Extinct worlds live again in palaeoart: artworks of fossil animals, plants and environments carefully reconstructed from palaeontological and geological data. Such artworks are widespread in popular culture, appearing in documentaries, museums, books and magazines, and inspiring depictions of dinosaurs and other prehistoric animals in cinema. This book outlines how fossil animals and environments can be reconstructed from their fossils, explaining how palaeoartists overcome gaps in fossil data and predict 'soft-tissue' anatomies no longer present around fossil bones. It goes on to show how science and art can meet to produce compelling, interesting takes on ancient worlds, and it explores the goals and limitations of this popular but rarely discussed art genre. Multiple chapters with dozens of illustrations of fossil animal reconstruction, with specific guidance on fossil amphibians, mammals and their fossil relatives, and a myriad of fossil reptiles (including dinosaurs). Explores how best to present diverse fossil animal forms in art - how best to convey size, proportion and motion in landscapes without familiar reference points. Explains essential techniques for the aspiring palaeoartists, from understanding geological time and evolutionary relationships to rebuilding skeletons and muscles. Suggests where and how to gather reliable sources of data for palaeoartworks. Includes a history of palaeoart, outlining the full evolution of the medium from ancient times to the modern day. Examines stylistic variation in palaeoart. Showcases diverse artworks from world-leading contemporary palaeoartists. Palaeoartistry is a popular but rarely discussed art genre. This new book outlines how fossil animals and environments can be reconstructed from their fossils. Of great interest to everyone interested in palaeoartistry, dinosaurs, natural history and fossils. Superbly illustrated with 195 colour images. Dr Mark P Witton is an author, palaeontological artist and researcher whose palaeoartworks have featured in numerous research papers, television shows, museums and art galleries.

Capture the Natural World with Vibrant Works of Art Nature illustrator Rosalie Haizlett has hiked through countless forests with her sketchbook and watercolors, documenting the plants, animals and landscapes that she encounters. She has also taught tens of thousands of students to paint and appreciate nature’s beauty through her popular online classes and in-person workshops. In this book, Rosalie provides step-by-step instruction on how to paint 20 realistic insects, fungi, birds, botanicals and mammals in her vibrant wet- on-dry watercolor style. Pick up the skills you need to become a better observer in the outdoors, take your own reference photos and paint a wide variety of subjects so that you can continue to draw inspiration from nature long after you finish the projects in this book. You’ll also learn some fun nature facts along the way! Whether you’re a total beginner or ready to take your skills to the next level, Rosalie is here to walk you through every step of the process.

Breathe Life into Your Animal Drawings Wildlife artist Doug Lindstrand has spent 30+ years observing animals in nature and capturing them on paper. In this book, he distills his expertise into key lessons for drawing any animal in a charming, realistic style. Inside, a whole herd of step-by-step exercises and demonstrations (43, to be exact!) cover a broad range of subjects and challenges, including how to draw: • Short, long and patterned fur • Mouths, eyes, ears and horns • Various poses, including seated, standing and moving • A diversity of animals, domestic and wild--from housecats to big cats, from tiny cottontails to massive African elephants. Nothing intimidating here! Starting with easy sketches, you'll learn to gradually refine basic shapes into lifelike dogs, wolves, deer, sheep, horses, bears, giraffes, owls, eagles, geese and other magnificent creatures. With this classic and time-tested approach, you'll be able to draw not only the animals illustrated on these pages, but any animal that touches your artistic soul.

Arthur B. Singer was an American wildlife artist specializing in bird illustration. In a career spanning five decades, he illustrated more than 20 books, including his masterpiece, Birds of the World, as well as classic bird guides: Birds of North America, Birds of Europe, and The Hamlyn Guide to Birds of Britain and Europe. Singer joined the U.S. Army in 1942 and was assigned to Company C of the 603rd Camouflage Engineers. As a member of unit, known as the "Ghost Army," Singer along with other artists, created camouflage and other forms of deception on the battlefields of Europe. Upon his return to the U.S., he worked briefly in an advertising agency and became a full-time illustrator and artist in 1955. During the 1980s, assisted by his son, Alan, Singer's paintings of state birds were seen by millions when the U.S. Postal Service issued the State Birds & Flowers postage stamps. The stamps became one of the largest selling commemoratives in U.S. Postal history. He received the Hal Borland Award in 1985 from the National Audubon Society. His paintings are represented in several public and private collections in the United States and Europe. Since his death in 1990, retrospectives of Singer's artwork have been presented in several museums and art galleries across the U.S. PAUL SINGER has focused on designs for zoos, museums, and botanic gardens. He has worked as an interpretive sign designer for the National Park Service and his illustrations are included inThe Knopf Nature Guide series for Audubon, The Audubon Master Guides to Birding, The Knopf Collector Guides to American Antiques and other publications. ALAN SINGER is a graduate of The Cooper Union School of Art and worked with his father, Arthur, on painting revisions to both of Singer's field guides to birds, and helped illustrate the State Bird & Flower Stamps for the U.S. Postal Service. Since 1989, he has been a tenured professor at the Rochester Institute of Technology. A prolific printmaker, painter, and author, he has had 27 solo exhibits.

