Searing verses set on the Mexican border about war and addiction, love and sexual violence, grief and loss, from an American Book Award–winning author. Selected by Gregory Pardlo as winner of the National Poetry Series. El Paso is one of the safest cities in the United States, while across the river, Ciudad Juárez suffers a history of femicides and a horrific drug war. Witnessing this, a Filipina’s life unravels as she tries to love an addict, the murders growing just a city—but the breadth of a country—away. This collection weaves the personal with recent history, the domestic with the tragic, asking how much “a body will hold,” reaching from the border to the poet’s own Philippines. These poems thirst in the desert, want for water, searching the brutal and tender territories between bodies, families, and nations.

Excerpt from Western Waters: And Other Poems Swinging slowly we turn, Pointing out for mid-lake, past the long pier where burn The red harbor-lights, where the great billows churn Blow on blow on the spiles, spilling down the white foam But I've written the home-folks that I'm coming home. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

A collection of poems that provide a look at some of the animals, insects, and plants that are found in ponds, with accompanying information about each.

Tells how Mark Wilmer, an Arizona lawyer, fashioned the successful arguments that won the Supreme Court case securing Arizona's allottment of Colorado River water.

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This book tells the story of river boating in the West before the invention of the steamboat. In a deft combination of thorough research and interesting narrative, Baldwin recreates life on the keelboats and flatboats that plied the Ohio, Mississippi, and other rivers from revolutionary days until about 1820. No one knows who put the first keel along the bottom of one big, clumsy river craft used by the pioneers. but the change made the boats far easier to manage, and travel in both directions became practical all the way to New Orleans.Baldwin examines the many types of craft in use, the different methods of locomotion, and the art of navigation on uncharted rivers full of hidden obstacles. But he never loses sight of the picturesque aspects of his subject, especially the boatmen themselves-a tribe of rugged and fearless men whose colorful lives are described in great detail.The Keelboat Age is a segment cut from the history of the frontier, showing the overwhelming importance of river transportation in the development of the West. The rivers were great arteries, carrying a restless people into a new land. The keelboatman and his craft did much to build a nation.

One of The New York Times' 10 Favorite Poetry Books of 2014 National Book Critics Circle Award Finalist A searing new collection from one of our country's most important poets Memories mercies mostly aren't but there were I swear days veined with grace —from "Memory's Mercies" Once in the West, Christian Wiman's fourth collection, is as intense and intimate as poetry gets—from the "suffering of primal silence" that it plumbs to the "rockshriek of joy" that it achieves and enables. Readers of Wiman's earlier books will recognize the sharp characterizations and humor—"From her I learned the earthworm's exemplary open-mindedness, / its engine of discriminate shit"—as well as his particular brand of reverent rage: "Lord if I implore you please just please leave me alone / is that a prayer that's every instant answered?" But there is something new here, too: moving love poems to his wife, tender glimpses of his children, and, amid the onslaughts of illness and fear and failures, "a trace / of peace."

One hundred fifty poems by seventy-five poets offer an inclusive collage of voices--protest poems of the Chicano farmworkers' movement, campfire cowboy songs, sacred Native American songs, and works by Willa Cather, Langston Hughes, Adrienne Rich, and other canonical figures--from a land where cultural collision is part of the rugged landscape.