Written Taiwanese provides the first comprehensive account of the different ways in which Taiwanese (i.e., the Southern Min language of Taiwan) has been represented in written sources. The scope of the study ranges from early popular writings in closely related dialects to present-day forms of written Taiwanese. The study treats written Taiwanese both as a linguistic and as a socio-political phenomenon. The linguistic description focuses on the interrelation between written units and Taiwanese speech and covers various linguistic subfields, such as Taiwanese lexicography, phonology, and morphosyntax. The socio-political analysis explores the historical backgrounds which have led to different conventions in writing Taiwanese.

Taiwan: Manipulation of Ideology and Struggle for Identity chronicles the turbulent relationship between Taiwan and China. This collection of essays aims to provide a critical analysis of the discourses surrounding the identity of Taiwan, its relationship with China, and global debates about Taiwan’s situation. Each chapter explores a unique aspect of Taiwan’s situation, fundamentally exploring how identity is framed in not only Taiwanese ideology, but in relation to the rest of the world. Focusing on how language is a means to maintaining a discourse of control, Taiwan: Manipulation of Ideology and Struggle for Identity delves into how Taiwan is determining its own sense of identity and language in the 21st century. This book targets researchers and students in discourse analysis, Taiwan studies, Chinese studies, and other subjects in social sciences and political science, as well as intellectuals in the public sphere all over the globe who are interested in the Taiwan issue.

National identity has been an ongoing political issue in Taiwan since the late-1890s. The Construction of National Identity in Taiwan’s Media, 1896-2012 breaks new ground with the most comprehensive analysis of the development of Taiwan’s media and the construction of national identity in Taiwan’s media. Using a variety of media contents including newspapers, opposition magazines, broadcasting radio, news TV stations and the Internet as well as numerous interviews with journalists, senior media staffs and academics, Dr Hsu provides many original insights into the formation of national identity in Taiwan's media. Taiwan's media began to demonstrate a variety of new identities under democratization. Part of this change responded to market conditions as a majority of Taiwan's population stressed their Taiwan identity.

Taiwanese Grammar: A Concise Reference is an unprecedented guide delivering clear, straightforward explanations of Taiwanese grammar while offering insightful comparisons to Mandarin. Designed to be both functional and accessible, the text makes searching for topics quick and easy with fully cross-referenced entries and a comprehensive index. Topics covered range broadly from parts of speech (nouns, verbs, adverbs, etc.) to grammatical topics (aspect, negation, passive voice, etc.) to special topics (terms of address, pronunciation, time, etc.). This text is ideal for self-study and enables students at all levels to learn Taiwanese by building a solid foundation in grammar. Taiwanese (also known as Hokkien, Fookien, Amoy, Southern Min, or Fukienese) along with its variants is spoken by over 40 million people worldwide and is a member of the Chinese language family. Features of this text include: • Easy-to-use reference guide with cross-referenced entries and a comprehensive index • 1000+ example sentences using everyday vocabulary rendered in Taiwanese, Mandarin Chinese, and English • Character script for Taiwanese in accordance with the official selection of Taiwanese Characters by the Taiwanese Ministry of Education (2007) • Romanization provided for both Taiwanese (Pe̍h-ōe-jī) and Mandarin Chinese (Hànyǔ Pīnyīn) • In-depth guide to pronunciation using English approximations and full explanations on rules for changing tones (tone sandhi) Tags: learn Taiwanese, learning Taiwanese, Taiwanese language, Taiwanese grammar, Taiwanese, Hokkien, learning Hokkien, Amoy, Southern Min, Fukienese, Fookien, Min nan

This wide-ranging Companion provides a vital overview of modern Chinese literature in different geopolitical areas, from the 1840s to now. It reviews major accomplishments of Chinese literary scholarship published in Chinese and English and brings attention to previously neglected, important areas. Offers the most thorough and concise coverage of modern Chinese literature to date, drawing attention to previously neglected areas such as late Qing, Sinophone, and ethnic minority literature Several chapters explore literature in relation to Sinophone geopolitics, regional culture, urban culture, visual culture, print media, and new media The introduction and two chapters furnish overviews of the institutional development of modern Chinese literature in Chinese and English scholarship since the mid-twentieth century Contributions from leading literary scholars in mainland China and Hong Kong add their voices to international scholarship

The peoples of Taiwan have been influenced by many different cultures and migrations throughout the island’s history. In the 20th and early 21st centuries especially it has been a stage for cultural and ethnic conflict, not least because of the arrival of mainland Chinese fleeing the Chinese Communist Revolution. The subsequent tensions between those who see Taiwan as a natural territory of China and those who would prefer to see it remain independent have brought to the fore questions of what it is to be ‘Taiwanese’. This book addresses the question of how Taiwanese identities have changed after the Taiwanization process which began in the 1990s. It also examines the impact of this process on cross-strait relations between Taiwan and the People's Republic of China after the return of the Kuomintang to power after 2008 and the Sunflower movement in 2014. The various contributors between them cover a range of topics including the waves of migration to Taiwan, changes of political regimes, generational differences and social movements. Taken as a whole, this book presents a nuanced picture of the patchwork of identities which exist in contemporary Taiwan.

What happens when language wars are not about hurling insults or quibbling over meanings, but are waged in the physical sounds and shapes of language itself? Native and foreign speakers, mother tongues and national languages, have jostled for distinction throughout the modern period. The fight for global dominance between the English and Chinese languages opens into historical battles over the control of the medium through standardization, technology, bilingualism, pronunciation, and literature in the Sinophone world. Encounters between global languages, as well as the internal tensions between Mandarin and other Chinese dialects, present a dynamic, interconnected picture of languages on the move. In Sound and Script in Chinese Diaspora, Jing Tsu explores the new global language trade, arguing that it aims at more sophisticated ways of exerting influence besides simply wielding knuckles of power. Through an analysis of the different relationships between language standardization, technologies of writing, and modern Chinese literature around the world from the nineteenth century to the present, this study transforms how we understand the power of language in migration and how that is changing the terms of cultural dominance. Drawing from an unusual array of archival sources, this study cuts across the usual China-West divide and puts its finger on the pulse of a pending supranational world under “literary governance.”

This book is an anthology of research co-edited by Dr. Chia-rong Wu (University of Canterbury) and Professor Ming-ju Fan (National Chengchi University). This collection of original essays integrates and expands research on Taiwan literature because it includes both established and young writers. It not only engages with the evolving trends of literary Taiwan, but also promotes the translocal consciousness and cultural diversity of the island state and beyond. Focusing on the new directions and trends of Taiwan literature, this edited book fits into Taiwan studies, Sinophone studies, and Asian studies.