This true crime biography reveals the disturbing story of a serial killer who terrorized central Michigan—and now has a chance to go free. As a former youth pastor who attended the Michigan State University School of Criminal Justice, Don Miller seemed like a decent young man. But in 1978, he was arrested for the attempted murder of two teenagers. Police soon connected Miller to the disappearances of four women. In exchange for a controversial plea bargain, he led police to the missing women’s bodies. Now, thanks to the deal he was offered and changes to Michigan law, Miller is allowed to seek parole once a year. In Killing Women, author Rodney Sadler examines the crimes, the “justice” meted out, and the possibility that Miller could be unleashed on the world once again.

A study of women murderers in America from precolonial times to the present reveals a social history of the United States in terms of the women who murdered and their crimes.

The “engrossing, thoroughly researched look at women who are in romantic relationships with incarcerated men”—fully updated with twenty-first-century cases (Publishers Weekly). In 1991, Sheila Isenberg’s classic study Women Who Love Men Who Kill asked the provocative question, “Why do women fall in love with convicted murderers?” Now, Isenberg returns to the same question in the age of smart phones, social media, mass shootings, and modern prison dating. The result is a compelling psychological study of prison passion in the new millennium. Isenberg conducts extensive interviews with women who seek relationships with convicted killers, as well as conversations with psychiatrists, social workers, and prison officials. She shows that many of these women know exactly what they are getting into—yet they are willing to sacrifice everything for the sake of a love without hope, promise, or consummation. This edition of Women Who Love Men Who Kill includes gripping new case studies and an absorbing look at how the digital age is revolutionizing this phenomenon. Meet the young women writing “fan fiction” featuring America’s most sadistic murderers; the killer serving consecutive life sentences for strangling his wife and smothering his toddler daughters—and the women who visit him in prison; the high-powered journalist who fell in love and risked it all for “Pharma Bro” Martin Shkreli; and many other women absorbed in online and real-life dalliances with their killer men.

A genre-bending feminist account of four Chilean women who committed the double transgression of murder, violating not only criminal law but also the invisible laws of gender. Women Who Kill: Four Crimes Retold analyzes four homicides carried out by Chilean women over the course of the twentieth century. Drawing on her training as a lawyer, Alia Trabucco Zerán offers a nuanced close reading of their lives and crimes, foregoing sensationalism in order to dissect how all four were both perpetrators of violent acts and victims of another, more insidious kind of violence. This radical retelling challenges the archetype of the woman murderer and reveals another narrative, one as disturbing and provocative as the transgressions themselves: What makes women lash out against the restraints of gendered domesticity, and how do we—readers, viewers, the media, the art world, the political establishment—treat them when they do? Expertly intertwining true crime, critical essay, and research diary, International Booker Prize finalist Alia Trabucco Zerán (The Remainder), in a translation by Sophie Hughes, brings an overdue feminist perspective to the study of deviant women.

A startling analysis of the killing of over 500 women in Ju rez to help readers understand the presence of suffering and evil. Making expert use of narrative theology, Prof. Lu vano uses the killing of over 500 women since 1993 in Ciudad Ju rez as a lens to examine and attempt to understand the role that suffering plays in God's love and relationship with humankind. The first three chapters that form Part I describe events in northern Mexico that provide the context for the killing of young women. The five chapters in the second part examine different themes within the broad context of theodicy the nature of God, the traditional teaching of the church, and contemporary theological approaches to human suffering (e.g., Soelle, Wiesel, Moltman).

In ordinary life an Athenian woman was allowed no accomplishments beyond leading a quiet, exemplary existence as wife and mother. In Greek tragedy, however, women die violently and, through violence, master their fate. Through her reading of these texts, Loraux elicits an array of insights into Greek attitudes toward death, sexuality, and gender.

The essays in Killing Women: The Visual Culture of Gender and Violence find important connections in the ways that women are portrayed in relation to violence, whether they are murder victims or killers. The book’s extensive cultural contexts acknowledge and engage with contemporary theories and practices of identity politics and debates about the ethics and politics of representation itself. Does representation produce or reproduce the conditions of violence? Is representation itself a form of violence? This book adds significant new dimensions to the characterization of gender and violence by discussing nationalism and war, feminist media, and the depiction of violence throughout society.

The late nineteenth and early twentieth centuries were a revolutionary period in the lives of women, and the shifting perceptions of women and their role in society were equally apparent in the courtroom. Women Who Kill Men examines eighteen sensational cases of women on trial for murder from 1870 to 1958. The fascinating details of these murder trials, documented in court records and embellished newspaper coverage, mirrored the changing public image of women. Although murder was clearly outside the norm for standard female behavior, most women and their attorneys relied on gendered stereotypes and language to create their defense and sometimes to leverage their status in a patriarchal system. Those who could successfully dress and act the part of the victim were most often able to win the sympathies of the jury. Gender mattered. And though the norms shifted over time, the press, attorneys, and juries were all informed by contemporary gender stereotypes.

Women who kill rupture our assumptions about what a woman is. This book explores different socio-cultural understandings of women who commit, or are accused, of murder. A wide range of cases are discussed in order to highlight the ways in which such women have been perceived, and how such cases reflect important social and cultural shifts.

A compassionate look at 42 battered women who felt "locked in with danger and so desperate that they killed a man they loved"; scholarly and compelling.