This book offers an innovative revaluation of Oscar Wilde's two collections of fairy tales, The Happy Prince and Other Tales (1888) and A House of Pomegranates (1891). Providing a comprehensive account of Wilde's familiarity with Irish folklore, this study challenges the prevailing consensus that the stories draw heavily on such material. By emphasizing Wilde's own stated views on the subject - and so contesting the assumption that he simply shared the well-documented interests of his parents, Sir William Wilde and Lady Jane Wilde ('Speranza') - the book relocates the stories within a variety of literary, cultural, and narrative traditions, both Irish and European. Acknowledging Wilde's often ambivalent and ambiguous statements about his Irish national identity, Oscar Wilde's Fairy Tales: Origins and Contexts offers a more nuanced understanding of the importance of Ireland to Wilde's art. The detailed readings of the fairy tales show that, despite the stories' continuing appeal to children, Wilde intended his fairy tales for a predominantly adult audience. The book also demonstrates the ways in which, despite their eerie and disturbing content, these fairy tales reaffirmed conservative values. *** "This superb analysis...presents a new and persuasive reading of Wilde's fairy tales. .... Highly recommended." - Choice, April 2012 *** "Markey's text is relevant to cultural studies scholars and literary historians of the Victorian era because of the attention to Anglo-Irish and European literary contexts, history, and culture, and the intriguing interpretations of Oscar Wilde's literary fairy tales." - Victorian Studies, Vol. 55, No. 4, Summer 2013~

The master of wit and irony Published here alongside their evocative original illustrations, these fairy tales, as Oscar Wilde himself explained, were written “partly for children, and partly for those who have kept the childlike faculties of wonder and joy.”

Oscar Wilde's two collections of children's literature, The Happy Prince and Other Stories (1888) and A House of Pomegranates (1891), have often been marginalised in critical accounts as their apparently conservative didacticism appears at odds with the characterisation of Wilde as an amoral aesthete. In this, the first full-length study of Wilde's fairy tales for children, Jarlath Killeen argues that Wilde's stories are neither uniformly conservative nor subversive, but a blend of both. Killeen contends that while they should be read in relation to a literary tradition of fairy tales that emerged in nineteenth century Europe; Irish issues heavily influenced the work. These issues were powerfully shaped by the 'folk Catholicism' Wilde encountered in the west of Ireland. By resituating the fairy tales in a complex nexus of theological, political, social, and national concerns, Killeen restores the tales to their proper place in the Wilde canon.

In this new edition, which contains all of Wilde's fairy tales, his rich prose is evoked beautifully with the sumptuous, intricate work of artist Isabelle Brent.

In a town where a lot of poor people suffer and where there are a lot of miseries, a swallow who was left behind after his flock flew off to Egypt for the winter, meets the statue of the late 'Happy Prince', who in reality has never experienced true sorrow, for he lived in a palace where sorrow isn't allowed to enter. Viewing various scenes of people suffering in poverty from his tall monument, the Happy Prince asks the swallow to take the ruby from his hilt, the sapphires from his eyes, and the golden leaf covering his body to give to the poor. As the winter comes and the Happy Prince is stripped of all of his beauty, his lead heart breaks when the swallow dies as a result of his selfless deeds and severe cold. The statue is then brought down from the pillar and melted in a furnace leaving behind the broken heart and the dead swallow and they are thrown in a dust heap. These are taken up to heaven by an angel that has deemed them the two most precious things in the city. This is affirmed by God and they live forever in his city of gold and garden of paradise.

Oscar Wilde's achingly beautiful fairytales, collected in a lux hardcover with original artwork by Yuko Shimizu and introduction by Michael Cunningham.

Oscar Wilde's 'The Most Beloved Fairytales of Oscar Wilde Edition' is a collection of enchanting and timeless stories that have captivated readers for generations. Wilde's intricate and poetic writing style infuses each tale with a sense of magic and whimsy that delights both children and adults alike. Drawing upon the traditions of fairytales, Wilde adds his own unique twist, creating narratives that are at once familiar and refreshingly original. This collection showcases Wilde's mastery of storytelling and his ability to transport readers to fantastical worlds. Oscar Wilde, a renowned playwright and author, was known for his wit, charm, and unconventional approach to literature. It is no surprise that he would try his hand at writing fairytales, a genre that allowed him to showcase his creativity and imagination. Wilde's personal experiences and philosophical beliefs shine through in his fairytales, offering readers a glimpse into the mind of a literary genius. I highly recommend 'The Most Beloved Fairytales of Oscar Wilde Edition' to anyone looking for a captivating and beautifully-written collection of stories. Wilde's fairytales are a true treasure of literature, sure to enchant and inspire readers of all ages.

Like old friends whose charm and warmth never fade, Oscar Wilde's short stories have enchanted generations of readers, and occupy a special place in the heart of each new reader. Like luminous gems, they have lost none of their power to enthral and inspire; and in this beautifully illustrated edition, Stephen Fry presents these gems to shine anew.