The stories of fourteen women during the period from 1880 to 1929 who performed feats of daring from being shot out of a cannon to high-diving on horseback.

The perfect introduction for learning about women throughout history who dared to do the extraordinary! Inspire our new generation of women to explore, discover, persist, succeed, and fight like a girl! A great gift for girls 9-12! Women have been doing amazing, daring, and dangerous things for years, but they're rarely mentioned in our history books as adventurers, daredevils, or rebels. This new compilation of brief biographies features women throughout history who have risked their lives for adventure—many of whom you may not know, but all of whom you'll WANT to know, such as: Annie Edson Taylor, the first person who dared to go over Niagara Falls in a barrel Valentina Tereshkova, the first woman who dared to fly in space Helen Gibson, the first woman who dared to be a professional stunt person And many more! If you and your child enjoyed She Persisted by Chelsea Clinton, Little Dreamers, Goodnight Stories for Rebel Girls or Girls Think of Everything, you will love reading Women Who Dared.

Introduces inspiring women whose passions for exploration made them push the boundaries, including Nellie Cashman, Annie Smith Peck, and Delia Julia Denning Akeley.

An Notable Social Studies Trade Book for Young People Using journal entries, letters home, and song lyrics, the women of the West speak for themselves in these tales of courage, enduring spirit, and adventure. Women such as Amelia Stewart Knight traveling on the Oregon Trail, homesteader Miriam Colt, entrepreneur Clara Brown, army wife Frances Grummond, actress Adah Isaacs Menken, naturalist Martha Maxwell, missionary Narcissa Whitman, and political activist Mary Lease are introduced to readers through their harrowing stories of journeying across the plains and mountains to unknown land. Recounting the impact pioneers had on those who were already living in the region as well as how they adapted to their new lives and the rugged, often dangerous landscape, this exploration also offers resources for further study and reveals how these influential women tamed the Wild West.

ComicsAlliance and ComicsBlend Best Comic Book of the Year BUST Magazine “Lit Pick” Recommendation Certified Cool™ in PREVIEWS: The Comic Shop’s Catalog “Mike Madrid gives these forgotten superheroines their due. These ‘lost’ heroines are now found—to the delight of comic book lovers everywhere.” —STAN LEE Wonder Woman, Mary Marvel, and Sheena, Queen of the Jungle ruled the pages of comic books in the 1940s, but many other heroines of the WWII era have been forgotten. Through twenty-eight full reproductions of vintage Golden Age comics, Divas, Dames & Daredevils reintroduces their ingenious abilities to mete out justice to Nazis, aliens, and evildoers of all kinds. Each spine-tingling chapter opens with Mike Madrid’s insightful commentary about heroines at the dawn of the comic book industry and reveals a universe populated by extraordinary women—superheroes, reporters, galactic warriors, daring detectives, and ace fighter pilots—who protected America and the world with wit and guile. In these pages, fans will also meet heroines with striking similarities to more modern superheroes, including The Spider Queen, who deployed web shooters twenty years before Spider Man, and Marga the Panther Woman, whose feral instincts and sharp claws tore up the bad guys long before Wolverine. These women may have been overlooked in the annals of history, but their influence on popular culture, and the heroes we’re passionate about today, is unmistakable. Mike Madrid is the author of Divas, Dames & Daredevils: Lost Heroines of Golden Age Comics and The Supergirls: Fashion, Feminism, Fantasy, and the History of Comic Book Heroines, an NPR “Best Book To Share With Your Friends” and American Library Association Amelia Bloomer Project Notable Book. Madrid, a San Francisco native and lifelong fan of comic books and popular culture, also appears in the documentary Wonder Women! The Untold Story of American Superheroines.

A feminist history of bicycling for sport and adventure spans a century of women who changed the world from two wheels. This vivacious tale, peppered with fascinating details from primary sources, shows how women were sometimes the stars of bicycle races and exhibitions, and other times had to overcome sexism, exclusion, and economic inequalities in order to ride. From the almost burlesque show races and creative performances of the 19th century to the evolution of cycling as a modern sport and form of transportation, April Streeter brings her exuberant eye for character, fashion, and story to convey the evolving emotional resonance of bicycling for women and their communities. Interweaving pedal-powered history with profiles of bicyclists who made their mark, like Katharine Hepburn, Annie Londonderry, Kittie Knox, Dorothy Lawrence, Louise Armaindo, and more.

