This is a book about a Scottish artist George Plante and how his art served an alliance between Britainand the United States during WorldWar II.

The American War is one of the most popular periods to wargame, and rightly so; it is a fascinating period of history. This book offers the opportunity to learn how to paint wargames miniatures from someone who has been an experienced sculptor and painter. All of the main styles that are used for painting wargames miniatures are covered in great detail. For anyone wanting to start painting for the first time, these pages contain a wealth of information that will help you get started. The book covers: miniature preparation; layer painting; painting with washes; basing; horses and artillery and buildings and scenery. Each chapter is full of detailed step-by-step tutorials on how to paint wargames miniatures for the American Civil War. Superbly illustrated with 205 colour photographs that clearly show each stage of the painting or modelling process.

Miniature American Civil War figures have become extremely popular in the past few years. Using a clearly photographed step-by-step approach, Mike Davidson utilizes hobby paints and oils to bring these highly detailed miniatures to life. Mike also provides formulas for mixing a variety of Civil War uniform colors. While applied to a particular figure, the lessons and techniques learned from this book will enhance any American Civil War figure the reader may choose to paint. Mike Davidson is also the author of Painting Miniature Military Figures with Mike Davidson.

Examines the official art scheme as a key commemorative practice of the First World War.

This book examines a set of paintings produced in Japan during the 1930s and early 1940s that have received little scholarly attention. Asato Ikeda views the work of four prominent artists of the time—Yokoyama Taikan, Yasuda Yukihiko, Uemura Shōen, and Fujita Tsuguharu—through the lens of fascism, showing how their seemingly straightforward paintings of Mount Fuji, samurai, beautiful women, and the countryside supported the war by reinforcing a state ideology that justified violence in the name of the country’s cultural authenticity. She highlights the politics of “apolitical” art and challenges the postwar labeling of battle paintings—those depicting scenes of war and combat—as uniquely problematic. Yokoyama Taikan produced countless paintings of Mount Fuji as the embodiment of Japan’s “national body” and spirituality, in contrast to the modern West’s individualism and materialism. Yasuda Yukihiko located Japan in the Minamoto warriors of the medieval period, depicting them in the yamato-e style, which is defined as classically Japanese. Uemura Shōen sought to paint the quintessential Japanese woman, drawing on the Edo-period bijin-ga (beautiful women) genre while alluding to noh aesthetics and wartime gender expectations. For his subjects, Fujita Tsuguharu looked to the rural snow country, where, it was believed, authentic Japanese traditions could still be found. Although these artists employed different styles and favored different subjects, each maintained close ties with the state and presented what he considered to be the most representative and authentic portrayal of Japan. Throughout Ikeda takes into account the changing relationships between visual iconography/artistic style and its significance by carefully situating artworks within their specific historical and cultural moments. She reveals the global dimensions of wartime nationalist Japanese art and opens up the possibility of dialogue with scholarship on art produced in other countries around the same time, particularly Nazi Germany and Fascist Italy. The Politics of Painting will be welcomed by those interested in modern Japanese art and visual culture, and war art and fascism. Its analysis of painters and painting within larger currents in intellectual history will attract scholars of modern Japanese and East Asian studies.

World War II saw a large variety of uniforms on battlefields around the globe. Mike Davidson turns his painting skills to twentieth century warriors. Starting with commercially produced figures, he guides the reader through the process of assembly, painting, and mounting. There are also formulas for mixing a variety of World War II uniform colors to enhance any World War II figure the reader may choose.

The step-by-step building and painting guides in this book illustrate figures in scales from 1/150 to 1/32, which equates to wargame figures sizes from 10mm to 54mm. There are painting recipes featured for twenty- five uniforms covering the main branches of the Wehrmacht. These are: Afrika Korps; Fallschirmjager (parachutists); Feldgendarmerie (military police); Gebirgsjager (mountain troops); Heer (army); Panzer (tank crews); Waffen SS and U-boat crew. Preparation and assembly of white metal and plastic figures is covered in detail, and tutorials include techniques for building a wargames army quickly. Foreword by Rick Priestley it will appeal to all historical wargamers, particularly those interested in WWII and those interested in diorama making and figure modelling. Gives painting recipes for twenty-five uniforms covering the main branches of the Wehrmacht. The latest materials and techniques are covered which will benefit beginners as well as experienced modellers. Superbly illsutrated with 291 colour images.

Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.

Jenny Holzer (born 1950) became known in the 1980s with her billboards, projections and LED installations that often used text to deliver social critique. Jenny Holzer: War Paintings is a significant departure from the works for which she is known. It draws from declassified and US government documents concerning the War on Terror and military operations in Afghanistan and Iraq. Holzer transforms these redacted documents--memoranda, planning maps, diplomatic communiqués, interrogation records, autopsy reports and the handwritten cris de coeur of detainees themselves--into ravishing silkscreened and handpainted oil-on-linen paintings several times their original size. Holzer embarked on the war paintings in an effort to end the normalization of torture. This volume compiles over 200 images--full-bleed reproductions and installation views--of some of the most important political art of our time.

Colours Of War is a detailed and comprehensive system for painting Flames Of War miniatures.