost her mother and her beloved invalid sister, Mary shares her days in sleepy Dedmayne with her father, the severe and distant Canon Jocelyn. Then, with the arrival in the village of Robert Herbert, her quiet, ordered existence is changed forever.

Originally published in 1994, This Working-Day World is lively collection of essays presenting a social, political and cultural view of British women’s lives in the period 1914–45. The volume describes women’s activities in many different areas, ranging from the weekly wash to the rescue of child refugees. Each essay, from an international list of contributors, is based on new research which will complement existing studies in a range of disciplines by adding information on, among other topics, women’s teacher training colleges, and women in the BBC, in medical laboratories and in Art schools. The book does not, however, idealise women: the militarism and racism of the period infected women too, and this is revealed in the account of women in the British Union of Fascists, and the analysis of the Pankhursts’ merging of patriotism and gender issues. Through studies and personal accounts, This Working-Day World reveals past issues that are still pertinent to debates in today’s society. As we read the chapter on the recently discovered Diary of Doreen Bates which outlines possibly the first female civil servant campaign for rights as a single mother, we hear echoes of issues being discussed today. Indeed, as we approach the end of the century it is a good moment to look back and re-evaluate areas and degrees of progress – or the reverse – in society, and in British women’s lives in particular. With its unusual photographs, this accessible and informative collection provides a rich resource for students in twentieth century social and cultural history, and women’s studies courses, and an enlightening volume for general readers.

George Gissing's work reflects his observations of fin-de-siècle London life. Influenced by the French naturalist school, his realist representations of urban culture testify to the significance of the city for the development of new class and gender identities, particularly for women. Liggins's study, which considers standard texts such as The Odd Women, New Grub Street, and The Nether World as well as lesser known short works, examines Gissing's fiction in relation to the formation of these new identities, focusing specifically on debates about the working woman. From the 1880s onward, a new genre of urban fiction increasingly focused on work as a key aspect of the modern woman's identity, elements of which were developed in the New Woman fiction of the 1890s. Showing his fascination with the working woman and her narrative potential, Gissing portrays women from a wide variety of occupations, ranging from factory girls, actresses, prostitutes, and shop girls to writers, teachers, clerks, and musicians. Liggins argues that by placing the working woman at the center of his narratives, rather than at the margins, Gissing made an important contribution to the development of urban fiction, which increasingly reflected current debates about women's presence in the city.

The Third Miss Symons, is a classical and a rare book, that has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and redesigned. These books are not made of scanned copies of their original work, and hence their text is clear and readable. This remarkable volume falls within the genres of Language and Literatures English literature

What happens when two women love the same man? This is the first book to examine female rivalry as a distinctive theme in women's fiction and to analyze the female-identified erotic triangle, where two women are rivals for the same man, as a narrative pattern which has a special resonance for inter-war women writers. Focusing on five key writers, Diana Wallace offers a reconsideration of inter-war women's writing and an examination of the links and rivalries between women writers themselves.