An Post Irish Book Awards Nonfiction Book of the Year • A Guardian Best Book of 2020 • Shortlisted for the 2021 Rathbones Folio Prize • Longlisted for the 2021 Republic of Consciousness Prize • Winner of the James Tait Black Biography Prize • A New York Times New & Noteworthy Title • Longlisted for the 2021 Gordon Burn Prize • A Buzzfeed Recommended Summer Read • A Publishers Weekly Best Book of 2021 • A Book Riot Best Book of 2022 • An NPR Best Book of 2021 • A Chicago Public Library Best Book of 2021 • A Globe and Mail Book of the Year • A Winnipeg Free Press Top Read of 2021 • An Entropy Magazine Best of the Year • A LitHub Best Book of 2021 • A New York Times Critics' Top Book of 2021 • A National Book Critics Circle Award Finalist When we first met, I was a child, and she had been dead for centuries. On discovering her murdered husband’s body, an eighteenth-century Irish noblewoman drinks handfuls of his blood and composes an extraordinary lament. Eibhlín Dubh Ní Chonaill’s poem travels through the centuries, finding its way to a new mother who has narrowly avoided her own fatal tragedy. When she realizes that the literature dedicated to the poem reduces Eibhlín Dubh’s life to flimsy sketches, she wants more: the details of the poet’s girlhood and old age; her unique rages, joys, sorrows, and desires; the shape of her days and site of her final place of rest. What follows is an adventure in which Doireann Ní Ghríofa sets out to discover Eibhlín Dubh’s erased life—and in doing so, discovers her own. Moving fluidly between past and present, quest and elegy, poetry and those who make it, A Ghost in the Throat is a shapeshifting book: a record of literary obsession; a narrative about the erasure of a people, of a language, of women; a meditation on motherhood and on translation; and an unforgettable story about finding your voice by freeing another’s.

The #1 New York Times bestselling author of Ghost Story brings the chilling Blue Rose Trilogy to an astonishing close—secrets unearthed, demons revisited, and mysteries solved. • “A masterpiece…. The most intelligent novel of suspense to come along in years.” —The Washington Post Book World Tim Underhill, now an acclaimed novelist, travels back to his hometown of Millhaven, Illinois after he gets a call from John Ransom, an old army buddy. Ransom believes there’s a copycat killer on the loose, mimicking the Blue Rose murders from decades earlier—he thinks his wife could be a potential victim. Underhill seeks out his old friend Tom Pasmore, an aging hermit who has attained minor celebrity as an expert sleuth, to help him investigate. They quickly discover that Millhaven is a town plagued by horrifying secrets and there is a twisted killer on the loose who is far more dangerous than they ever imagined. Expertly tying together the events of Koko and Mystery, The Throat proves Peter Straub to be the master of the suspense novel.

Ghost in a Black Girl's Throat is an honest incantation and a forthright song to women of color grappling with the ever-present horrors and histories of the South.

In this charming fiction debut, a young woman moves to Manhattan in search of romance and excitement—only to find that her apartment is haunted by the ghost of a cantankerous Beat Generation writer in need of a rather huge favor. For Eve Weldon, moving to Greenwich Village is a dream come true. She’s following in the bohemian footsteps of her mother, who lived there during the early sixties among a lively community of Beat artists and writers. But when Eve arrives, the only scribe she meets is a grumpy ghost named Donald, and the only writing she manages to do is for chirpy segments on a morning news program, Smell the Coffee. The hypercompetitive network environment is a far cry from the genial camaraderie of her mother’s literary scene, and Eve begins to wonder if the world she sought has faded from existence. But as she struggles to balance her new job, demands from Donald to help him complete his life’s work, a budding friendship with a legendary fashion designer, and a search for clues to her mother’s past, Eve begins to realize that community comes in many forms—and that the true magic of the Village is very much alive, though it may reveal itself in surprising ways.

Clasp is award-winning Irish poet Doireann N Ghr ofa's first English-language collection of poems. In three sections entitled 'Clasp', 'Cleave' and 'Clench', N Ghr ofa engages in a strikingly physical way with the world of her subject matter. The result is by times what one poem calls 'A History in Hearts', among other things an intimate exploration of love, childbirth and motherhood, and simultaneously a place of separation and anxiety. In one poem set in the boys' home in Letterfrack, a place of undeniable terror, we see how, in the name of religion, "The earth holds small skulls like seeds." The final section of the book comprises a single poem, Seven Views of Cork City, which, swooping in and out of personal history, paints a convincing if sometimes unsettling portrait of the poet's adopted city, and of urban life's ubiquitous restraints on "our dream of speed."

"What's wrong, Mommy?" Even a five-year-old could tell something was wrong. There she was-the same little girl I had seen years ago. She was standing at the front window of Duncan's nursery, holding the rag doll from the old toy box in the attic, silently saying, "It's me, it's me..." A true ghost story that will give you chills and warm your heart In 1971, Kathleen McConnell and her family moved into a historic home known as the Fontaine Manse. Two days after moving in, she and her husband had an extraordinary experience that left them with no doubt that unseen residents occupied the house, too. This is the true story of how Kathleen McConnell came to know and care for the spirit children who lived in the attic of the mansion-Angel Girl, Buddy, and The Baby. From playing ball with Kathleen, to saving her son Duncan from drowning, the spirit children became part of the McConnell family in ways big and small. Finally, a heart-wrenching decision triggered an unexpected and dramatic resolution to the spirit children's plight. Don't Call Them Ghosts is the inspiring story of the transcendent and lasting power of a mother's love.

Miranda Corbie's back. Noir will never be the same. And Kelli Stanley will once again mesmerize readers with the most thrilling novel yet in her award-winning series. June, 1940. For the United States, war is on the horizon. For Miranda Corbie, private investigator and erstwhile escort, there are debts to be paid and memories—long-suppressed and willfully forgotten—to be resurrected. Enter the U.S. State Department and the man who helped Miranda get her PI license. A man she owes. A man who asks her to track a chemistry professor here in San Francisco whom he suspects is a spy for the Nazis. Playing along may get Miranda a ticket to Blitz-bombed England and answers about her past...if she survives. Through sordid back alleys and art gallery halls, from drag dress nightclubs to a Nazi costume ball, Miranda's journey into fear takes her on the famed City of San Francisco streamliner and to Reno, Nevada, the Biggest Little City in the World...where she finds herself framed for a murder she never anticipated. Forced to go underground, Miranda soldiers on alone, determined to find the truth about a murder, a Nazi spy, and her own troubling past. But Miranda will have to learn the difference between reality and illusion, from despair to deceit and factual to fake, as she tries to get her life back...and navigates a City of Ghosts.

M.J., her partner Gilley, and their client, the wealthy, de-lish Dr. Steven Sable, are at his family's lodge, where his grandfather allegedly jumped to his death from the roof-although Sable says it was foul play. But the patriarch's isn't the only ghost around. The place is lousy with souls, all with something to get off their ghoulish chests. Now M.J. will have to to quell the clamor-and listen for a voice with the answers...

#1 New York Times bestselling author Peter Straub’s classic tale of horror, secrets, and the dangerous ghosts of the past... What was the worst thing you’ve ever done? In the sleepy town of Milburn, New York, four old men gather to tell each other stories—some true, some made-up, all of them frightening. A simple pastime to divert themselves from their quiet lives. But one story is coming back to haunt them and their small town. A tale of something they did long ago. A wicked mistake. A horrifying accident. And they are about to learn that no one can bury the past forever...

The famous 18th-century Irish poem, in which a wife mourns the loss of her murdered husband.