Toward the end of the year A.D. 8, the emperor Augustus publicly sentenced the poet Ovid to exile in remote and barbaric Tomis on the Black Sea. The action presumably followed a secret hearing before the emperor, and the official reason given for the sentence was Ovid's authorship of a licentious work, the Ars amatoria, ten years earlier. The Mystery of Ovid's Exile is both a survey and an analysis of the literary detective work that has been devoted to explaining the cause of Ovid's banishment from Rome. In poems composed during his exile, Ovid laments having written the Ars amatoria, but he obviously considers the poem to be merely a pretext for his punishment. His downfall appears to have been caused by his having witnessed, or in some fashion been implicated in, a crime committed either by the emperor himself or by an immediate member of the imperial family. However, it’s possible that Ovid's banishment may have been ordered merely because he was unwittingly in possession of the key to an embarrassing secret, the importance of which he might have realized had he remained in Rome. John C. Thibault examines more than one hundred available hypotheses that have been advanced by inquisitive scholars from the Middle Ages to our own day. He demonstrates the unsoundness of each hypothesis in turn, and suggests that a solution to the problem of Ovid's exile is not possible given the available evidence. The Mystery of Ovid's Exil treats a controversy that will fascinate classical scholars as well as general readers interested in Roman manners and morals of the period. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1964.

Banished by the emperor Augustus in AD 8 from Rome to the far-off shores of Romania, the poet Ovid stands at the head of the Western tradition of exiled authors. In his Tristia (Sad Things) and Epistulae ex Ponto (Letters from the Black Sea), Ovid records his unhappy experience of political, cultural, and linguistic displacement from his homeland. Two Thousand Years of Solitude: Exile After Ovid is an interdisciplinary study of the impact of Ovid's banishment upon later Western literature, exploring responses to Ovid's portrait of his life in exile. For a huge variety of writers throughout the world in the two millennia after his exile, Ovid has performed the rôle of archetypal exile, allowing them to articulate a range of experiences of disgrace, dislocation, and alienation; and to explore exile from a number of perspectives, including both the personal and the fictional.

Ovid was banished by the Emperor Augustus and died in exile ten years late. No one known why he was banished. Years after Ovid's death Marcus Corvinus, grandson of the poet's patron, tries to arrange the return of his ashes to Rome for burial. But official permission is refused; and Corvinus makes the dangerous mistake of asking why the Emperor will not make space in Italy for Ovid's bones.

A darkly brilliant first novel that imagines a missing chapter in the life of Ovid. Why was Ovid, the most popular author of his day, banished to the edges of the Roman Empire? Why do only two lines survive of his play Medea, reputedly his most passionate work and perhaps his most Accomplished? Between the known details of the poet's life and these enigmas, Jane Alison has Interpolated a haunting drama of passion and psychological manipulation. On holiday at the Black Sea, on the fringes of the Empire, Ovid encounters an almost otherworldly woman who seems to embody the fictitious creations of his soon-to-be-published Metamorphoses. Part healer, part witch, she seems myth come to life. Enchanted and obsessed -- and, for the first time in a long while, flush with inspiration -- Ovid takes her back with him to Rome. But the inexorable pull of ambition leads him to make a Faustian bargain with fate that will betray his newfound muse. As the two of them become entangled in its snares, the reader is drawn deep into an ingeniously enacted meditation on love, art, and the desire for immortality.

In the twenty-one poems of the Heroides, Ovid gave voice to the heroines and heroes of epic and myth. These deeply moving literary epistles reveal the happiness and torment of love, as the writers tell of their pain at separation, forgiveness of infidelity or anger at betrayal. The faithful Penelope wonders at the suspiciously long absence of Ulysses, while Dido bitterly reproaches Aeneas for too eagerly leaving her bed to follow his destiny, and Sappho - the only historical figure portrayed here - describes her passion for the cruelly rejecting Phaon. In the poetic letters between Paris and Helen the lovers seem oblivious to the tragedy prophesied for them, while in another exchange the youthful Leander asserts his foolhardy eagerness to risk his life to be with his beloved Hero.

This work brings together a selection of the author's articles, written over a period of 20 years, observing the place of alcohol in American culture. The text also contains several ethnographic studies of bars in San Diego and a study of court-mandated programmes for drink drivers.