Who (and what) are you bearing witness to (and for) through your research? When you witness, what claims are you making about who and what matters? What does your research forget, and does it do it on purpose?This book reconceptualizes qualitative research as an in-relations process, one that is centered on, fully concerned with, and lifts up those who have been and continue to be dispossessed, harmed, dehumanized, and erased because of white supremacy, settler colonialism, or other hegemonic world views.It prompts scholars to make connections between themselves as “researchers” and affect, ancestors, community, family and kinship, space and place, and the more than human beings with whom they are always already in community.What are the modes and ways of knowing through which we approach our research? How can the practice of research bring us closer to the peoples, places, more than human beings, histories, presents, and futures in which we are embedded and connected to? If we are the instruments of our research, then how must we be attentive to all of the affects and relations that make us who we are and what will become? These questions animate Weaving an Otherwise, providing a wellspring from which we think about our interconnections to the past, present, and future possibilities of research.After an opening chapter by the editors that explores the consequences and liberating opportunities of rejecting dominant qualitative methodologies that erase the voices of the subordinated and disdained, the contributors of nine chapters explore and enact approaches that uncover hidden connections and reveal unconscious value systems.

Modern weaving projects like you've never seen—within easy reach of anyone. Weaving is a satisfying hobby for making home or clothing accessories that look plucked from your favorite stores. Here are Pinterest-worthy projects for creating earrings, clutches, pillows, wall hangings, and more, all organized by skill level. From complete beginner to intermediate, Weaving Within Reach allows you to craft at your comfort level, even if you don’t yet know the difference between the warp and the weft. Lacking a loom? Most of the materials can be woven on found objects—such as an embroidery hoop or cardboard box—or achieved with a simple over-under pattern using no loom at all. As you progress, there are plenty of exciting designs for a frame loom to keep you inspired. With a detailed introduction, stunning lifestyle and step-by-step photographs, and a helpful resource section, Weaving Within Reach unravels the possibilities of the beautiful things you can make with your hands.

The Weaving -- Past Silence -- Part IV. The Naming -- The Naming -- Acknowledgments -- Notes

To create an effective woven fabric a process engineer must choose the appropriate type of weaving machine and determine the particular parameters of the elastic system of fabric formation to be applied. It is also essential to know the purpose of all the mechanisms of the chosen type of weaving machine. This title provides an important, indispensable reference for both weaving specialists and students.Mechanisms of flat weaving technology introduces the reader to the classification of different types of weaving machines and the basic mechanisms involved, leading to a discussion of the principles and mechanisms of warp release (warp let-off), while also providing a description of the warp shed. The book reviews how the supply of weft is maintained on a weaving machine and describes the different methods of weft insertion used on weaving machines. Woven fabric formation is described alongside the characteristics of fabric take-up from the working area and its winding on the cloth beam. Later chapters describe safety (protective) devices provided on woven machines, and the different types of weaving machine driving and stopping mechanisms are presented. The authors then discuss ways of estimating the optimal parameters of weaving machine settings, whist describing methods for the evaluation of the quality and the quantity of the woven fabric produced. Finally, transportation of raw materials and outputs within the weaving factory are described. The book also includes an in-depth glossary and full bibliography. - Provides an introduction to the classification of weaving machines and the mechanisms of warp release, insertion methods and weft supply - Considers safety and protection including mechanisms for driving and stopping of weaving machines - Discusses ways of estimating optimal parameters and methods for evaluating quality and quantity of production

Just as a basket’s purpose determines its materials, weave, and shape, so too is the purpose of the essay related to its material, weave, and shape. Editors Elissa Washuta and Theresa Warburton ground this anthology of essays by Native writers in the formal art of basket weaving. Using weaving techniques such as coiling and plaiting as organizing themes, the editors have curated an exciting collection of imaginative, world-making lyric essays by twenty-seven contemporary Native writers from tribal nations across Turtle Island into a well-crafted basket. Shapes of Native Nonfiction features a dynamic combination of established and emerging Native writers, including Stephen Graham Jones, Deborah Miranda, Terese Marie Mailhot, Billy-Ray Belcourt, Eden Robinson, and Kim TallBear. Their ambitious, creative, and visionary work with genre and form demonstrate the slippery, shape-changing possibilities of Native stories. Considered together, they offer responses to broader questions of materiality, orality, spatiality, and temporality that continue to animate the study and practice of distinct Native literary traditions in North America.

This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.

Provides a guide to primitive and modern methods of weaving and includes instructions for creating numerous articles of clothing.

This vintage book contains an extensive collection of patterns for hand-weaving, including designs from the John Landes Drawings in the Pennsylvania Museum, with drafts and notes by Mary Meigs Atwater. This catalogue of patterns will be of considerable utility to those with a keen interest in hand-weaving, and would make for a worthy addition to collections of related literature. Mary Meigs Atwater was an extremely important figure in the revitalisation of hand-weaving in the early twentieth century, and is often described as the ‘Dean of American Hand-Weaving'. Many antiquarian books such as this are increasingly rare and expensive, and it is with this in mind that we are republishing this vintage book now in an affordable, modern edition complete with a new prefatory biography of the author.

Illustrated guide for step-by-step beginning and advanced weaving. 424 pages; over 600 illustrations; indexed