Everyone’s favorite Dirty Old Man returns with a new volume of uncollected work. Charles Bukowski (1920–1994), one of the most outrageous figures of twentieth-century American literature, was so prolific that many significant pieces never found their way into his books. Absence of the Hero contains much of his earliest fiction, unseen in decades, as well as a number of previously unpublished stories and essays. The classic Bukowskian obsessions are here: sex, booze, and gambling, along with trenchant analysis of what he calls "Playing and Being the Pet." Among the book's highlights are tales of his infamous public readings ("The Big Dope Reading," "I Just Write Poetry So I Can Go to Bed with Girls"); a review of his own first book; hilarious installments of his newspaper column, Notes of a Dirty Old Man, including meditations on neo-Nazis and driving in Los Angeles; and an uncharacteristic tale of getting lost in the Utah woods ("Bukowski Takes a Trip"). Yet the book also showcases the other Bukowski-an astute if offbeat literary critic. From his own "Manifesto" to his account of poetry in Los Angeles ("A Foreword to These Poets") to idiosyncratic evaluations of Allen Ginsberg, Robert Creeley, LeRoi Jones, and Louis Zukofsky, Absence of the Hero reveals the intellectual hidden beneath the gruff exterior. Our second volume of his uncollected prose, Absence of the Hero is a major addition to the Bukowski canon, essential for fans, yet suitable for new readers as an introduction to the wide range of his work. "He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."—Tom Waits "This second volume of Bukowski's uncollected stories and essays offers all that Bukowski is known for—wry obscenity, smutty wisdom, seeming ramblings whose hidden smarts catch you unaware--but in addition there are moments here in which he takes off the mask and strips away the bravado to show himself at his most vulnerable and human. A must for Bukowski aficionados."—Brian Evenson, author of Last Days and The Open Curtain "Like a brass-rail Existentialist or a skid-row Transcendentalist, [Bukowski] is candid, unblinking, leaving it to his readers to cast their own judgment about his mishaps, his drinking, his sexual appetite or his own pessimism. He is Ralph Waldo Emerson as a Dirty Old Man, not lounging in the grape-arbor of Concord, Massachusetts, but bent-over a table in an L.A. flophouse scribbling in pencil to the strains of Sibelius."—Paul Maher Jr., Phawker "[Bukowski] could be generous and mean-spirited, heroic and defensive, spot-on and slanted, but he became the world-class writer he had set out to be; he has joined the permanent anti-canon or shadow-canon whose denizens had shown him the way. Today the frequent allusions to him in both popular and mainstream culture tend more to respect than mockery. If scholarship has lagged, this book would indicate that this situation is changing."—Gerald Locklin, Resources for American Literary Study "The pieces range over nearly half a century, and include a story about a baseball player seized by a sudden bout of existential paralysis, along with early, graphically sexual (and masterfully comic) stories published in such smut mags as Candid Press."—Penthouse "An absolute must for fans of Charles Bukowski's work, Absence of a Hero is also a welcome addition to public and college library literary studies shelves."—Midwest Book Review

Davy Bowman’s dad looks forward to Halloween more than a kid, and Davy’s brother, Bill, flies B-17s. Davy adores these two heroes and tries his best to follow their lead, especially now. World War II has invaded Davy’s homefront boyhood. Bill has joined up, breaking their dad’s heart. It’s an intense, confusing time, and one that will spur Davy to grow up in a hurry. This is one of Richard Peck’s finest novels—a tender, unforgettable portrait of the World War II home front and a family’s enduring love.

In A Horse Called Hero by Sam Angus, it is the brink of World War II, and a family forced out of their London home flees to the country. Wolfie and his older sister Dodo are devastated to leave behind everything they've ever known, but they begin settling into their new life. One day, they come across an orphaned fowl, which they raise as Hero, a strong and beautiful horse who lives up to his name when he saves the children from a fire. Wolfie and Dodo find comfort in their new life, but the war is escalating quickly and horses are needed for combat. One night, Hero is stolen, and the children are shattered. Years then pass without any indication Hero will return. It's only when Wolfie becomes a stable hand that he discovers Hero has ended up working in the mines under terrible conditions. Then and there, Wolfie resolves to save Hero, a plan that places both of their lives in jeopardy. Together again, can they will survive?

When Thérèse is chosen to do the coveted oral report on Ethan Allen, she learns a great deal about the Vermont hero and also discovers what pleasure she gets from writing and presenting the report.

