A criticism and interpretation of Saroyan's work.

In this work, the author tells how Saroyan transformed the short story by personalizing it and by loosening the structure of the novella form. He went on to bring new life to the theater and to the telling of autobiography. Better than that of any recent drama critic, Balakian's chapters on the theater place Saroyan's plays in the larger framework of the American theater of his time and achieve the creation of a total picture of the state of the American theater of the 1930s.

"Marvelously captivating." — The New York Times. First published in 1940, Saroyan's international bestseller recounts the exploits of an Armenian clan in northern California at the turn of the 20th century. Based on the author's loving and eccentric extended family, the characters in these 14 related short stories provide humorous and touching scenes from immigrant life.

An illustrated compilation of critical essays, intimate recollections, biographical notes, and interviews which sheds new light on the life and work of Pulitzer Prize winner William Saroyan (1913-81). Reflections by his son and daughter and a candid interview with Garig Basmadjian reveal the intimate side of the talented celebrity trying to cope with his human weakness.

A biography of William Saroyan, an American author working mainly in the middle of the twentieth century.

Two-volume set that presents an introduction to American short fiction from the 19th century to the present.

Armenian-American author William Saroyan enjoyed tremendous popularity in the 1930s with his stories of immigrants and children of Fresno, California. Saroyan's short story collection The Man on the Flying Trapese (1934), his Pulitzer Prize-winning play The Time of Your Life (1940) and the story collection My name is Aram (1941) were commercial and critical successes, establishing Sarayon as a major author of that period. Harry Keyishian's aim in editing this collection of critical essays is to provide a broad selection of the best thought on Saroyan's life and writing, and to introduce several previously unpublished essays that focus more specifically on the texts themselves.

After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions—sex, booze, gambling—More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly. From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994.

Everyone’s favorite Dirty Old Man returns with a new volume of uncollected work. Charles Bukowski (1920–1994), one of the most outrageous figures of twentieth-century American literature, was so prolific that many significant pieces never found their way into his books. Absence of the Hero contains much of his earliest fiction, unseen in decades, as well as a number of previously unpublished stories and essays. The classic Bukowskian obsessions are here: sex, booze, and gambling, along with trenchant analysis of what he calls "Playing and Being the Pet." Among the book's highlights are tales of his infamous public readings ("The Big Dope Reading," "I Just Write Poetry So I Can Go to Bed with Girls"); a review of his own first book; hilarious installments of his newspaper column, Notes of a Dirty Old Man, including meditations on neo-Nazis and driving in Los Angeles; and an uncharacteristic tale of getting lost in the Utah woods ("Bukowski Takes a Trip"). Yet the book also showcases the other Bukowski-an astute if offbeat literary critic. From his own "Manifesto" to his account of poetry in Los Angeles ("A Foreword to These Poets") to idiosyncratic evaluations of Allen Ginsberg, Robert Creeley, LeRoi Jones, and Louis Zukofsky, Absence of the Hero reveals the intellectual hidden beneath the gruff exterior. Our second volume of his uncollected prose, Absence of the Hero is a major addition to the Bukowski canon, essential for fans, yet suitable for new readers as an introduction to the wide range of his work. "He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."—Tom Waits "This second volume of Bukowski's uncollected stories and essays offers all that Bukowski is known for—wry obscenity, smutty wisdom, seeming ramblings whose hidden smarts catch you unaware--but in addition there are moments here in which he takes off the mask and strips away the bravado to show himself at his most vulnerable and human. A must for Bukowski aficionados."—Brian Evenson, author of Last Days and The Open Curtain "Like a brass-rail Existentialist or a skid-row Transcendentalist, [Bukowski] is candid, unblinking, leaving it to his readers to cast their own judgment about his mishaps, his drinking, his sexual appetite or his own pessimism. He is Ralph Waldo Emerson as a Dirty Old Man, not lounging in the grape-arbor of Concord, Massachusetts, but bent-over a table in an L.A. flophouse scribbling in pencil to the strains of Sibelius."—Paul Maher Jr., Phawker "[Bukowski] could be generous and mean-spirited, heroic and defensive, spot-on and slanted, but he became the world-class writer he had set out to be; he has joined the permanent anti-canon or shadow-canon whose denizens had shown him the way. Today the frequent allusions to him in both popular and mainstream culture tend more to respect than mockery. If scholarship has lagged, this book would indicate that this situation is changing."—Gerald Locklin, Resources for American Literary Study "The pieces range over nearly half a century, and include a story about a baseball player seized by a sudden bout of existential paralysis, along with early, graphically sexual (and masterfully comic) stories published in such smut mags as Candid Press."—Penthouse "An absolute must for fans of Charles Bukowski's work, Absence of a Hero is also a welcome addition to public and college library literary studies shelves."—Midwest Book Review