Analyzes American painting depicting various aspects of World War II, including battle, prisoners, the homefront, recreation, and victory.

-World War I and American Art provides an unprecedented look at the ways in which American artists reacted to the war. Artists took a leading role in chronicling the war, crafting images that influenced public opinion, supported mobilization efforts, and helped to shape how the war's appalling human toll was memorialized. The book brings together paintings, drawings, prints, photographs, posters, and ephemera, spanning the diverse visual culture of the period to tell the story of a crucial turning point in the history of American art---

First published in 2013 by Lund Humphries.

A WWII combat artist shares his recollections—and his arresting artwork—from the frontlines of the Italian campaign in this military memoir. Many artists have fought in wars and later recorded heroic scenes of great battles. Yet few artists have created their work on the frontlines as they fought alongside their comrades. Edward Reep, as an official combat artist in World War II, painted and sketched while the battles of the Italian campaign raged around him. At Monte Cassino, the earth trembled as he attempted to paint the historic bombing of that magnificent abbey. Later, racing into Milan with armed partisans on the fenders of his Jeep, he saw the bodies of Mussolini and his beautiful mistress cut down from the gas station where they had been hanged by their heels. That same day he witnessed the spectacle of a large German army force holed up in a high-rise office tower, waiting for the chance to surrender to the proper American brass for fear of falling into the hands of the vengeful partisans. Reep’s recollections of such desperate days are captured in Combat Artist, both in the text and in the many painfully vivid paintings and drawings that accompany it. Reep’s battlefield drawings show us, with unrelenting honesty, the horrors and griefs?and the bitter comedy?of battle.

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

This is a book about a Scottish artist George Plante and how his art served an alliance between Britainand the United States during WorldWar II.

War, modernism, and the academic spirit -- Women in peril -- Mirroring masculinity -- Opposing visions -- Opening the floodgates -- To see or not to see -- Being there -- Behind the mask -- Monsters in our midst.

Published to celebrate The Metropolitan Museum of Art’s 150th anniversary, Making The Met, 1870–2020 examines the institution’s evolution from an idea—that art can inspire anyone who has access to it—to one of the most beloved global collections in the world. Focusing on key transformational moments, this richly illustrated book provides insight into the visionary figures and events that led The Met in new directions. Among the many topics explored are the impact of momentous acquisitions, the central importance of education and accessibility, the collaboration that resulted from international excavations, the Museum’s role in preserving cultural heritage, and its interaction with contemporary art and artists. Complementing this fascinating history are more than two hundred works that changed the very way we look at art, as well as rarely seen archival and behind-the-scenes images. In the final chapter, Met Director Max Hollein offers a meditation on evolving approaches to collecting art from around the world, strategies for reaching new and diverse audiences, and the role of museums today.

"The Ghost Army" is full of art and photographs telling the story of the 23rd Headquarters Special Troops, an extraordinary US Army unit that used inflatable tanks and sound effects records to stage a traveling road show of deception on the battlefields of Europe during WWII. Many who served in this to-secret unit were artists destined for illustrious post-war art careers, including a budding fashion designer named Bill Blass. In their spare time they painted and sketched their way across war-torn Europe. The book is a catalog for a museum exhibit about the unit, and a companion to the forthcoming documentary film.