IT IS THE YEAR ONE-KNIFE IN TENOCHTITLAN - THE CAPITAL OF THE AZTECS. The end of the world is kept at bay only by the magic of human sacrifice. A Priestess disappears from an empty room drenched in blood. Acatl, High Priest of the Dead must find her, or break the boundaries between the worlds of th living and the dead. But how do you find someone, living or dead, in a world where blood sacrifices are an everyday occurrence and the very gods stalk the streets? File Under: Fantasy [ Aztec Mystery | Locked Room | Human Sacrifice | The Dead Walk! ]

Young readers are introduced to some of the most exciting figures in Greek mythology in this vibrant new series. Each title describes the responsibilities and characteristics of a featured god or goddess. A detailed mythological family tree also provides useful background information. The Gods and Goddesses of Ancient Greece series is sure to inspire a fascination for mythology and a love of reading. Each Gods and Goddesses of Ancient Greece title features easy-to-read text, stunning visuals, and a challenging educational activity. Gods and Goddesses of Ancient Greece is a series of AV2 media enhanced books. A unique book code printed on page 2 unlocks multimedia content. These books come alive with video, audio, weblinks, slide shows, activities, hands-on experiments, and much more.

This volume offers a survey about what is known about the Ancient Egyptians' vision of the afterlife and an examination of these beliefs that were written down in books that were later discovered in royal tombs. The contents of the texts range from the collection of spells in the Book of the Dead, which was intended to offer practical assistance on the journey to the afterlife, to the detailed accounts of the hereafter provided in the Books of the Netherworld. The author looks closely at these latter works, while summarizing the contents of the Book of the Dead and other widely studied examples of the genre. For each composition, he discusses the history of its ancient transmission and its decipherment in modern times, supplying bibliographic information for any text editions. He also seeks to determine whether this literature as a whole presents a monolithic conception of the afterlife. The volume features many drawings from the books themselves.

Perpetual scaredy-cat Conor O'Neill has the fright of his life when a banshee girl named Ashling shows up in his bedroom. Ashling is--as all banshees are--a harbinger of death, but she's new at this banshee business, and first she insists on going to middle school. As Conor attempts to hide her identity from his teachers, he realizes he's going to have to pay a visit to the underworld if he wants to keep his family safe. "Got your cell?" "Yeah . . . . Don't see what good it'll do me." "I'll text you if anything happens that you should know." "Text me? Javier, we'll be in the afterlife." "You never know. Maybe they get a signal." Discover why Kirkus has called Booraem's work "utterly original American fantasy . . . frequently hysterical." This totally fresh take on the afterlife combines the kid next door appeal of Percy Jackson with the snark of Artemis Fowl and the heart of a true middle grade classic.

A dark lesbian romance retelling of the Hades/Persephone abduction story, set in mythological ancient Greece. In the land of the dead, Queen Hades’ word is law. Hades gets what she wants—always—and what she wants is a certain goddess of the springtime. Innocent Persephone chafes beneath her mother’s hawkish gaze and mercurial temper. Demeter has rebuffed all her daughter’s suitors, but she is not yet satisfied; she strives to crush Persephone’s spirit. Still, when Hades pulls her into the dark realm of the underworld, Persephone longs for the world above, even if it means an eternity under her mother’s thumb. With her tears and pleas for freedom ignored by pitiless Hades, Persephone must learn to satisfy her keeper in all ways, lest she suffer the consequences. And though she cannot deny that something blooms within her, something forbidden, Persephone despairs of ever feeling the sun upon her skin once more. No matter the cost, Hades intends to keep her. Forever. * * * Captive in the Underworld is a standalone dark lesbian romance novel set in mythological ancient Greece. It is rooted in the misogyny and cruelties of the Hades/Persephone myth and contains sensitive material. Due to mature content and dark themes, this book is intended for adult readers only. It contains scenes depicting non-consensual sex, death, abuse, kidnapping, assault, and other intimate partner violence. It is not recommended for readers sensitive to such content. PRAISE FOR CAPTIVE IN THE UNDERWORLD “A dark sapphic romance based on the myth of Persephone and Hades... entertaining, captivating, and exceptionally enjoyable... I read it twice in a row without stopping… if you like my work, I bet you’ll like this a whole lot!” ―Rae D. Magdon, author of Lucky 7 “I adored this brutally ruthless Hades... She was everything I wanted her to be... frightening and passionate all at once... a beautiful example of classic dark romance... Gorgeous novel, highly recommend.” ―Roses and Thorns Book Reviews “[The] best Hades/Persephone story I've ever read… such a gripping read I literally devoured it whole in one sitting like I was Kronos eating his kids… the world and the characters are so lush and compelling I'm tempted not to finish this review and just start rereading the book instead.”―Katarina, Goodreads reviewer

Simultaneously funny and frightful, Srikanth Reddy's Underworld Lit is a multiverse quest through various cultures' realms of the dead. Couched in a literature professor's daily mishaps with family life and his sudden reckoning with mortality, this adventurous serial prose poem moves from the college classroom to the oncologist's office to the mythic underworlds of Mayan civilization, the ancient Egyptian place of judgment and rebirth, the infernal court of Qing dynasty China, and beyond—testing readers along with the way with diabolically demanding quizzes. It unsettles our sense of home as it ferries us back and forth across cultures, languages, epochs, and the shifting border between the living and the dead.

The official novelization of the third installment of the Underworld film series--a prequel to the first two films that explores the origins of the centuries-old blood feud between the ageless, aristocratic vampires known as Death Dealers and their onetime slaves, the Lycans. The film opens in theaters on January 23. Original.

Harry Black is lost between the world of war and the land of myth in this illustrated novel that transports the tale of Orpheus to World War II–era London. Brothers Marcus and Julian Sedgwick team up to pen this haunting tale of another pair of brothers, caught between life and death in World War II. Harry Black, a conscientious objector, artist, and firefighter battling the blazes of German bombing in London in 1944, wakes in the hospital to news that his soldier brother, Ellis, has been killed. In the delirium of his wounded state, Harry’s mind begins to blur the distinctions between the reality of war-torn London, the fiction of his unpublished sci-fi novel, and the myth of Orpheus and Eurydice. Driven by visions of Ellis still alive and a sense of poetic inevitability, Harry sets off on a search for his brother that will lead him deep into the city’s Underworld. With otherworldly paintings by Alexis Deacon depicting Harry’s surreal descent further into the depths of hell, this eerily beautiful blend of prose, verse, and illustration delves into love, loyalty, and the unbreakable bonds of brotherhood as it builds to a fierce indictment of mechanized warfare.

In this irresistibly seductive Lords of the Underworld adventure, an immortal warrior's desire for the wrong woman may ignite the biggest war the heavens have ever witnessed. Original.

In the honorable tradition of the eccentric dandyism of Lord Byron, Oscar Wilde, and Quentin Crisp comes Sebastian Horsley's disarming memoir of sex, drugs, and Savile Row.