How her daughter and her passport taught Jennifer to live like there's no tomorrow Jennifer Coburn has always been terrified of dying young. So she decides to save up and drop everything to travel with her daughter, Katie, on a whirlwind European adventure before it's too late. Even though her husband can't join them, even though she's nervous about the journey, and even though she's perfectly healthy, Jennifer is determined to jam her daughter's mental photo album with memories—just in case. From the cafés of Paris to the top of the Leaning Tower of Pisa, Jennifer and Katie take on Europe one city at a time, united by their desire to see the world and spend precious time together. In this heartwarming generational love story, Jennifer reveals how their adventures helped vanquish her fear of dying...for the sake of living. "Brimming with joie de vivre!"—Jamie Cat Callan, author of Ooh La La! French Women's Secrets to Feeling Beautiful Every Day "Coburn proves as adept at describing the terrain of the human heart as she is the gardens of Alcázar or the streets of Paris."—Claire and Mia Fontaine, authors of the bestselling Come Back and Have Mother, Will Travel

As a bored, moody teenager, Emma Beddington came across a copy of French ELLE in the library of her austere Yorkshire school. As she turned the pages, full of philosophy, sex and lipstick, she realized that her life had one purpose and one purpose only: she needed to be French. Instead of skulking in her bedroom listening to The Smiths or trudging to Betty's Tea Room to buy fondant fancies, she would be free and solitary, sitting outside the Café de Flore with a Scottie dog at her feet, a Moleskine on the table and a Gauloise trembling on her lower lip. And so she set about becoming French: she did a French exchange, albeit in Casablanca; she studied French history at university, and spent the holidays in France with her French boyfriend. Eventually, after a family tragedy, she found herself living in Paris, with the same French boyfriend and two half-French children. Her dream had come true, but how would reality match up? Gradually Emma realized that she might have found Paris, but what she really needed to find was home. Written with enormous wit and warmth, We'll Always Have Paris is a memoir for anyone who has ever worn a Breton T-shirt and wondered, however fleetingly, if they could pass for une vraie Parisienne.

Fiction and essays inspired by Paris from more than 70 Anglophone writers -- A MoveableFeast for the twenty-first century. "When good Americans die, they go to Paris", wrote the Irish playwright Oscar Wilde in 1894. The French capital has always radiated an unmatched cultural, political and intellectual brilliance in the anglophone imagination, maintaining its status as the modern cosmopolitan city par excellence through the twentieth century to today. We'll Never Have Paris explores this enduring fascination with this myth of a bohemian and literary Paris (that of the Lost Generation, Joyce, Beckett and Shakespeare and Company) which also happens to be a largely anglophone construct -- one which the Eurostar and Brexit only seem to have exacerbated in recent years. Edited by Andrew Gallix, this collection brings together many of the most talented and adventurous writers from the UK, Ireland, USA, Australia and New Zealand to explore this theme through short stories, essays and poetry, in order to build up a captivating portrait of Paris as viewed by English speakers today -- A Moveable Feast for the twenty-first century. We'll Never Have Paris includes contributions from seventy-nine authors, including Tom McCarthy, Will Self, Brian Dillon, Joanna Walsh, Eley Williams, Max Porter, Sophie Mackintosh and Lauren Elkin.

A charming second-chance love story for fans of The Best Exotic Marigold Hotel. Does first love deserve a second chance? During her first week at art college, Rosie Jackson, almost seventeen, locks eyes with the charismatic Peter from across the room of their nude figure drawing class, and the course of her life is changed forever. Now, on the cusp of sixty-five and recently widowed, Rosie is slowly coming to terms with a new future. And after a chance encounter with Peter forty-seven years later, she is brought back to that summer of 1968, when she fell in love for the first time and dared to dream boldly of a life in Paris. As Rosie and Peter pick up where they had left off, they both begin to wonder what if . . . Told with warmth, wit, and humor, We’ll Always Have Paris is a moving and uplifting novel about two people giving love a second chance in later life—the choices they make, the lives they lead, and the love they share.

