William Billings was the first American born composer. A composer of the people during the Revolutionary War, he brought music skills to the middle and lower classes. His compositions reflect the birth of patriotism, religious and political upheaval, and excite the passsions of singers from the late 1700s to today.

Title: The continental harmony: containing a number of anthems, fuges, and chorusses in several parts: never before published.Author: William BillingsPublisher: Gale, Sabin Americana Description: Based on Joseph Sabin's famed bibliography, Bibliotheca Americana, Sabin Americana, 1500--1926 contains a collection of books, pamphlets, serials and other works about the Americas, from the time of their discovery to the early 1900s. Sabin Americana is rich in original accounts of discovery and exploration, pioneering and westward expansion, the U.S. Civil War and other military actions, Native Americans, slavery and abolition, religious history and more.Sabin Americana offers an up-close perspective on life in the western hemisphere, encompassing the arrival of the Europeans on the shores of North America in the late 15th century to the first decades of the 20th century. Covering a span of over 400 years in North, Central and South America as well as the Caribbean, this collection highlights the society, politics, religious beliefs, culture, contemporary opinions and momentous events of the time. It provides access to documents from an assortment of genres, sermons, political tracts, newspapers, books, pamphlets, maps, legislation, literature and more.Now for the first time, these high-quality digital scans of original works are available via print-on-demand, making them readily accessible to libraries, students, independent scholars, and readers of all ages.++++The below data was compiled from various identification fields in the bibliographic record of this title. This data is provided as an additional tool in helping to insure edition identification: ++++SourceLibrary: Huntington LibraryDocumentID: SABCP03901200CollectionID: CTRG02-B215PublicationDate: 17940101SourceBibCitation: Selected Americana from Sabin's Dictionary of books relating to AmericaNotes: Includes index. Error in paging: p. 168 misnumbered 198.Collation: 199, 1] p., 1] leaf of plates: ill., music; 13 x 23 cm

In Patriots, Prostitutes, and Spies, John M. Belohlavek tells the story of women on both sides of the Mexican-American War (1846-48) as they were propelled by the bloody conflict to adopt new roles and expand traditional ones. American women "back home" functioned as anti-war activists, pro-war supporters, and pioneering female journalists. Others moved west and established their own reputations for courage and determination in dusty border towns or bordellos. Women formed a critical component of the popular culture of the period, as trendy theatrical and musical performances drew audiences eager to witness tales of derring-do, while contemporary novels, in tales resplendent with heroism and the promise of love fulfilled, painted a romanticized picture of encounters between Yankee soldiers and fair Mexican senoritas. Belohlavek juxtaposes these romantic dreams with the reality in Mexico, which included sexual assault, women soldaderas marching with men to provide critical supportive services, and the challenges and courage of working women off the battlefield. In all, Belohlavek shows the critical roles played by women, real and imagined, on both sides of this controversial war of American imperial expansion.

"This book very conclusively debunks the over two-hundred-year-old conventional wisdom that Wheatley owes her poetic sensibilities to Alexander Pope. ... It will help rejuvenate the study of Wheatley and will be an exciting contribution to scholarly discourse on Wheatley's poetry."--Cedrick May, author of Evangelism and Resistance in the Black Atlantic, 1760-1835. Phillis Wheatley was the first African American to publish a book. Born in Gambia in 1753, she came to America aboard a slave ship, the Phillis. From an early age, Wheatley exhibited a profound gift for verse, publishing her first.

THE ONE BIBLE THAT SHOWS HOW ‘A LIGHT FROM ABOVE’ SHAPED OUR NATION. Never has a version of the Bible targeted the spiritual needs of those who love our country more than The American Patriot’s Bible. This extremely unique Bible shows how the history of the United States connects the people and events of the Bible to our lives in a modern world. The story of the United States is wonderfully woven into the teachings of the Bible and includes a beautiful full-color family record section, memorable images from our nation’s history and hundreds of enlightening articles which complement the New King James Version Bible text.

Riot and revelry have been mainstays of English and European history writing for more than a generation, but they have had a more checkered influence on American scholarship. Despite considerable attention from "new left" historians during the 1970s and early 1980s, and more recently from cultural and "public sphere" historians in the mid-1990s, the idea of America as a colony and nation deeply infused with a culture of public performance has not been widely demonstrated the way it has been in Britain, France, and Italy. In this important volume, leading American historians demonstrate that early America was in fact an integral part of a broader transatlantic tradition of popular disturbance and celebration. The first half of the collection focuses on "rough music" and "skimmington"--forms of protest whereby communities publicly regulated the moral order. The second half considers the use of parades and public celebrations to create national unity and overcome divisions in the young republic. Contributors include Roger D. Abrahams, Susan Branson, Thomas J. Humphrey, Susan E. Klepp, Brendan McConville, William D. Piersen, Steven J. Stewart, and Len Travers. Together the essays in this volume offer the best introduction to the full range of protest and celebration in America from the Revolution to the Civil War.

United States historian William Pencak presents thirteen of his essays, written beginning in 1976. Some deal with colonial and revolutionary crowds and communities in Massachusetts - the impressment riot of 1747, the popular uprisings of the 1760s and 1770s, and Shays' Rebellion. Others examine popular ideology in songs and almanacs, and the thought and behavior of George Washington, John Adams, Benjamin Franklin, and the loyalist Peter Oliver. Interpretive essays argue that colonial outage that their participation in the French and Indian War went unrecognized by the British led to the American Revolution; that revolutionary economic thought turned smuggling from a vice into the 'natural law' of free trade; and that focusing on the 'Civil War,' and the years 1861 to 1865, leads to a glorified conception of the national past that is better understood as shaped by 'An Era of Racial Violence' that extended from 1854 to at least 1877.