About the Author, Scott K. Elliott Born in Dayton Ohio, raised in New England, Scott has always shown a propensity to acknowledging the spirit world. At an early age he became aware that not only are you sharing life with each other, but with a host of relatives and friends in the spiritual realm. Convinced throughout most of his life that he was imagining things, it took a life altering change to awaken his gifts as a writer, healer and teacher. We are pleased with his diligence to the pursuit of his divine destiny in bringing forth our message. Love and Light, Gabriel On a quest fueled by the passing of his life long friend, Scott heard us calling to him. We were to ask without explanation, "Are you ready now." It was then up to him, to know from within what this question meant. Only then would he be ready. When he acknowledged this calling, we were able to begin preparing him for the mission that laid ahead. This book contains our message to him and to all of you . Take from them that which speaks to your heart, and know that what does not speak to your heart is likely meant for someone else. Love and Light, From the brotherhood of the Light.

Reincarnation, karma, and past lives are just some of the things that unfold in Whispers from the Past. Simone Kelly sends readers on a jaw-dropping ride of steamy, erotic moments, comedy, suspense, and supernatural thrills.

In this lavishly illustrated publication, Mike Weaver discusses the work of Julia Margaret Cameron, an English photographer known for her painterly approach to her subjects. Weaver’s essay analyzes Mrs. Cameron’s approach to photography as evidenced in the Overstone Album, a collection of 109 of her albumen prints. These prints, which were made between January 1864 and July 1865, were divided into three categories—“Portraits,” “Madonna Groups,” and “Fancy Subjects for Pictorial Effect”—with annotations by Mrs. Cameron about the images and where they were made. Weaver provides invaluable insight into Mrs. Cameron’s life and art and identifies her many sources and concerns, both secular and religious. The Museum’s Department of Photographs displays selections from its collections on a rotating basis.

""A Passport to America"" begins in October of 1914 and encompasses a five year journey from Jacques' home in Switzerland to the Ukraine and eventually to America. Jacques' family business was importing wheat from the Ukraine and after the death of his father, Jacques was obliged to travel to Kiev on business. While in Kiev, he met Irena, a Georgian girl with azure blue eyes. Because of his attraction to her, he extended his stay in Kiev and that placed him there at the beginning of the Russian Revolution. The chaos forced him to travel many kilometers and put him in numerous situations of danger before he could escape Russia and immigrate to America.

Convicted armed robber Jimmy 'Spotter' Gould is shot dead within seconds of emerging from London's Stone Mill Prison at the end of an eight-year sentence, and Brock and DS Poole are faced with yet anther baffling crime. s enquiries continue, an embezzling solicitor's clerk, a dodgy undertaker and a dubious motor trader all enter the frame.

The Theatre of Sabina Berman: The Agony of Ecstasy and Other Plays introduces and makes accessible to an English-speaking audience the work of the contemporary Mexican playwright Sabina Berman. The book contains translations of the four plays that established Berman's career: The Agony of Ecstasy, Yankee, Puzzle, and Heresy. An introduction by Adam Versényi provides a critical assessment of each play, a discussion of the specific problems of translation involved, and placement of Berman's work in the larger Mexican and Latin American context. It is evident that Sabina Berman's theatrical acumen matches the depth of her dramatic design whether it is the sheer variety of techniques from song to staged tableau that appear in The Agony of Ecstasy; the physicalization of what it means to be interrogated and to interrogate in Yankee; the final enigmatic image of a soldier alone on stage, silently aiming his firearm at an undefined threat that potentially emanates from the audience in Puzzle; or the manner in which the family narrates its own "heretical" actions in Heresy. It is the combination of theatrical technique with universal themes of self-definition that cuts across cultures and ultimately makes these plays translatable.