In studying material culture, anthropologists and archaeologists use meaningful physical objects from a culture to help understand the less tangible aspects of that culture, such as societal structure, rituals, and values. What happens when these objects are destroyed, by war, natural disaster, or other historical events? Through detailed explanations of eleven international case studies, the contributions reveal that the absence of objects can be just as telling as their presence, while the objects created to memorialize a loss also have important cultural implications. Covering everything from organ donation, to funerary rituals, to prisoners of war, The Archaeology of Absence is written at an important intersection of archaeological and anthropological study. Divided into three sections, this volume uses the "presence" of absence to compare cultural perceptions of: material qualities and created memory, the mind/body connection, temporality, and death. This rich text provides a strong theoretical framework for anthropologists and archaeologists studying material culture.

In this provocative work, Sophia Heller challenges the assumption that we cannot be without myth, that myth is necessary to vital, soulful living. Indeed, Heller argues, we have been living in a world without myth for a long time. The Absence of Myth examines the loss of a religious mode of being-in-the-world and demonstrates how theorists who insist on the presence of myth deny its historical end. Absence of myth may seem obvious: evidenced by our lack of cult and ritual, and by our de-animated natural world, as well as in the emergence of conceptual thought and psychological awareness, which could only arise with the dissolution of a prereflective (mythic) mode of being-in-the-world. But what appears to be straightforward becomes complicated when myth is intentionally conflated with thought and reflection, usually in the attempt to cultivate a "mythic consciousness" that aims to restore meaning to life and assuage the spiritual malaise of contemporary culture. Myth cannot rest in peace. It must be continually unearthed, redefined, and recontextualized such that modern and postmodern notions of myth are made to substitute for something that has never been experienced, only imagined.

From the self-illustrated, unpublished work written in 1947 to hardboiled contributions to 1980s adult magazines, The Bells Tolls for No One presents the entire range of Bukowski's talent as a short story writer, from straight-up genre stories to postmodern blurring of fact and fiction. An informative introduction by editor David Stephen Calonne provides historical context for these seemingly scandalous and chaotic tales, revealing the hidden hand of the master at the top of his form. "The uncollected gutbucket ramblings of the grand dirty old man of Los Angeles letters have been gathered in this characteristically filthy, funny compilation ... Bukowkski's gift was a sense for the raunchy absurdity of life, his writing a grumble that might turn into a belly laugh or a racking cough but that always throbbed with vital energy."--Kirkus Reviews Born in Andernach, Germany, and raised in Los Angeles, Charles Bukowski published his first story when he was twenty-four and began writing poetry at the age of thirty-five. His first book of poetry was published in 1959; he would eventually publish more than forty-five books of poetry and prose. He died of leukemia in San Pedro, California on March 9, 1994. David Stephen Calonne is the author of several books and has edited three previous collections of the uncollected work of Charles Bukowski for City Lights: Absence of the Hero, Portions from a Wine-Stained Notebook, and More Notes of a Dirty Old Man.

"He loads his head full of coal and diamonds shoot out of his finger tips. What a trick. The mole genius has left us with another digest. It's a full house--read 'em and weep."--Tom Waits After toiling in obscurity for years, Charles Bukowski suddenly found fame in 1967 with his autobiographical newspaper column, "Notes of a Dirty Old Man," and a book of that name in 1969. He continued writing this column, in one form or another, through the mid-1980s. More Notes of a Dirty Old Man gathers many uncollected gems from the column's twenty-year run. Drawn from ephemeral underground publications, these stories and essays haven't been seen in decades, making More a valuable addition to Bukowski's oeuvre. Filled with his usual obsessions--sex, booze, gambling--More features Bukowski's offbeat insights into politics and literature, his tortured, violent relationships with women, and his lurid escapades on the poetry reading circuit. Highlighting his versatility, the book ranges from thinly veiled autobiography to purely fictional tales of dysfunctional suburbanites, disgraced politicians, and down-and-out sports promoters, climaxing with a long, hilarious adventure among French filmmakers, "My Friend the Gambler," based on his experiences making the movie Barfly. From his lowly days at the post office through his later literary fame, More follows the entire arc of Bukowski's colorful career. Edited by Bukowski scholar David Stephen Calonne, More Notes of a Dirty Old Man features an afterword outlining the history of the column and its effect on the author's creative development. Born in Andernach, Germany in 1920, Charles Bukowski came to California at age three and spent most of his life in Los Angeles. He died in San Pedro, California, on March 9, 1994.

Francis Joseph Cassavant is eighteen. He has just returned home from the Second World War, and he has no face. He does have a gun and a mission: to murder his childhood hero. Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life. Francis lost most of his face when he fell on a grenade in France. He received the Silver Star for bravery, but was it really an act of heroism? Now, having survived, he is looking for a man he once admired and respected, a man adored by many people, a man who also received a Silver Star for bravery. A man who destroyed Francis's life. -->

Examines how the tragic dramatists persistently appropriated Achilles to address the concerns of their time.