The Artist’s Field Guide to Yellowstone introduces readers to the wildlife of the Greater Yellowstone Ecosystem through the works of fifty of the region’s distinguished writers and artists. This robust anthology of eclectic artwork and inspiring storytelling offers an enlivened take on the traditional field guide and argues for the intrinsic value of this world-renowned ecosystem. Yellowstone naturalist and artist Katie Shepherd Christiansen has compiled this sensible field guide and elegant art book to highlight the unique biodiversity of the Greater Yellowstone Ecosystem, organized across four habitat strata: sky, earth, soil, and water. Writers and artists pair up to reveal new ways of understanding key species through prose, poetry, and artwork. The addition of scientific descriptions provides a natural history frame, and Christiansen’s illustrations of ecologically connected species bring life to every page. Contributors hail from the Greater Yellowstone area. Writers are Elise Atchison, Rick Bass, Todd Burritt, Tom Campbell, Lyn Dalebout, Matt Daly, Joanne Dornan, Gary Ferguson, Matt Hart, Geneen Marie Haugen, Susan Marsh, Craig Mathews, Arthur Middleton, Doug Peacock, Karen Reinhart, Kelsey Sather, Jack Turner, Rebecca Watters, Tina Welling, Marylee White, Connie Wieneke, Todd Wilkinson, and Terry Tempest Williams. Artists are Kalon Baughan, Tamara Callens, Meredith Campbell, Sue Cedarholm, Derek DeYoung, Loretta Domaszewski, Katy Ann Fox, Dave Hall, Dwayne Harty, Laney Hicks, DG House, Will Hunter, S. J. Karikó, Laney, Jennifer Lowe-Anker, Mimi Matsuda, James Prosek, Robert Schlenker, Jocelyn Slack, Tucker Smith, Kay Stratman, Kara Tripp, Shannon Troxler, Kathryn Mapes Turner, John Wasson, Carrie Wild, and Monte Yellow Bird Sr.

Presents a guide to the anatomy of various animals and their depiction in art, including dogs, horses, lions, bears, and cows.

In this innovative guide, master art instructor William Maughan demonstrates how to create a realistic human likeness by using the classic and highly accurate modeling technique of chiaroscuro (Italian for “light and dark”) developed by Leonardo da Vinci during the High Renaissance. Maughan first introduces readers to the basics of this centuries-old technique, showing how to analyze form, light, and shadow; use dark pencil, white pencil, and toned paper to create a full range of values; use the elements of design to enhance a likeness; and capture a sitter’s gestures and proportions. He then demonstrates, step by step, how to draw each facial feature, develop visual awareness, and render the head in color with soft pastels.

Provides instructions to create patterns for various crafts or for drawing.

This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of drawing and painting wildlife.

Art has always been inspired by the wildlife around us. Since earliest times we have been continually fascinated by both wildlife and the challenge of representing it. This book sets the scene of how wildlife has been portrayed in art and guides the reader through the principles of practical drawing and painting wildlife. It covers recommended equipment, techniques, fieldcraft, composition and anatomy, and offers help for those wishing to exhibit their work. Suggests how to begin to draw wildlife and then to add colour; advises on how to draw a constantly moving subject and how to capture the moment; gives clear instruction on anatomy and composition; suggests how to paint outdoors and how to use photography and museum collections; gives inspiration and insights into printmaking and sculpture; gives practical advice on exhibiting and selling wildlife art; showcases inspiring images, in a range of styles, from over twenty leading artists. An authoritative guide to the principles of drawing and painting wildlife, this book will be of interest to all artists and everyone interested in wildlife - including botanical artists, print makers and sculptors, and is lavishly illustrated with 260 colour illustrations.