Detective Peter Decker and his wife, Rina Lazarus, risk life and limb to solve a pair of brutal murders that may be tied to a crime from more than twenty years ago in this intense and addictive mystery from New York Times bestselling author Faye Kellerman. On a quiet suburban street in upstate Greenbury, New York, the brutally beaten body of a young man is discovered in the woods adjacent to an empty vacation home. Twenty-six-year-old Brady Neil a resident of the neighboring town of Hamilton, had no criminal record, few friends, worked full-time, and attended community college. But as Detective Peter Decker learns, the clean-cut kid is linked to the criminal world. When Brady was a baby, his father, Brandon Gratz, was convicted of robbing and killing the owners of a local jewelry store. While Gratz and his partner, Kyle Masterson, admitted to the robbery, they swore they left the owners, Glen and Lydia Levine, very much alive. The experienced detective knows there’s more to this homicide case than the records show. As he digs into Gratz’s past, Decker begins to suspect that the son’s murder may be connected to the father’s sins. Before he can put together the pieces, Decker finds out that one of Brady Neil’s friends, Joseph Boch—aka Boxer—has gone missing. Heading to Boch’s house with his temporary new partner, Hamilton PD cop Lenora Baccus, they discover a bloodbath. Who would savagely kill two innocent men—and why? Finding the answers will require all of Decker’s skill and knowledge, the help of his fellow Greenbury detectives, Tyler McAdams and Kevin Butterfield, and information gleaned from his wife Rina’s behind the scenes investigation to put all the pieces of this deadly puzzle together . . . and see justice done.

Ebele Njoko had survived a forlorn and poignant childhood, concealing a secret he could not explain and craving the love and approval of his parents. Years later he reinvents himself and is now known and respected as Adrian Njoko, father, husband, brother and mentor. One phone call and his life as he knows it is changed forever. In coming to terms with his dark secret Adrian is forced to choose between keeping his family or accepting a life of possible loneliness and rejection.

There are certain unusual mental states that have such an extraordinary intensity, that they are numinous; they involve the presence of an archetype. These states can be beautiful or utterly terrifying, they can predispose to illness but if carefully negotiated they carry enormous potential for accelerated development. This book is about these high intensity mental states as found in the psychiatric emergency room, in everyday life, in psychotherapy and in spiritual practice. How can we understand this archetypal layer of psyche and how can we work with its power to promote psycho-spiritual growth? The author weaves the archetypal perspective into the psychoanalytic and medical models of mind to show us how the different layers of the individual and collective psyche intertwine to give us our rich experience of being human. Using everyday language and using case studies from clinical work in psychiatry and psychotherapy, the author takes the reader on a journey from: * Breakdown to breakthrough * Plato's cave to Jung's archetypal crisis * Genetics to transpersonal psychology * Hearing voices to post traumatic stress disorder * Psychoanalysis to psychedelics * The mid life crisis to the encounter with death * Quantum physics to synchronicity * Shakespeare to shamanism * Transcendent nature to mindfulness

Walking Shadows focuses on the American fantastic and the American grotesque, attempting in this manner for the first time to establish an overview of and a theoretical approach to two literary modes that have often been regarded as essential to an understanding of the American cultural canon. The central importance of these two literary forms has been pointed out earlier by important theorists such as Stanley Cavell, David Reynolds, and William Van O’Connor. A number of literary works, from the beginning of the nineteenth to the end of the twentieth centuries, are taken up in order to illustrate the inherent links or family resemblances between the two modes, with special reference to the way in which a Bakhtinian reading may facilitate our appreciation of their status within the canon. These excursions into the House of Fantastic and Grotesque Fiction may be of interest not only to hardcore aficionados, but also to philosophically minded readers in general, in particular perhaps to those who have paid acute attention to debates on late twentieth and early twenty-first century post-structuralism and deconstruction (where the classic positions of Foucault, Derrida, et al. still appear to be relevant).

Zacharias invites readers to follow him on this journey through his life and into the lives of others, and see how he has become more convinced with each year that Jesus Christ is the one who came to give us life to the fullest and to point us to the freedom and beauty of truth for everyone--easterner or westerner--all over the world.

Walking Shadows dramatically dissects the wild, high-profile battle between newspaper tycoon William Randolph Hearst and famous young actor, director, and filmmaker Orson Welles over Welles's groundbreaking film Citizen Kane. In 1940 and 1941 it became the center of public controversy and scandal, especially in Hollywood where Welles's own stark honesty and blatant self-confidence heightened the drama. Citizen Kane portrayed the ruthless career of an all-powerful magnate bearing (not accidentally) a striking resemblance to Hearst, who immediately tried to kill the picture. John Evangelist Walsh here illuminates the conflict between these two outsize personalities and for the first time brings Hearst's vengeful anti-Kane campaign to the fore. Walsh provides thorough documentation, supplemental notes, and an extended bibliography.

Life is a series of inconsequential details, acts, speeches and thoughts which remain so, but when we pen it down and visit the memory bank, it becomes our window to relive and refuel ourselves poignantly in quieter repose. Get away from toxic media reports and lethargic boredom and seek refuge in the pages of Walking Shadows. Many a time, we feel lost between the stark truth and our grandiose dreams. Walking Shadows helps you to lose yourself in some realistically creative, romantic moments. Every page has a trail of memories which succulently take you along on a journey which, as you read, seems to be only yours. Walking Shadows is a saga of two professionals who gave the best years of their lives to their professions, and finally gave their passion their best after retirement. This is a legacy which they wish to bequeath to their readers, the essence of which will continue to breathe forever and ever.

A New York Times Notable Book Winner of the National Book Critics Circle Award for Criticism, The Mark Lynton History Prize, and the Sally Hacker Prize for the History of Technology “A panoramic vision of cultural change” —The New York Times Through the story of the pioneering photographer Eadweard Muybridge, the author of Orwell's Roses explores what it was about California in the late 19th-century that enabled it to become such a center of technological and cultural innovation The world as we know it today began in California in the late 1800s, and Eadweard Muybridge had a lot to do with it. This striking assertion is at the heart of Rebecca Solnit’s new book, which weaves together biography, history, and fascinating insights into art and technology to create a boldly original portrait of America on the threshold of modernity. The story of Muybridge—who in 1872 succeeded in capturing high-speed motion photographically—becomes a lens for a larger story about the acceleration and industrialization of everyday life. Solnit shows how the peculiar freedoms and opportunities of post–Civil War California led directly to the two industries—Hollywood and Silicon Valley—that have most powerfully defined contemporary society.

This book is a collection of short stories, in which many take place in oceanic settings. Eleven tales in total are featured inside, including 'Goblin Peaches', 'May Margaret', 'The Garden of the Clife', 'Uncle Hyacinth', and 'Marooned'.

Book #1 — Night Call In a very different 1933, self-styled detective Elias Roche and his robot partner, Allen, immerse themselves in the criminal underworld to find the killer and hopefully prevent war on New York’s streets when a murder occurs that not only threatens both the police and the mafia but appears connected to Roche’s past. Book #2 — Midnight Dodging the mafia, the cops, and the FBI, Elias Roche and Allen must find a killer with both a time limit and a looming war hanging over their heads. Book #3 — Dark All Day With the threat of Automatic extinction on the line, proving the innocence of Charles, an Automatic charged with murder, is one of the most important cases Roche and Allen will ever undertake.