This is the enthralling and often outrageous story of America's most enigmatic millionnaire, William Randolph Hearst. The most powerful newspaper mogul for more than a half century was one of the most mysterious and fascinating characters in this country's history. 42 photos.

The definitive and “utterly absorbing” biography of America’s first news media baron based on newly released private and business documents (Vanity Fair). William Randolph Hearst, known to his staff as the Chief, was a brilliant business strategist and a man of prodigious appetites. By the 1930s, he controlled the largest publishing empire in the United States, including twenty-eight newspapers, the Cosmopolitan Picture Studio, radio stations, and thirteen magazines. He quickly learned how to use this media stronghold to achieve unprecedented political power. The son of a gold miner, Hearst underwent a public metamorphosis from Harvard dropout to political kingmaker; from outspoken populist to opponent of the New Deal; and from citizen to congressman. In The Chief, David Nasaw presents an intimate portrait of the man famously characterized in the classic film Citizen Kane. With unprecedented access to Hearst’s personal and business papers, Nasaw details Heart’s relationship with his wife Millicent and his romance with Marion Davies; his interactions with Hitler, Mussolini, Churchill, and every American president from Grover Cleveland to Franklin Roosevelt; and his acquaintance with movie giants such as Louis B. Mayer, Jack Warner, and Irving Thalberg. An “absorbing, sympathetic portrait of an American original,” The Chief sheds light on the private life of a very public man (Chicago Tribune).

This title examines the remarkable life of William Randolph Hearst and the building of his newspaper legacy. Readers will learn about Hearst's background and education, as well as his innovation of newspapers, his political pursuits, and the Hearst empire today. Color photos, detailed maps, and informative sidebars accompany easy-to-read, compelling text. Features include a timeline, facts, additional resources, web sites, a glossary, a bibliography, and an index. Publishing Pioneers is a series in Essential Library, an imprint of ABDO Publishing Company.

A riveting profile of William Randolph Hearst's astonishing rise in the golden age of newspaper journalism. ''Exhaustively researched and elegantly written . . . brims with charming characters and stories. It deftly captures the bygone era of Gilded Age new papering . valuable contribution to the literature of Hearst and the history of journalism.''

Spotlighting the career of William, Jr., this fascinating memoir--one that holds a mirror up to the "American Century" and an unforgettable family who did so much to define it--tells the extraordinary story of the Hearsts and their empire. More than 100 photographs.

A biography of well-known publisher of newspapers and magazines who developed a sensational journalistic style described by critics as "yellow journalism" and pioneered color comics, Sunday supplements, banner headlines, and editorial crusades.

In the second volume of this sweeping biography, Procter gives readers a vivid portrait of the final 40 years of Hearst's life. Drawing on previously unavailable letters and manuscripts and quoting from Hearst's own editorials, Procter covers all aspects of the media mogul's career.

Walking Shadows dramatically dissects the wild, high-profile battle between newspaper tycoon William Randolph Hearst and famous young actor, director, and filmmaker Orson Welles over Welles's groundbreaking film Citizen Kane. In 1940 and 1941 it became the center of public controversy and scandal, especially in Hollywood where Welles's own stark honesty and blatant self-confidence heightened the drama. Citizen Kane portrayed the ruthless career of an all-powerful magnate bearing (not accidentally) a striking resemblance to Hearst, who immediately tried to kill the picture. John Evangelist Walsh here illuminates the conflict between these two outsize personalities and for the first time brings Hearst's vengeful anti-Kane campaign to the fore. Walsh provides thorough documentation, supplemental notes, and an extended bibliography.

J. Bruce Ismay was an upper-crust Englishman who always did what was expected of him. He went to the best schools, married the right society girl (even though he was in love with someone else) and vowed to his staunch, unfeeling father on his deathbed that he would take over the family shipping business and build the biggest, most opulent ship the world had ever seen: the RMS Titanic. What an accomplishment! We all know the story of how the ship sank … or do we? Ismay saved as many people as he could on that fateful night, and finally, with no women and children in sight, he stepped into the last lifeboat … and was branded a coward and a traitor forever. The world needed a scapegoat for the sinking of the Titanic and Ismay became the perfect target. He had a powerful enemy in the United States — newspaper magnate William Randolph Hearst. Hearst condemned Ismay nationwide before the rescue ship Carpathia even landed in New York. Hearst’s cause was aided by William Alden Smith, a ruthless senator with presidential aspirations, who led a "witch-hunt" investigation into this high-profile disaster. Although there was no solid evidence against Ismay, Senator Smith managed to drag the hearings on for months. More than 3,000 passengers brought lawsuits against the White Star Line for loss of life and property, which only fueled Ismay’s intense survivor’s guilt. When he was forced to resign from the White Star Line, he spent the rest of his days as a recluse at his estate in Ireland, haunted by the ghosts of that fateful night to the point of near insanity. THE LAST LIFEBOAT is the story of the Titanic that has never been told. This epic tale explores not only the tragedy itself, but the sensationalized trials and aftermath of the night that changed the world forever.