Set in a fascinating alternative world in which ghosts are real, the United States never came into existence and Russia is still ruled by the Romanovs, this sequel to Of Tangible Ghosts and The Ghost of the Revelator continues the adventures of semi-retired spy Dr. Johan Eschbach. His lovely wife Llysette du Boise, a refugee from the burning remains of France and a world-famous novelist, has been invited to provide a command performance for the Russian Imperial household. Johan accompanies her, allowing him to work on the oil concession in Russian Alaska that Columbia so desperately needs and do some spying on the side. Johan's espionage is carried out against the backdrop of the famous white nights of St. Petersburg, the nearly Arctic midsummer when the sun barely dips below the horizon and the sky seems to dissolve in ivory light. But even the oil shortage will fade to insignificance when Johan discovers what new weapons technology the Russians are developing, a threat even more fearsome than the atomic bombs of Austro-Hungary. Working in the tradition of Gordon R. Dickson and Poul Anderson for hard-edged adventure with sophisticated social and political dimensions, Modesitt provides a unique blend of speculation and intrigue that brings the trilogy to a rousing end.

Ghost stories often revolve around spirits who are cannot rest due to a tragedy that ended their lives. Tales of the White Lady Ghost are some of the classics of these ghost stories. The White Lady Ghost is often the victim of love gone wrong or love lost. She wanders in search of her soul mate or mourning the loss of her true love. In this graphic ghost story, one the sightings of the White Lady Ghost of St. Andrews is retold, but time is spent learning about such ghost stories from around the world.

What if your mom were president? KayKay Granger and her sister, Annie, have just moved into the White House after their mom's inauguration, and soon find out that it's not exactly as fun as it sounds. But things get a lot more interesting when the sisters find out that the White House may be haunted. Could Abraham Lincoln's spirit really be lingering in the Lincoln bedroom? KayKay and Annie want to get to the bottom of this mystery-but are they ready for what they might uncover?

An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

This collection highlights the complexities of fatherhood and how to raise young kids while bearing witness to the charged movements of social injustice and inequities of race in America. Memory, culpability, and our very humanness course through this book and strip us down to find joy and inspiration amid the darkness.

Filled with archival images and original illustrations, this book takes young readers on a tour of the White House, examining its history and the ghosts believed to reside there. Full color.

In David Foster Wallace: Fiction and Form, David Hering analyses the structures of David Foster Wallace's fiction, from his debut The Broom of the System to his final unfinished novel The Pale King. Incorporating extensive analysis of Wallace's drafts, notes and letters, and taking account of the rapidly expanding field of Wallace scholarship, this book argues that the form of Wallace's fiction is always inextricably bound up within an ongoing conflict between the monologic and the dialogic, one strongly connected with Wallace's sense of his own authorial presence and identity in the work. Hering suggests that this conflict occurs at the level of both subject and composition, analysing the importance of a number of provocative structural and critical contexts – ghostliness, institutionality, reflection – to the fiction while describing how this argument is also visible within the development of Wallace's manuscripts, comparing early drafts with published material to offer a career-long framework of the construction of Wallace's fiction. The final chapter offers an unprecedentedly detailed analysis of the troubled, decade-long construction of the work that became The Pale King.

A captivating new picture book with interactive transparent pages, from world-renowned artist Oliver Jeffers. Hello, come in. Maybe you can help me? A young girl lives in a haunted house, but has never seen a ghost. Are they white with holes for eyes? Are they hard to see? She'd love to know! Step inside and turn the transparent pages to help her on an entertaining ghost hunt, from behind the sofa, right up to the attic. With lots of friendly ghost surprises and incredible mixed media illustrations, this unique and funny book will entertain young readers over and over again!