Art has always been inspired by the wildlife around us. Since earliest times we have been continually fascinated by both wildlife and the challenge of representing it. This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of practical drawing and painting wildlife. It covers recommended equipment, techniques, fieldcraft, composition and anatomy, and offers help for those wishing to exhibit their work. Suggests how to begin to draw wildlife and then to add colour; advises on how to draw a constantly moving subject and how to capture the moment; gives clear instruction on anatomy and composition; suggests how to paint outdoors and how to use photography and museum collections; gives inspiration and insights into printmaking and sculpture; gives practical advice on exhibiting and selling wildlife art; showcases inspiring images, in a range of styles, from over twenty leading artists. An authoritative guide to the principles of drawing and painting wildlife, this book will be of interest to all artists and everyone interested in wildlife - including botanical artists, print makers and sculptors, and is lavishly illustrated with 260 colour illustrations.

Extinct worlds live again in palaeoart: artworks of fossil animals, plants and environments carefully reconstructed from palaeontological and geological data. Such artworks are widespread in popular culture, appearing in documentaries, museums, books and magazines, and inspiring depictions of dinosaurs and other prehistoric animals in cinema. This book outlines how fossil animals and environments can be reconstructed from their fossils, explaining how palaeoartists overcome gaps in fossil data and predict 'soft-tissue' anatomies no longer present around fossil bones. It goes on to show how science and art can meet to produce compelling, interesting takes on ancient worlds, and it explores the goals and limitations of this popular but rarely discussed art genre. Multiple chapters with dozens of illustrations of fossil animal reconstruction, with specific guidance on fossil amphibians, mammals and their fossil relatives, and a myriad of fossil reptiles (including dinosaurs). Explores how best to present diverse fossil animal forms in art - how best to convey size, proportion and motion in landscapes without familiar reference points. Explains essential techniques for the aspiring palaeoartists, from understanding geological time and evolutionary relationships to rebuilding skeletons and muscles. Suggests where and how to gather reliable sources of data for palaeoartworks. Includes a history of palaeoart, outlining the full evolution of the medium from ancient times to the modern day. Examines stylistic variation in palaeoart. Showcases diverse artworks from world-leading contemporary palaeoartists. Palaeoartistry is a popular but rarely discussed art genre. This new book outlines how fossil animals and environments can be reconstructed from their fossils. Of great interest to everyone interested in palaeoartistry, dinosaurs, natural history and fossils. Superbly illustrated with 195 colour images. Dr Mark P Witton is an author, palaeontological artist and researcher whose palaeoartworks have featured in numerous research papers, television shows, museums and art galleries.

Breathe Life into Your Animal Drawings Wildlife artist Doug Lindstrand has spent 30+ years observing animals in nature and capturing them on paper. In this book, he distills his expertise into key lessons for drawing any animal in a charming, realistic style. Inside, a whole herd of step-by-step exercises and demonstrations (43, to be exact!) cover a broad range of subjects and challenges, including how to draw: • Short, long and patterned fur • Mouths, eyes, ears and horns • Various poses, including seated, standing and moving • A diversity of animals, domestic and wild--from housecats to big cats, from tiny cottontails to massive African elephants. Nothing intimidating here! Starting with easy sketches, you'll learn to gradually refine basic shapes into lifelike dogs, wolves, deer, sheep, horses, bears, giraffes, owls, eagles, geese and other magnificent creatures. With this classic and time-tested approach, you'll be able to draw not only the animals illustrated on these pages, but any animal that touches your artistic soul.

Presents a guide to the anatomy of various animals and their depiction in art, including dogs, horses, lions, bears, and cows.

This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of drawing and painting wildlife.

Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers. As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and artist in 1955. During the 1980s, assisted by his son, Alan, Singer's paintings of state birds were seen by millions when the U.S. Postal Service issued the State Birds & Flowers postage stamps. The stamps became one of the largest selling commemoratives in U.S. Postal history. He received the Hal Borland Award in 1985 from the National Audubon Society. His paintings are represented in several public and private collections in the United States and Europe. Since his death in 1990, retrospectives of Singer's artwork have been presented in several museums and art galleries across the U.S. PAUL SINGER has focused on designs for zoos, museums, and botanic gardens. He has worked as an interpretive sign designer for the National Park Service and his illustrations are included inThe Knopf Nature Guide series for Audubon, The Audubon Master Guides to Birding, The Knopf Collector Guides to American Antiques and other publications. ALAN SINGER is a graduate of The Cooper Union School of Art and worked with his father, Arthur, on painting revisions to both of Singer's field guides to birds, and helped illustrate the State Bird & Flower Stamps for the U.S. Postal Service. Since 1989, he has been a tenured professor at the Rochester Institute of Technology. A prolific printmaker, painter, and author, he has had 27 solo exhibits.

Capturing the Essence is a step-by-step personal guide – by one of Australia's greatest living bird artists – to observing, retaining the essential information and then painting birds from field notes and sketches, photographs and other field observations. The author takes the reader through the processes involved in oil painting, watercolour and acrylic techniques, and a piece of art is built up in stages to demonstrate the skills required in each of these media. While the book covers some of the general basics relevant to various kinds of painting of natural history subjects, the concentration is very much on birds. Painting or drawing any subject well, gives great satisfaction. In this book the author hopes to help the reader become competent at drawing and painting birds, or at least to enjoy trying!

Human-animal studies is an academic field that has grown exponentially over the past decade. It explores the whys, hows, and whats of human-animal relations: why animals are represented and configured in different ways in human cultures and societies around the world; how they are imagined, experienced, and given significance; what these relationships might signify about being human; and what about these relationships might be improved for the sake of the individuals as well as the communities concerned. The Routledge Handbook of Human-Animal Studies presents a collection of original essays from artists and scholars who have established themselves internationally on the basis of specific and significant new contributions to human-animal studies. This international, interdisciplinary handbook will be of interest to students and scholars of human-animal studies, sociology, anthropology, biology, environmental studies, geography, cultural studies, history, philosophy, media studies, gender studies, literature, psychology, ethology, and visual studies.

In this step-by-step how-to guide to creating classic portraits of animals in pencil and pen-and-ink, artist J. C. Amberlyn combines her love of pets and other familiar domestic creatures with her beautiful, detailed drawing style. Covering a variety of animals from dogs and cats to barnyard critters like cows and sheep and many more, the book covers every species with easy-to-follow instructions for drawing them from every angle imaginable. Along with seven featured examinations of Amberlyn’s artistic process, each chapter showcases the tools and techniques needed to produce your own highly detailed, lifelike drawings of a variety of well-known animal companions. The worlds of artists and animal lovers come together in this richly illustrated, in-depth guide to producing charming portraits of some of the most popular pets and domesticated creatures. Also available as an eBook

Drawing and Painting Insects is a beautiful and inspiring guide. Whatever your experience, whether new to the subject or a seasoned entomologist, this book will help you capture the beauty of insects by helping you understand their structure and appreciate their behaviour, movement, colour and habitat. Advice on finding insects to draw and paint, including how to raise your own insect models; Guide to the anatomy and life cycles of the insect for the artist; Step-by-step demonstrations of drawings, looking at perspective, tonal values and mark-making techniques; Examples of watercolour and oil paintings representing insects in precise, scientific renditions through to more creative interpretations; Introduction to other uses of insect illustration, including printmaking, sculpture, leather and glass; Illustrated with examples and insights from leading artists. A beautiful and inspiring guide to drawing and painting insects, of inspiration to botanical artists, natural historians, wildlife artists and biologists. Gives advice on finding insects to draw and paint, understanding their structure, appreciating their behaviour, movement, colour, habitat and much more. Superbly illustrated with examples and insights from leading artists - 541 colour illustrations in total. Andrew Tyzack is a graduate from the Royal College of Art and is well known for his painting of beekeepers and engravings of bees.