Western missionaries in China were challenged by something they could not have encountered in their native culture; most Westerners were Christian, and competitions in their own countries were principally denominational. Once they entered China they unwittingly became spiritual merchants who marketed Christianity as only one religion among the long-established purveyors of other religions, such as the masters of Buddhist and Daoist rites. A Voluntary Exile explores the convergence of cultures. This collection of new and insightful research considers themes of religious encounter and accommodation in China from 1552 to the present, and confronts how both Western Europeans and indigenous Chinese mitigated the cultural and religious antagonisms that resulted from cultural misunderstanding. The studies in this work identify areas where missionary accommodation in China has succeeded and failed, and offers new insights into what contributed to cultural conflict and confluence. Each essay responds in some way to the “accommodationist” approach of Western missionaries and Christianity, focusing on new areas of inquiry. For example, Michael Maher, SJ, considers the educational and religious formation of Matteo Ricci prior to his travels to China, and how Ricci’s intellectual approach was connected to his so-called “accommodationist method” during the late Ming. Eric Cunningham explores the hackneyed assertion that Francis Xavier’s mission to Asia was a “failure” due to his low conversion rates, suggesting that Xavier’s “failure” instigated the entire Chinese missionary enterprise of the 16th and 17th centuries. And, Liu Anrong confronts the hybridization of popular Chinese folk religion with Catholicism in Shanxi province. The voices in this work derive from divergent scholarly methodologies based on new research, and provide the reader a unique encounter with a variety of disciplinary views. This unique volume reaches across oceans, cultures, political systems, and religious traditions to provide important new research on the complexities of cultural encounters between China and the West.

Toward the end of the year A.D. 8, the emperor Augustus publicly sentenced the poet Ovid to exile in remote and barbaric Tomis on the Black Sea. The action presumably followed a secret hearing before the emperor, and the official reason given for the sentence was Ovid's authorship of a licentious work, the Ars amatoria, ten years earlier. The Mystery of Ovid's Exile is both a survey and an analysis of the literary detective work that has been devoted to explaining the cause of Ovid's banishment from Rome. In poems composed during his exile, Ovid laments having written the Ars amatoria, but he obviously considers the poem to be merely a pretext for his punishment. His downfall appears to have been caused by his having witnessed, or in some fashion been implicated in, a crime committed either by the emperor himself or by an immediate member of the imperial family. However, it’s possible that Ovid's banishment may have been ordered merely because he was unwittingly in possession of the key to an embarrassing secret, the importance of which he might have realized had he remained in Rome. John C. Thibault examines more than one hundred available hypotheses that have been advanced by inquisitive scholars from the Middle Ages to our own day. He demonstrates the unsoundness of each hypothesis in turn, and suggests that a solution to the problem of Ovid's exile is not possible given the available evidence. The Mystery of Ovid's Exil treats a controversy that will fascinate classical scholars as well as general readers interested in Roman manners and morals of the period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.

Essays that range chronologically from the Renaissance to the 1990s, geographically from the Danube to the Andes, and historically from the Inquisition to the Holocaust, examine the complexities and tensions of exile, focusing particularly on whether exile tends to block, or to enhance, artistic creativity. 16 photos.

Focuses on a range of Jewish and non-Jewish writers to examine the intersection of Kabbalah, the Jewish mystical tradition, and secular Jewish literatures. Kabbalah and Literature shows how the Jewish mystical tradition contributes to the renewal of literature in a modern, global, and increasingly disconnected age. Kitty Millet explores Kabbalah's conceptual underpinnings, aesthetic principles, tenets, and signifiers to demonstrate how literature's absorption of kabbalistic material has altered its ontology, function, and the tasks it sets for itself. Reading writers from Europe and the Americas, Kitty Millet maps how the kabbalist's desire to "recover Eden" transforms into a latent messianic drive only intuitable through text. Thus it charts a journey of sorts, a migration of Jewish mystical material embedded surreptitiously within text in order to shift ever so slightly at times the range of the literary to encompass an aesthetic vision not easily reducible to the literal, the known, the allegorical, or even the philosophical. In this way, Kabbalah and Literature proposes a novel, intuitive approach, shifting focus away from the Jewish text's epistemological elements to embrace its "secrets."

Provides a comprehensive view of the interrelationship between Spain and France, with emphasis on the 1970s and 1980s.

The volume explores how Greek and Latin authors perceive and present their own (real or metaphorical) exile and employ exile as a powerful trope to express estrangement, elicit readerly sympathy, and question political power structures.

Exile defines the Shakespearean canon, from The Two Gentlemen of Verona to The Two Noble Kinsmen . This book traces the influences on the drama of exile, examining the legal context of banishment (pursued against Catholics, gypsies and vagabonds) in early modern England; the self-consciousness of exile as an amatory trope; and the discourses by which exile could be reshaped into comedy or tragedy. Across genres, Shakespeare's plays reveal a fascination with exile as the source of linguistic crisis, shaped by the utterance of that word 'Banished'.