To survive Totalitarianism and retain their humanity, Czech women writers went underground to write, paint, sculpt, and create supportive communities. This book explores fiction, poetry, and life-sustaining activities of Eva Švankmajerová, “Mother of Czech Surrealism,” and Eda Kriseová, journalist, fiction writer, essayist, and activist who served in President Václav Havel’s first Cabinet, among other Czech women who wrote and engaged in dissent during the years when Czechoslovakia ached under Soviet rule. Women’s Artistic Dissent: Repelling Totalitarianism in pre-1989 Czechoslovakia highlights and unearths the work of women that is often undervalued and unacknowledged. Flanagan and Waisserová carefully detail the variety of ways in which women resisted through literature and ecological activities, shedding new light on the ways in which individuals and communities can retain their humanity even as they resist and repel dictatorial regimes in their countries.

They've traded punches in knockdown brawls, crashed biplanes through barns, and raced to the rescue in fast cars. They add suspense and drama to the story, portraying the swimmer stalked by the menacing shark, the heroine dangling twenty feet below a soaring hot air balloon, or the woman leaping nine feet over a wall to escape a dog attack. Only an expert can make such feats of daring look easy, and stuntwomen with the skills to perform -- and survive -- great moments of action in movies have been hitting their mark in Hollywood since the beginning of film. Here, Mollie Gregory presents the first history of stuntwomen in the film industry from the silent era to the twenty-first century. In the early years of motion pictures, women were highly involved in all aspects of film production, but they were marginalized as movies became popular, and more important, profitable. Capable stuntwomen were replaced by men in wigs, and very few worked between the 1930s and 1960s. As late as the 1990s, men wore wigs and women's clothes to double as actresses, and were even "painted down" for some performances, while men and women of color were regularly denied stunt work. For decades, stuntwomen have faced institutional discrimination, unequal pay, and sexual harassment even as they jumped from speeding trains and raced horse-drawn carriages away from burning buildings. Featuring sixty-five interviews, Stuntwomen showcases the absorbing stories and uncommon courage of women who make their living planning and performing action-packed sequences that keep viewers' hearts racing.

This book is concerned with the figure of the female performer in nineteenth-century fiction. It explores the attitudes of Henry James, Nathaniel Hawthorne and Emile Zola towards women’s appearances on political daises and theatrical stages. Literature as a cultural force can either boost women’s participation in public life or bolster the patriarchal ideology. The book verifies Henry James’s feminist ideology that lies behind the positive representation of women’s political activism and acting, as two different modes of performance, through a comparative study between him and two of his contemporary novelists. It reflects the clash of opinions among nineteenth-century American and French authors on the issue of women’s public manifestation as caught between the spectacular and the political. While some writers have deemed it an exhibitionist demeanour, others have considered it a commitment to the feminist project. The first section shows how a feminist reading in the history of European and American female performers as emerging figures in the nineteenth century can help to understand the position of the figure in the literary works of the period. Nathaniel Hawthorne is shown to be an author who holds the same feminist temperament as James through his portrayal of a talented political rhetorician in his novel The Blithedale Romance, which is compared to James’s The Bostonians in the second section. The final part conducts a study in contrasts between James’s supportive rendering of the actress in The Tragic Muse and Emile Zola’s derogatory stereotyping of the female performer as a prostitute in his novel Nana.

"The examination of women and violence has traditionally focused on women who are killed or who are the victims of violence. Women murderers were often portrayed as vengeful wronged women or as maternal protectors. Recently, however, there have been significant shifts in the characterization of women who kill, in both popular culture (Lara Croft, Buffy, and Kill Bill) and in the current global political landscape (the so-called angels of death in Palestine). The essays in this book explore gender and violence by focusing on visual culture -- films, museums, art, archives, and the news media -- and by engaging with contemporary theories and practices of identity politics and the debates about the ethics and politics of representation itself. Does representation create or recreate the conditions of violence? Is representation itself a form of violence? Weaving between fact and fiction, the contributors examine the powerful role culture plays in the production and reproduction of social meaning. The collection offers fresh analyses of well-established sources for the study of women and violence, including the horror film and the court trials of women who have killed their abusive husbands. It adds significant new dimensions to the characterization of gender and violence with the inclusion of nationalism and war, feminist media, and the exploration of violence circulated through non-obvious sources, such as medical cultural practice and the information society."--P. [4] of cover.