Based on extensive new research investigating the range of women’s involvement in early nineteenth-century popular politics, mid-Victorian reform and the women’s movements of the late century, Women and the People makes an original intervention in the historiography of the radical tradition by exploring the interconnections of populism, liberalism and feminism. Attending to authorship, the study argues that the representational forms adopted by radicals were as important as the content of what they said in shaping their self-perception, their construction of others, and the reception of their ideas. In fiction, poetry and autobiography, as well as in political writing, speeches and journalism, women reworked radical conventions and imagined new models of political identity, participation and authority. Though, in general, radicals appealed to ’the people’, women were often positioned as the suffering objects of reform rather than as the agents of change. By showing how they challenged or reinforced these conceptions of ’women’ and ’the people’, the book contends that radical women invoked alternative communities of sex, class and nation, and helped to remake and discipline the political sphere, as they strove to make it their own.

The most beloved poem by Eliza Cook, "The Old Armchair", tells a touching tale of a young woman's attachment to the chair. It was no ordinary chair, but the one where her mother nursed her as a baby, sat in and told her stories, and ultimately, was where she died. It's a gracefully written work which will pull on the heartstrings of anyone with strong family ties.

Since the late twentieth century, there has been a strategic campaign to recover the impact of Victorian women writers in the field of English literature. However, with the increased understanding of the importance of interdisciplinarity in the twenty-first century, there is a need to extend this campaign beyond literary studies in order to recognise the role of women writers across the nineteenth century, a time that was intrinsically interdisciplinary in approach to scholarly writing and public intellectual engagement.

INTERNATIONAL BESTSELLER Good Housekeeping Book Club Pick * A Country Living Best Book of Fall * A Washington Post Best Feel-Good Book of the Year * One of the New York Times's Best Historical Fiction Novels of Fall In a novel perfect for fans of Hazel Gaynor’s A Memory of Violets and upstairs-downstairs stories, Annabel Abbs, the award-winning author of The Joyce Girl, returns with the brilliant real-life story of Eliza Acton and her assistant as they revolutionized British cooking and cookbooks around the world. Before Mrs. Beeton and well before Julia Child, there was Eliza Acton, who changed the course of cookery writing forever. England, 1835. London is awash with thrilling new ingredients, from rare spices to exotic fruits. But no one knows how to use them. When Eliza Acton is told by her publisher to write a cookery book instead of the poetry she loves, she refuses—until her bankrupt father is forced to flee the country. As a woman, Eliza has few options. Although she’s never set foot in a kitchen, she begins collecting recipes and teaching herself to cook. Much to her surprise she discovers a talent – and a passion – for the culinary arts. Eliza hires young, destitute Ann Kirby to assist her. As they cook together, Ann learns about poetry, love and ambition. The two develop a radical friendship, breaking the boundaries of class while creating new ways of writing recipes. But when Ann discovers a secret in Eliza’s past, and finds a voice of her own, their friendship starts to fray. Based on the true story of the first modern cookery writer, Miss Eliza’s English Kitchen is a spellbinding novel about female friendship, the struggle for independence, and the transcendent pleasures and solace of food.

This book redefines the origins of the women's rights campaigns in Britain. Contrary to the existing historiography, which argues that the Victorian Feminist movement began in the 1850s, this book, by bringing to light a wealth of unused sources, demonstrates that a vibrant community existed during the 1830s and 1840s. Previously neglected, this remarkable group of writers and reformers established both the ideologies and personnel network which provided the foundations of the women's rights campaigns of the coming decades.

First published in 1978.This book surveys the history of the Press as a whole in relation to the development of society - beginning with the introduction of the art of printing into England in 1476.

Table of contents

Inclusive, cutting-edge essay collection by leading scholars on Victorian women poets and their diverse poetic forms and identities.