There is a secret society that presides over every world. This society is so powerful that it can control a nation, strike fear into the bravest of men and bring turmoil onto the most unsuspecting of victims. . . .There is a dangerous society in Seoul that is plaguing Choi Yoori. Her world is turned upside down when she is told that she bears a strong resemblance to the "Queen of the Underworld," a notorious Underworld crime lord who died 3 years prior - the exact same time Yoori woke up with amnesia. The dangers of this new world is crashing in on her and Yoori's only grip on stability lies with the guidance from her crime lord boss and the secrets the Queen of the Underworld hid from her powerful society. Welcome to a world where "Gods" walk amongst humans. Where the heartless and vengeful are revered like Kings and Queens - and the weak, the distracted are punished without mercy. It is a cruel world and once you're in, the only exit is death.

The Dirty Harold is a book of a lifetime...it may not take a lifetime to fully read it, but to grasp it...but maybe you get it as soon as you can say Jack Robinson, even if Jack Robinson is new to you.So you can rely on the fact that the Ultra-Short Stories in this book change your perspective on short stories and not only on short stories, as long stories just take too much time to fully read them in our restless times. This much The Dirty Harold can tell you, as his Ultra-Short Stories are loaded with dynamite, sometimes shimmering, sometimes humorous, sometimes bizarre, and sometimes just dynamite, but always something to think about. Welcome to the Underworld of Literature!

Perpetual scaredy-cat Conor O'Neill has the fright of his life when a banshee girl named Ashling shows up in his bedroom. Ashling is--as all banshees are--a harbinger of death, but she's new at this banshee business, and first she insists on going to middle school. As Conor attempts to hide her identity from his teachers, he realizes he's going to have to pay a visit to the underworld if he wants to keep his family safe. "Got your cell?" "Yeah . . . . Don't see what good it'll do me." "I'll text you if anything happens that you should know." "Text me? Javier, we'll be in the afterlife." "You never know. Maybe they get a signal." Discover why Kirkus has called Booraem's work "utterly original American fantasy . . . frequently hysterical." This totally fresh take on the afterlife combines the kid next door appeal of Percy Jackson with the snark of Artemis Fowl and the heart of a true middle grade classic.

"Reproducible comic book-style retellings that introduce kids to these riveting classic stories ..."--Cover.

The Underworld is the land of the dead and ruled by the powerful god Hades. It is not a place where the living are welcome, but that's where you must go. You will need to cross the River Styx and face the three-head dog Cerberus. But once you are there and reach your goal, will you be able to find your way back to the living or be trapped forever? Full-page illustrations, interactive stories, and multiple endings transport you back to ancient Greece and into deep dark depths of the Underworld.

Life isn't easy when you're cursed with a headful of snakes for hair. Medusa knows that better than anyone. But she didn't start out in such a state. What happened? Who's to blame? And who's the real hero? Find out in this modern, action-packed graphic retelling of a classic Greek myth.

A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.

Part 2 of 4: Raymond Delgado isn't welcome at all. Rather, he's the newest inmate at the Hoxford Correctional Facility and Mental Institution. He has no hope of release, parole, rehabilitation, or decent conversation. On a good day, he'll tell you he's Zeus and only bite your arm off. Literally. On a bad day, you won't have time to scream to the prison guard for help. And why are people always transferred into Hoxford, but no records show anyone ever transferring back out?

Since the 1990s there has been a dramatic increase in cultural flows and connections between the countries in the East Asian region. Nowhere is this more apparent than when looking at popular culture where uneven but multilateral exchanges of Japanese, Korean, Taiwanese, Hong Kong and Chinese products have led to the construction of an ‘East Asian Popular Culture’. This is both influenced by, and in turn influences, the national cultures, and generates transnational co-production and reinvention. As East Asian popular culture becomes a global force, it is increasingly important for us to understand the characteristics of contemporary East Asian popular culture, and in particular its transnational nature. In this handbook, the contributors theorize East Asian experiences and reconsider Western theories on cultural globalization to provide a cutting-edge overview of this global phenomenon. The Routledge Handbook of East Asian Popular Culture will be of great interest to students and scholars of a wide range of disciplines, including: Cultural Studies, Media Studies, Communication Studies, Anthropology, Sociology and Asian Studies in general.