Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.

How her daughter and her passport taught Jennifer to live like there's no tomorrow Jennifer Coburn has always been terrified of dying young. So she decides to save up and drop everything to travel with her daughter, Katie, on a whirlwind European adventure before it's too late. Even though her husband can't join them, even though she's nervous about the journey, and even though she's perfectly healthy, Jennifer is determined to jam her daughter's mental photo album with memories—just in case. From the cafés of Paris to the top of the Leaning Tower of Pisa, Jennifer and Katie take on Europe one city at a time, united by their desire to see the world and spend precious time together. In this heartwarming generational love story, Jennifer reveals how their adventures helped vanquish her fear of dying...for the sake of living. "Brimming with joie de vivre!"—Jamie Cat Callan, author of Ooh La La! French Women's Secrets to Feeling Beautiful Every Day "Coburn proves as adept at describing the terrain of the human heart as she is the gardens of Alcázar or the streets of Paris."—Claire and Mia Fontaine, authors of the bestselling Come Back and Have Mother, Will Travel

A charming second-chance love story for fans of The Best Exotic Marigold Hotel. Does first love deserve a second chance? During her first week at art college, Rosie Jackson, almost seventeen, locks eyes with the charismatic Peter from across the room of their nude figure drawing class, and the course of her life is changed forever. Now, on the cusp of sixty-five and recently widowed, Rosie is slowly coming to terms with a new future. And after a chance encounter with Peter forty-seven years later, she is brought back to that summer of 1968, when she fell in love for the first time and dared to dream boldly of a life in Paris. As Rosie and Peter pick up where they had left off, they both begin to wonder what if . . . Told with warmth, wit, and humor, We’ll Always Have Paris is a moving and uplifting novel about two people giving love a second chance in later life—the choices they make, the lives they lead, and the love they share.

"Masterful. Magnificent. A passionate story of survival and a real page turner. This story will stay with me for a long time." —Heather Morris, author of The Tattooist of Auschwitz and Cilka's Journey Living through World War II working in a Paris bookstore with her young daughter, Vivi, and fighting for her life, Charlotte is no victim, she is a survivor. But can she survive the next chapter of her life? Alternating between wartime Paris and 1950s New York publishing, Ellen Feldman's Paris Never Leaves You is an extraordinary story of resilience, love, and impossible choices, exploring how survival never comes without a cost. The war is over, but the past is never past.

"Atkinson's bright voice rings on every page, and her sly and wry observations move the plot as swiftly as suspense turns the pages of a thriller."--San Francisco Chronicle.

I've done it! Thanks to my awesome powers of persuasion, elusive-but-dreamy TV star Simon Valentine is starring in our new romance documentary! It wasn't easy, though—Simon thinks his status as prime-time financial guru turned celebrity is ridiculous! He says he now steers well clear of affairs of the heart, but surely he must have one romantic bone left in his body? Much as I'd like to find out firsthand, I've sworn off men after a disastrous ending with my last boyfriend. Must remain professional—though it won't be easy…we're filming in the most romantic city of all…. Clara x

President Donald J. Trump drives liberals and the mainstream press berserk by labeling them the enemy of the American people. While the testy talking heads and petulant penmen in D.C. might disagree, all relevant evidence supports Trump’s claim. Hilariously told, Enemies: The Press vs. The American People is a knee-slapping account of the follies of the corporate press freak show. It highlights the media’s fact-free and for-profit deception of unsuspecting Americans while delivering the press the proverbial beat down it so richly deserves.

As a bored, moody teenager, Emma Beddington came across a copy of French ELLE in the library of her austere Yorkshire school. As she turned the pages, full of philosophy, sex and lipstick, she realized that her life had one purpose and one purpose only: she needed to be French. Instead of skulking in her bedroom listening to The Smiths or trudging to Betty's Tea Room to buy fondant fancies, she would be free and solitary, sitting outside the Café de Flore with a Scottie dog at her feet, a Moleskine on the table and a Gauloise trembling on her lower lip. And so she set about becoming French: she did a French exchange, albeit in Casablanca; she studied French history at university, and spent the holidays in France with her French boyfriend. Eventually, after a family tragedy, she found herself living in Paris, with the same French boyfriend and two half-French children. Her dream had come true, but how would reality match up? Gradually Emma realized that she might have found Paris, but what she really needed to find was home. Written with enormous wit and warmth, We'll Always Have Paris is a memoir for anyone who has ever worn a Breton T-shirt and wondered, however fleetingly, if they could pass for une vraie Parisienne.

For much of the twentieth century, Americans had a love/hate relationship with France. While many admired its beauty, culture, refinement, and famed joie de vivre, others thought of it as a dilapidated country populated by foul-smelling, mean-spirited anti-Americans driven by a keen desire to part tourists from their money. We'll Always Have Paris explores how both images came to flourish in the United States, often in the minds of the same people. Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms. Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.

Decision in Paris - Part 2 With the first lie the winter began! With the slamming of the grand piano lid, a decision is made that has bitter consequences for all and fate inexorably takes its course ans this forever! When we close our eyes in this last part of 'Decision in Paris - Volume II', we are in the middle of Paris! And find ourselves in a beautiful but tragic love story, as in the last book, which finds its continuation here seamlessly. With a variety of new events, which the author skillfully set the scene, so that a very tightly knit, haunting and under the skin drama has emerged. Emotions that we can hardly escape. This book makes your heart beat faster and the tears flow, if we let them, but only if we realize the meaning of this story. Above all, see what the author wanted to tell us with his story. Now we begin where the second volume ends, in Paris! Who has never been in this city of love, wants to go there after this book, and who has been there before, wants to do so again immediately! It is the finding of a very special love in this city that chance allows. It is the hymn to a single summer in Paris. Of love! Perhaps the events from the book will become blurred with your own memories of that city, which in films and in so many songs always tells of only one thing ... love. We would all like to experience it as intensively as these two protagonists in this novel! But maybe it's also the exuberant feelings that immediately sweep you away!