Paint Your Town Red tells the story of how one city in the north of England decided to level up without waiting for Whitehall. Across the world, there is a growing recognition that a new kind of economy is needed: more democratic, less exploitative, less destructive of society and the planet. Paint Your Town Red looks at how wealth can be generated and shared at a local level through the experience of one of the main advocates of the new Democratic Economy, Matthew Brown, the driving-force behind the world-recognized Preston Model. Using analysis, interviews and case studies to explain what Matthew and Preston City Council have done over the last decade in order to earn Preston the title of Most Improved City, the book shows how the model can be adapted to fit different local circumstances, as well as demonstrating how Preston itself adapted economic and democratic experiments in ‘community wealth-building’ from elsewhere in the US and Europe. Preston’s success shows that the ideas of community wealth-building work in practice and have the capacity to achieve a meaningful transfer of wealth and power back to local communities. A lot of recent coverage and references have tended to oversimplify the Preston Model, which is not just about ‘buying local’ but a comprehensive project, which envisions local and regional discussions and collaboration adding up to a wholesale transformation of our currently failing economic systems.

Painting the City Red illuminates the dynamic relationship between the visual media, particularly film and theater, and the planning and development of cities in China and Taiwan, from the emergence of the People’s Republic in 1949 to the staging of the Beijing Olympics in 2008. Yomi Braester argues that the transformation of Chinese cities in recent decades is a result not only of China’s abandonment of Maoist economic planning in favor of capitalist globalization but also of a shift in visual practices. Rather than simply reflect urban culture, movies and stage dramas have facilitated the development of new perceptions of space and time, representing the future city variously as an ideal socialist city, a metropolis integrated into the global economy, and a site for preserving cultural heritage. Drawing on extensive archival research, interviews with leading filmmakers and urban planners, and close readings of scripts and images, Braester describes how films and stage plays have promoted and opposed official urban plans and policies as they have addressed issues such as demolition-and-relocation plans, the preservation of vernacular architecture, and the global real estate market. He shows how the cinematic rewriting of historical narratives has accompanied the spatial reorganization of specific urban sites, including Nanjing Road in Shanghai; veterans’ villages in Taipei; and Tiananmen Square, centuries-old courtyards, and postmodern architectural landmarks in Beijing. In Painting the City Red, Braester reveals the role that film and theater have played in mediating state power, cultural norms, and the struggle for civil society in Chinese cities.

“I feel like a new man,” is an expression we often hear. The rejuvenation of the person concerned is often attributed to any one of a variety of physical factors, from feeling fitter by going more to the gym to losing weight by going less to the biscuit tin. When Sammy Graham became a new man, though, it was for a different reason, and caused some sensation. The tearaway who as a youth had literally painted the town red, changed. Incredible! The young rebel who was once the plague of the district police force submitting to authority. You must be joking! The ardent activist who had helped form the local branch of the UDA going to church every Sunday. Unbelievable! It sounded impossible but it was true. The man who was for years the talk of the town for all the wrong reasons had become a new man through faith in Christ. Sammy’s intriguing life story didn’t end there, either. That is really only where it began. This updated edition contains stories about a wedding in Russia, a dedication in America, the vision of the Band of Brothers, lives transformed and joy restored through the power of God, and Daniel, the first of a new generation in the Graham family.

Discover hundreds of entertaining and often hilarious etymological journeys, by the bestselling author of Can Holding in a Fart Kill You? English is filled with curious, intriguing and bizarre phrases. This book reveals the surprising, captivating and even hilarious origins behind 400 of them, including: • Read between the Lines • Cat Got Your Tongue? • Put a Sock in It • Close, but No Cigar • Bring Home the Bacon • Caught Red-Handed • Under the Weather • Raining Cats and Dogs Perfect for trivia and language lovers alike, this entertaining collection is the ultimate guide to understanding these baffling mini mysteries of the English language.

Story about Emma whose baby brother has Down Syndrome. Suitable for ages 3-6.

This New York Times bestselling book is filled with hundreds of fun, deceptively simple, budget-friendly ideas for sprucing up your home. With two home renovations under their (tool) belts and millions of hits per month on their blog YoungHouseLove.com, Sherry and John Petersik are home-improvement enthusiasts primed to pass on a slew of projects, tricks, and techniques to do-it-yourselfers of all levels. Packed with 243 tips and ideas—both classic and unexpected—and more than 400 photographs and illustrations, this is a book that readers will return to again and again for the creative projects and easy-to-follow instructions in the relatable voice the Petersiks are known for. Learn to trick out a thrift-store mirror, spice up plain old roller shades, "hack" your Ikea table to create three distinct looks, and so much more.

Racial tension, a forbidden love affair, and murder are seen through the eyes of a seven-year-old boy in a 1950s Southern cotton-farming community

“Haunted and haunting. . . . With fearlessness and humility, in a narrative that flows more artfully than ever between destruction and rebirth, Erdrich has opened herself to possibilities beyond what we merely see—to the dead alive and busy, to the breath of trees and the souls of wolves—and inspires readers to open their hearts to these mysteries as well.”— Washington Post Book World From the author of the National Book Award Winner The Round House, Louise Erdrich's breathtaking, lyrical novel of a priceless Ojibwe artifact and the effect it has had on those who have come into contact with it over the years. While appraising the estate of a New Hampshire family descended from a North Dakota Indian agent, Faye Travers is startled to discover a rare moose skin and cedar drum fashioned long ago by an Ojibwe artisan. And so begins an illuminating journey both backward and forward in time, following the strange passage of a powerful yet delicate instrument, and revealing the extraordinary lives it has touched and defined. Compelling and unforgettable, Louise Erdrich's Painted Drum explores the often-fraught relationship between mothers and daughters, the strength of family, and the intricate rhythms of grief with all the grace, wit, and startling beauty that characterizes this acclaimed author's finest work.

"The history of the local art environments of Houston, Texas"--

Miranda Trent has set up a sweet life in a scenic corner of Appalachia—until she stumbles across the trail of a killer . . . After inheriting her uncle’s Red River Gorge homestead in Eastern Kentucky—smack dab in the middle of the Daniel Boone National Forest—Miranda comes up with a perfect business plan for summer tourists: pairing outdoor painting classes with sips of local moonshine, followed by a mouthwatering sampler of the best in southern cooking. To Miranda’s delight, Paint & Shine is a total success—until someone kills the cook. As the town’s outsider, suspicion naturally falls on Miranda. Murdering the best biscuit baker of Red River Gorge is a high crime in these parts. Miranda will have to prove her innocence before she’s moved from farmhouse to jail cell faster than she can say “white lightning” . . . “Set against the blazing backdrop of an Appalachian fall, Still Knife Painting serves up a tasty stew of murder and moonshine. In this series debut, Cheryl Hollon weaves a tale as complex and country as the antique braided rug that figures in the story.” —Barbara Ross, author of the Maine Clambake Mysteries “Cozy mystery fans will make room on their keeper shelves for Hollon’s charming new series.” —Ellery Adams, New York Timesand USA Today bestselling author