In the honorable tradition of the eccentric dandyism of Lord Byron, Oscar Wilde, and Quentin Crisp comes Sebastian Horsley's disarming memoir of sex, drugs, and Savile Row.

With a childhood surrounded by alcoholism and petty cruelties, an adolescence of rebellion and punkish anarchy and an adulthood peppered with heroin addiction, voluntary crucifixion, failed suicide and a penchant for sex with prostitutes, Sebastian Horsley’s life was always destined to become a work of art. An artist, dandy and author who was perhaps best known for having undergone a voluntary crucifixion in the Philippines before beginning a regular column in The Erotic Review, Horsley’s memoirs focused on his dysfunctional family, his drug addictions, sex, and his love of prostitutes, and unsurprisingly became a cult literary sensation. Soho Theatre's theatrical version, has been adapted from Horsley’s no-holds-barred memoir and directed by fellow moral delinquent Tim Fountain. This insane tale of the prototype of modern day dandyism has now found its spiritual platform in the heart of the crazy village he likes to call home. Dandy In The Underworld premiered at Soho Theatre in the summer of 2010.

Drawing on the collections of the V&A, Glam Rock narrates the story of glam and explores its impact on fashion, theatre and film. In the early 1970s, glam rock changed the face of popular culture in Britain and, against a backdrop of a nation racked by economical and social crises, its flamboyancy and theatricality provided an excuse for a party and an escapist dream for musicians and fans alike. British acts like David Bowie, Roxy Music, T. Rex and Mott the Hoople - together with American fellow-travellers including Lou Reed, Alice Cooper and Sparks - drew on the original blueprint of rock and roll, as well as a host of other traditions, from Hollywood to the music hall, Berlin cabaret and Broadway musicals to science fiction and pop art. The resulting music was a wild blend of camp artifice and avant-garde decadence. By 1975 the era had come to an end, but glam never truly went away. Indeed, its attitudes and aesthetics have shaped much that has followed since, from disco to punk, the new romantics to Britpop, Prince to Lady Gaga.

This is the first complete account of two legendary North Norfolk music venues: West Runton Pavilion and The Royal Links Pavilion, Cromer. From the early days of strict tempo dance bands, through soul, disco and glam rock, to heavy metal and punk, this book includes reviews, memories and comments from fans, former owners and stars.

Marc Bolan was the very first superstar of the 1970s. As the seductive focus of T. Rex he revelled in fame and fortune, released a string of classic records before tragically losing his way. The fatal car accident in 1977 cut short his planned comeback as a punk rocker, but also served to fix Bolan as the definitive icon of the Glam years. Bolan's music and chameleonic style were to influence a generation of future bands. In his various guises he could be a beatnik, a mod, a punk, a hippie and a Glam hero. This biography of a pop obsessive draws from interviews with many friends and colleagues including broadcaster John Peel, brother Harry and band members Mickey Finn and Bill Legend.

'Like Salvador Dali's confessions, only far funnier and more self-deprecating, Dandy in the Underworld entertains as much as it revolts, is as tender as it is shocking, and as genuine as it is false.' Independent Sure to shock and surprise, Sebastian Horsley recounts his life story with excruciating self-knowledge and a savage wit. 'One of the funniest, strangest and most revolting memoirs ever written.' Sunday Times Growing up at High Hall, in Hull, with his alcoholic mother, who regularly attempted suicide, his stepfather, a cult member dressed in orange, and his father, a crippled millionaire, Sebastian Horsley couldn't wait to leave home. Searching for happiness, meaning and a good outfit he embarked on a doomed career as a punk guitarist, had a stormy relationship with a notorious Scottish gangster, enjoyed a wildly successful period as a stock-market entrepeneur and experienced a near fatal stint as a shark-hunter. Sebastian charts his years as a dandy, an artist, a male escort and a brothel connoisseur. There are the love affairs, with Rachel 1 and Rachel 2, and a harrowing descent into heroin and crack addiction. Dandy in the Underworld evokes his desperate attempts to get clean, culminating in his crucifixion in the Philippines.

New York Times bestselling author Kevin Hearne returns to the world of his beloved Iron Druid Chronicles in a spin-off series about an eccentric master of rare magic solving an uncanny mystery in Scotland. “A terrific kick-off of a new, action-packed, enchantingly fun series.”—Booklist Al MacBharrais is both blessed and cursed. He is blessed with an extraordinary white moustache, an appreciation for craft cocktails—and a most unique magical talent. He can cast spells with magically enchanted ink and he uses his gifts to protect our world from rogue minions of various pantheons, especially the Fae. But he is also cursed. Anyone who hears his voice will begin to feel an inexplicable hatred for Al, so he can only communicate through the written word or speech apps. And his apprentices keep dying in peculiar freak accidents. As his personal life crumbles around him, he devotes his life to his work, all the while trying to crack the secret of his curse. But when his latest apprentice, Gordie, turns up dead in his Glasgow flat, Al discovers evidence that Gordie was living a secret life of crime. Now Al is forced to play detective—while avoiding actual detectives who are wondering why death seems to always follow Al. Investigating his apprentice’s death will take him through Scotland’s magical underworld, and he’ll need the help of a mischievous hobgoblin if he’s to survive.

Jack Dandy didn’t become prince of the London underworld at barely twenty-one by being soft-hearted, even if a certain girl in a steel corset has wormed her way into his affections of late. He knows how to manipulate charm and rob people blind. And if his criminal activities embarrass his aristocratic father, so much the better.

In today's "post-truth" world, we are becoming inundated with fantasy fictions, "alternate news," and grossly oversimplified (and wildly exaggerated) conspiracy theories that identify cryptocratic power structures ruling our fates. But suppose the truth is both stranger than any fiction and more nuanced and disturbing than any theory? Suppose it is not conspiracy but complicity that creates our world? Beginning as an investigation into the author's childhood inside a closet aristocracy of "progressive" British entrepreneurs, Vice of Kings uncovers a history both disturbingly personal and shockingly universal. By juxtaposing disc jockey Jimmy Savile's secret cultural, criminal, and political affiliations in the second half of the 20th century with the life and teachings of Aleister Crowley in the first, it uncovers an alarming body of evidence that ritual child abuse is not only the dark side of occultism, but the shadowy secret at the heart of culture, both ancient and modern. In the process, Vice of Kings reveals an invisible culture behind the one we know, a secret hierarchy that impacts our lives, in ways both subtle and profound, from birth until death. It is a cryptocratic superculture that operates via traumagenesis (intentionally traumatic child-rearing practices), secret initiation/recruitment rituals (abusive social structures), and collective cultural "inception" via mass media and the arts. By shaping our world implicitly, from the inside out, it makes us complicit with it--like the sleeping subjects of hidden monarchs.