For much of the twentieth century, Americans had a love/hate relationship with France. While many admired its beauty, culture, refinement, and famed joie de vivre, others thought of it as a dilapidated country populated by foul-smelling, mean-spirited anti-Americans driven by a keen desire to part tourists from their money. We'll Always Have Paris explores how both images came to flourish in the United States, often in the minds of the same people. Harvey Levenstein takes us back to the 1930s, when, despite the Great Depression, France continued to be the stomping ground of the social elite of the eastern seaboard. After World War II, wealthy and famous Americans returned to the country in droves, helping to revive its old image as a wellspring of sophisticated and sybaritic pleasures. At the same time, though, thanks in large part to Communist and Gaullist campaigns against U.S. power, a growing sensitivity to French anti-Americanism began to color tourists' experiences there, strengthening the negative images of the French that were already embedded in American culture. But as the century drew on, the traditional positive images were revived, as many Americans again developed an appreciation for France's cuisine, art, and urban and rustic charms. Levenstein, in his colorful, anecdotal style, digs into personal correspondence, journalism, and popular culture to shape a story of one nation's relationship to another, giving vivid play to Americans' changing response to such things as France's reputation for sexual freedom, haute cuisine, high fashion, and racial tolerance. He puts this tumultuous coupling of France and the United States in historical perspective, arguing that while some in Congress say we may no longer have french fries, others, like Humphrey Bogart in Casablanca, know they will always have Paris, and France, to enjoy and remember.

One of Popsugar’s Best New Books for Summer 2020 A thirty-year-old woman retraces her gap year through Ireland, France, and Italy to find love—and herself—in this hilarious and heartfelt novel. It's been seven years since Chelsea Martin embarked on her yearlong postcollege European adventure. Since then, she's lost her mother to cancer and watched her sister marry twice, while Chelsea's thrown herself into work, becoming one of the most talented fundraisers for the American Cancer Coalition, and with the exception of one annoyingly competent coworker, Jason Knightley, her status as most successful moneymaker is unquestioned. When her introverted mathematician father announces he's getting remarried, Chelsea is forced to acknowledge that her life stopped after her mother died and that the last time she can remember being happy, in love, or enjoying her life was on her year abroad. Inspired to retrace her steps—to find Colin in Ireland, Jean Claude in France, and Marcelino in Italy—Chelsea hopes that one of these three men who stole her heart so many years ago can help her find it again. From the start of her journey nothing goes as planned, but as Chelsea reconnects with her old self, she also finds love in the very last place she expected.

What's Geronimo to do in order to prevent the Pirate Cats from turning the almost-complete Eiffel Tower into a gigantic monument to Catardone's already monumental ego? No matter what the answer, this is a mission that will require the scientific expertise of Ampy Von Volt, as Geronimo takes to the skies in this new high-flying adventure set in late 19th century Paris.

A Los Angeles Times bestseller A New York Times Book Review “Editor’s Choice” Selection “Even the die-hardest Casablanca fan will find in this delightful book new ways to love the movie they were certain they could never love more.” —Sam Wasson, best-selling author of Fifth Avenue, 5 A.M. Casablanca is “not one movie,” Umberto Eco once quipped; “it is ‘movies.’” Film historian Noah Isenberg’s We’ll Always Have Casablanca offers a rich account of the film’s origins, the myths and realities behind its production, and the reasons it remains so revered today, over seventy-five years after its premiere.

For more than a century, pilgrims from all over the world seeking romance and passion have made their way to the City of Light. The seductive lure of Paris has long been irresistible to lovers, artists, epicureans, and connoisseurs of the good life. Globe-trotting film critic and writer John Baxter heard her siren song and was bewitched. Now he offers readers a witty, audacious, scandalous behind-the-scenes excursion into the colorful all-night show that is Paris -- interweaving his own experience of falling in love, with a delightfully salacious tour of the sultry Parisian corners most guidebooks ignore: from the literary cafés of Hemingway, Fitzgerald, and de Beauvoir to the brothels where Dietrich and Duke Ellington held court, where Salvador Dali sated his fantasies, and Edward VII kept a sumptuous champagne bath for his favorite girls.

"ART BUCHWALD DOES IT AGAIN. . . . A GREAT READ." --Larry King, USA Today In 1948, an American innocent named Art Buchwald set sail for Paris, France, determined to crash Hemingway's moveable feast and make himself famous. What's more, he did it. Now he remembers those golden years--when he wrote for the Paris Herald Tribune, fell in love, spoofed Hemingway, dined with gangsters, and crashed costume balls in Venice. Everything that has made Buchwald one of the world's best-loved writers is in this funny, enchanting, poignant book. "HONEST AND MOVING . . . A CONSUMMATE STORYTELLER." --The New York Times Book Review "ROLLICKING . . . The book gallops and gambols along. . . . Buchwald is a master of the anecdote." --The Baltimore Sun