Luminous, gorgeously realized landscape paintings made en plein air by members of the California Art Club over the past 100 years. This volume showcases 200 works by California Art Club artists who have focused on the evocative seascapes, charming seaside towns, and beach communities from San Diego to San Francisco, demonstrating a breathtaking range of natural settings suffused with atmosphere, drama, and light. Since the dawn of the twentieth century, California has been home to artists from all over America and Europe who aspired to depict the state’s compelling natural landscapes on canvas. In 1909, these artists founded the California Art Club, which stands today as one of the most esteemed painting societies in the United States. This volume, which follows Skira Rizzoli’s luminous California Light: A Century of Landscapes, presents more of the club’s distinctive and lush plein air painting, an impressionistic style in which painters work outdoors in order to capture the ephemeral moment when the natural lighting of a landscape elevates an already beautiful scene into something sublime. As observed by W.H. Auden, “Thousands have lived without love, not one without water.” We as a species are drawn to the sea—artists perhaps even more so than others, as beautifully evidenced in this book.

Paint Your Town Red tells the story of how one city in the north of England decided to level up without waiting for Whitehall. Across the world, there is a growing recognition that a new kind of economy is needed: more democratic, less exploitative, less destructive of society and the planet. Paint Your Town Red looks at how wealth can be generated and shared at a local level through the experience of one of the main advocates of the new Democratic Economy, Matthew Brown, the driving-force behind the world-recognized Preston Model. Using analysis, interviews and case studies to explain what Matthew and Preston City Council have done over the last decade in order to earn Preston the title of Most Improved City, the book shows how the model can be adapted to fit different local circumstances, as well as demonstrating how Preston itself adapted economic and democratic experiments in ‘community wealth-building’ from elsewhere in the US and Europe. Preston’s success shows that the ideas of community wealth-building work in practice and have the capacity to achieve a meaningful transfer of wealth and power back to local communities. A lot of recent coverage and references have tended to oversimplify the Preston Model, which is not just about ‘buying local’ but a comprehensive project, which envisions local and regional discussions and collaboration adding up to a wholesale transformation of our currently failing economic systems.

"The history of the local art environments of Houston, Texas"--

Contains a collection of illustrated instructions and photographs for creating a number of painted houses, cottages, and towns on rocks from country churches, barns, and farmhouses to Victorian mansions.

Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities.

Featuring 53 towns new to this edition, this book lists the most art-friendly small communities throughout the United States and in several Canadian provinces.

The intensely political cultural production that erupted during Hungary's short-lived Soviet Republic of 1919 encompassed music, art, literature, film and theatre. 'Painting the Town Red' is the little-known history of these developments. The book opens with an overview of the political context in Hungary after the First World War and how the Soviet Republic emerged in the chaotic months which followed the collapse of the Austro-Hungarian Dual Monarchy. It looks at the subsequent roles during the Soviet Republic of artists, film-makers, actors, musicians and writers, and the attitude of the newly established People's Commissariat for Education and Culture, in which the future internationally renowned Marxist Gyorgy Lukacs played a leading role. At its centre are the questions: why did so many prominent people in the arts world participate in the Soviet Republic and why did their initial enthusiasm later subside? Painting the Town Red is an important contribution to the lively debate about the interaction between art and politics.

In this exuberant picture book about transformation through art, Mira lives in a gray urban community until a muralist arrives and, along with his paints and brushes, brings color, joy, and hope to the neighborhood. What good can a splash of color do in a community of gray? As Mira and her neighbors discover, more than you might ever imagine! Based on the true story of the Urban Art Trail in San Diego, California, Maybe Something Beautiful reveals how art can inspire transformation—and how even the smallest artists can accomplish something big. Pick up a paintbrush and join the celebration! "Simply superb.” (Kirkus) Tomás Rivera Book Award * ALA Notable Children's Book * Chicago Public Library Best of the Best Books of the Year * Huffington Post Best Picture Books of the Year * Kirkus Best of the Year * School Library Journal Top 10 LatinX of the Year

“I feel like a new man,” is an expression we often hear. The rejuvenation of the person concerned is often attributed to any one of a variety of physical factors, from feeling fitter by going more to the gym to losing weight by going less to the biscuit tin. When Sammy Graham became a new man, though, it was for a different reason, and caused some sensation. The tearaway who as a youth had literally painted the town red, changed. Incredible! The young rebel who was once the plague of the district police force submitting to authority. You must be joking! The ardent activist who had helped form the local branch of the UDA going to church every Sunday. Unbelievable! It sounded impossible but it was true. The man who was for years the talk of the town for all the wrong reasons had become a new man through faith in Christ. Sammy’s intriguing life story didn’t end there, either. That is really only where it began. This updated edition contains stories about a wedding in Russia, a dedication in America, the vision of the Band of Brothers, lives transformed and joy restored through the power of God, and Daniel, the first of a new generation in the Graham family.