Prepare to skew your view of the world: where jinni in the clouds of a future Tel Aviv aren't spirits but powerful computer programs; where a suburban garden hiding unrecognizable bones; to a planet colony that outlaws color; or the night when a lonely lab tech finds a spambot flirting with him. The latest volume in the acclaimed Wilde Stories series has tales of hitchhikers on the run, dragons in the sky, swordsmen drawing their blades. These are stories fantastic and strange, otherworldly and eerie, but all feature gay men struggling with memories or lovers or simply the vicissitudes of life no matter how wild the world might be.

The latest edition of Wilde Stories promises readers a range of gay-themed fiction published the prior year, tales that ranges from the chilling (Lee Thomas' ''I'm Your Violence'') to the surreal (Sven Davisson's ''Dim Star Descried'') to the fantastical (''Firooz and His Brother'' by Alex Jeffers). These are imaginative stories that seek to press new boundaries of loneliness, loss and love, between men and monster (and those men who happen to be monsters).

Oscar Wilde, playwright, poet, and man of letters, also wrote some of the most beautiful fairy tales of the Victorian era. This spectacular volume includes the complete tales, luminously illustrated with richly patterned borders accented in gold. Full-color illustrations.

#1 NEW YORK TIMES BESTSELLER • A powerful, blazingly honest memoir: the story of an eleven-hundred-mile solo hike that broke down a young woman reeling from catastrophe—and built her back up again. At twenty-two, Cheryl Strayed thought she had lost everything. In the wake of her mother’s death, her family scattered and her own marriage was soon destroyed. Four years later, with nothing more to lose, she made the most impulsive decision of her life. With no experience or training, driven only by blind will, she would hike more than a thousand miles of the Pacific Crest Trail from the Mojave Desert through California and Oregon to Washington State—and she would do it alone. Told with suspense and style, sparkling with warmth and humor, Wild powerfully captures the terrors and pleasures of one young woman forging ahead against all odds on a journey that maddened, strengthened, and ultimately healed her.

The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

This book offers an innovative revaluation of Oscar Wilde's two collections of fairy tales, The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). Providing a comprehensive account of Wilde's familiarity with Irish folklore, this study challenges the prevailing consensus that the stories draw heavily on such material. By emphasizing Wilde's own stated views on the subject - and so contesting the assumption that he simply shared the well-documented interests of his parents, Sir William Wilde and Lady Jane Wilde ('Speranza') - the book relocates the stories within a variety of literary, cultural, and narrative traditions, both Irish and European. Acknowledging Wilde's often ambivalent and ambiguous statements about his Irish national identity, Oscar Wilde's Fairy Tales: Origins and Contexts offers a more nuanced understanding of the importance of Ireland to Wilde's art. The detailed readings of the fairy tales show that, despite the stories' continuing appeal to children, Wilde intended his fairy tales for a predominantly adult audience. The book also demonstrates the ways in which, despite their eerie and disturbing content, these fairy tales reaffirmed conservative values. *** This superb analysis...presents a new and persuasive reading of Wilde's fairy tales. .... Highly recommended. - Choice, April 2012 *** Markey's text is relevant to cultural studies scholars and literary historians of the Victorian era because of the attention to Anglo-Irish and European literary contexts, history, and culture, and the intriguing interpretations of Oscar Wilde's literary fairy tales. - Victorian Studies, Vol. 55, No. 4, Summer 2013Ã?Â?Ã?Â?

A gripping collection which offers for the first time a chronological overview of the popular contemporary sub-genre of body horror, from Edgar Allan Poe to Christopher Fowler, with contributions from leading horror writers, including Stephen King, George Langelaan and Neil Gaiman. The collection includes the stories behind seminal body horror movies, John Carpenter's The Thing, David Cronenberg's The Fly and Stuart Gordon's Re-Animator.

This book documents how Oscar Wilde was appropriated as a fictional character by no less than thirty-two of his contemporaries, including such celebrated writers as Joseph Conrad, Arthur Conan Doyle, Henry James, George Bernard Shaw and Bram Stoker.