The book is a history of Wilshire Boulevard Temple, the oldest Synagogue in Los Angeles, and how the Temple and the members of the congregation were and are part of the fabric of the City of Los Angeles. Photographs illustrate the building of the temple, the two-year renovation effort beginning in 2009 (led by Levin & Associates) and the restoration and description of the Warner Murals inside the temple.

Introduction: Standing before the Arch of Titus menorah -- From Titus to Moses-and back -- Flavian Rome to the nineteenth century -- Modernism, Zionism, and the menorah -- Creating a national symbol -- A Jewish holy grail -- The menorah at the Vatican -- Illuminating the path to Armageddon

Publisher Description

Among the intellectual luminaries dotting the millennia of Jewish history, none shines brighter than Maimonides (1138-1204). He was a rabbi, jurist, Talmudist, philosopher, physician, astronomer, and communal leader, and produced a myriad of writings on halakhah, theology, medicine, and philosophy that have attained near-canonical status. We have more source material from or about Maimonides than possibly any other Jewish figure in the medieval period, and more has been written about him than perhaps any other Jew in history. Epithets like the ‘Great Eagle’ and the ‘Western Light’ – and the glorifying statement ‘From Moses to Moses, none arose like Moses’ – reflect centuries of authority, influence, and fascination. The Golden Path traces the impact and reception of Maimonides and his thought through a study of materiality, specifically the production and dissemination of textual objects. It consists of two sections: a descriptive catalogue of an exceptional private collection of manuscripts and rare books; and essays from leading scholars on aspects of Maimonides's cultural context, influence, and appropriation through disparate eras and geopolitical spheres. Combining intellectual, reception, and book historical research, the heavily illustrated volume explores his effects in assorted social and political circumstances, across diverse intellectual and cultural environments.

This full colour publication explores the rich and diverse response to the quest to sustain the Hebrew heritage that has resulted in prominent designs.

In this volume, the relationship between Jews and media is not only vividly illustrated, but it is consciously drawn into the formation of modern Jewish history and modern media. Maya Balakirsky Katz addresses key Jewish-media intersections in which Jews and mass media implicated (or were implicated by) one another. In this study, Katz discusses the relationship that Jews have had with mass media forms of print, film, photography, advertising, and postcards within the periods that these media have gained cultural ascendancy. These historical moments are tethered to a broader conversation addressing the major theoretical issues at the center of the discourse on Jews and media. Bearing this mutually constructive relationship in mind, Intersections between Jews and Media offers both a tangible demographic portrait of the real Jews who entered mass media and lays a theoretical and methodological framework for more qualitative analyses.

This book establishes the profound significance of MGM's 1940 film The Mortal Storm, the first major Hollywood production to depict the plight of Jews in Germany before the Holocaust. Based on Phyllis Bottome's best seller, also titled The Mortal Storm, the film was made amidst the bitter debate that occurred between 1938 and 1941 over whether the United States should involve itself in another European war or remain an isolationist country, as Charles Lindbergh among others urged. In 1941, the film triggered the first hostile Congressional investigation of Hollywood where the studios were accused of allegedly propagandizing for war. Lindbergh had secretly urged the Hollywood hearings, inspired by his own growing antisemitism, as his unpublished diary reveals. Hollywood studios, in turn, regarded the growing European crisis with ambivalence. They feared being accused in a film like The Mortal Storm of using the movies to represent the fate of Europe's imperiled Jews. Louis B. Mayer, the head of MGM, insisted the word “Jew” be removed from the film and “non-Aryan” be used instead, hoping to confuse American audiences about the film's real intent. Jimmy Stewart, who starred in the film, took it on the road to urge American aid to Britain, while Lindbergh prepared his own campaign to denounce American Jews for luring the country into war. The book reveals how closely Hollywood and politics were entwined on the eve of war. It also reveals how closely the plight of Europe's Jews and American antisemitism were entwined at the same time.

Stunning photographs, fascinating text, and easy GPS directions for finding gracious architecture, fabulous artwork, and memorable gravesites of famous Los Angeles “residents.” Award-winning photographer/writer Douglas Keister has authored thirty-six critically acclaimed books on residential architecture as well as those on cemetery exploration. He lives in Chico, California. A simple guide for cemetery lovers.