Kabbalah and Criticism may be justly regarded as the cardinal work of Harold Bloom's enterprise. This book is the keystone in the arch; it clarifies the development of his earlier books and indicates the direction of his future work. Kabbalah and Criticism provides a study of the Kabbalah itself, of its great commentators and the "revisionary ratios" they employed, and of its significance as a model for contemporary criticism. It is thus an indispensable book for all students of literature as well as for all those who are fascinated by this singularly rich body of mystical writings the influence of which is possibly greater now than at any other time.

"With origins extending back in time beyond the Dead Sea Scrolls, the body of writings and beliefs known as the Kabbalah has come to be increasingly recognized not only as one of the most intriguing aspects of Judaism but also as an important part of a broader mystical tradition. Here is one of the most enlightening studies ever to plumb its complex depths and range over its rich history, written by the late Gershom Scholem, the world's leading authority on the Kabbalah. Illuminated in this fascinating work are the centuries of efforts by Kabbalists to discover the secrets of God and the universe through the symbols of the physical world and the mysteries of language—a mammoth search set against a background of Jewish life in Spain, Poland, Germany and the rest of Europe. brought to life are such remarkable personalities as Shabbetai Zevi, the 17th-century pseudo-Messiah who raised the Jewish world to near ecstasy before plunging it into disillusion; and the charismatic Jacob Frank, who threatened to disastrously divide the Jewish religion. We learn the connection between the Kabbalah and such haunting legends as the Dybbuk, the Goel, and Lilith, as well as its relationship to the practice of white magic, palm reading and Satanism. Long cloaked in obscurity, the Kabbalah is revealed by this book to contain suggestive power which still entrances both the intellect and the imagination."-Publisher.

From Kabbalah to Class Struggle is an intellectual biography of Meir Wiener (1893–1941), an Austrian Jewish intellectual and a student of Jewish mysticism who emigrated to the Soviet Union in 1926 and reinvented himself as a Marxist scholar and Yiddish writer. His dramatic life story offers a fascinating glimpse into the complexities and controversies of Jewish intellectual and cultural history of pre-war Europe. Wiener made a remarkable career as a Yiddish scholar and writer in the Stalinist Soviet Union and left an unfinished novel about Jewish intellectual bohemia of Weimar Berlin. He was a brilliant intellectual, a controversial thinker, a committed communist, and a great Yiddish scholar—who personally knew Lenin and Rabbi Kook, corresponded with Martin Buber and Hugo von Hofmannsthal, and argued with Gershom Scholem and Georg Lukács. His intellectual biography brings Yiddish to the forefront of the intellectual discourse of interwar Europe.

With the publication of The Origins of the Kabbalah in 1950, one of the most important scholars of our century brought the obscure world of Jewish mysticism to a wider audience for the first time. A crucial work in the oeuvre of Gershom Scholem, this book details the beginnings of the Kabbalah in twelfth- and thirteenth-century southern France and Spain, showing its rich tradition of repeated attempts to achieve and portray direct experiences of God. The Origins of the Kabbalah is a contribution not only to the history of Jewish medieval mysticism, but also to the study of medieval mysticism in general. Now with a new foreword by David Biale, this book remains essential reading for students of the history of religion.

In this prizewinning new interpretation of Jewish mysticism, Moshe Idel emphasizes the need for a comparative and phenomenological approach to Kabbalah and its position in the history of religion. Idel provides fresh insights into the origins of Jewish mysticism, the relation between mystical and historical experience, and the impact of Jewish mysticism on western civilization. "Idel's book is studded with major insights, and innovative approaches to the entire history of Judaism, and mastery of it will be essential for all serious students of Jewish thought."--Arthur Green, New York Times Book Review "Moshe Idel's original, scholarly, and stimulating study of Kabbalah contains the promise of a masterwork."--Elie Wiesel "Moshe Idel's book can help the nonspecialized reader to reconsider the whole of Kabbalistic tradition in comparison with many aspects of contemporary thought."--Umberto Eco "There can be no dispute about the importance and originality of Idel's work. Offering a wealth of complementary insights to Gershom Scholem and his school, it will command a great deal of attention and serious discussion."--Alexander Altmann

This is the first translation with commentary of selections from The Zohar, the major text of the Kabbalah, the Jewish mystical tradition. This work was written in 13th-century Spain by Moses de Leon, a Spanish scholar.

Focuses on a range of Jewish and non-Jewish writers to examine the intersection of Kabbalah, the Jewish mystical tradition, and secular Jewish literatures. Kabbalah and Literature shows how the Jewish mystical tradition contributes to the renewal of literature in a modern, global, and increasingly disconnected age. Kitty Millet explores Kabbalah's conceptual underpinnings, aesthetic principles, tenets, and signifiers to demonstrate how literature's absorption of kabbalistic material has altered its ontology, function, and the tasks it sets for itself. Reading writers from Europe and the Americas, Kitty Millet maps how the kabbalist's desire to "recover Eden" transforms into a latent messianic drive only intuitable through text. Thus it charts a journey of sorts, a migration of Jewish mystical material embedded surreptitiously within text in order to shift ever so slightly at times the range of the literary to encompass an aesthetic vision not easily reducible to the literal, the known, the allegorical, or even the philosophical. In this way, Kabbalah and Literature proposes a novel, intuitive approach, shifting focus away from the Jewish text's epistemological elements to embrace its "secrets."

Introduces renderings of, and commentary on, Kabbalistic verse that emerged directly from Jewish mysticism and that reveals the foundations of both language and existence itself.

This book offers a reading of Andalusi, Jewish, and Arabic texts that represent the 12th and 13th centuries as the end of el-Andalus (Islamic Spain).