This text examines the small woven and wrought works artist Sheila Hicks has produced over years. Focusing on 100 Hicks miniatures from many public and private collections, it includes three informative essays as well as illustrations of the artist's related drawings, photographs and chronology.

Sheila Hicks (born 1934) is a pioneering artist noted for objects & public commissions whose structures are built of colour & fibre. This volume accompanies the first major retrospective of Hicks's work. It documents the divergent scale of her textiles as well as her distinctive use, & surprising range, of materials.

"Explores how Ole Miss and other Southern universities presently contend with an inherited panoply of Southern words and symbols and "Old South" traditions, everything that publicly defines these communities--from anthems to buildings to flags to monuments to mascots"--

This beautiful book examines the design achievements of Finland over the past seven decades, focusing on the central and decisive role played by Modernism. It discusses the work of such renowned architects and designers as Alvar Aalto and Kaj Franck, as well as of manufacturers, including Arabia and Marimekko.

This survey of textile fundamentals and methods, written by the foremost textile artist of the 20th century, covers hand weaving and the loom, fundamental construction and draft notation, modified and composite weaves, early techniques of thread interlacing, interrelation of fiber and construction, tactile sensibility, and design. 9 color illustrations. 112 black-and-white plates.

A complete survey of the life and work of master designer Bruno Mathsson, whose archetypal Modernist chair is admired worldwide The sensuously undulant lines of Bruno Mathsson's furniture designs made him one of the leading figures of Swedish modernism in the 1930s. Chairs that adapted to their occupant with graceful natural curves became his trademark and have been in continuous production for more than fifty years. In his less familiar architectural work, Mathsson (1907-1988) applied the same principles of innovative comfortable living. Throughout his work the connections between design and ergonomics, aesthetics and innovative materials, energy saving and environmental concerns resonate for designers today. This book surveys Mathsson's output as an architect and designer as well as his relationships with American architects and designers including Frank Lloyd-Wright, Charles and Ray Eames, and Hans Knoll. Extensive illustrations include unpublished photographs of his Mathsson's work in situ.

The Bauhaus school in Germany has long been understood through the writings of its founding director, Walter Gropius, and well-known artists who taught there such as Wassily Kandinsky and László Moholy-Nagy. Far less recognized are texts by women in the school’s weaving workshop. In Bauhaus Weaving Theory, T’ai Smith uncovers new significance in the work the Bauhaus weavers did as writers. From colorful, expressionist tapestries to the invention of soundproofing and light-reflective fabric, the workshop’s innovative creations influenced a modernist theory of weaving. In the first careful examination of the writings of Bauhaus weavers, including Anni Albers, Gunta Stözl, and Otti Berger, Smith details how these women challenged assumptions about the feminine nature of their craft. As they harnessed the vocabulary of other disciplines like painting, architecture, and photography, Smith argues, the weavers resisted modernist thinking about distinct media. In parsing texts about tapestries and functional textiles, the vital role these women played in debates about medium in the twentieth century and a nuanced history of the Bauhaus comes to light. Bauhaus Weaving Theory deftly reframes the Bauhaus weaving workshop as central to theoretical inquiry at the school. Putting questions of how value and legitimacy are established in the art world into dialogue with the limits of modernism, Smith confronts the belief that the crafts are manual and technical but never intellectual arts.

Drawing on global weaving traditions, the history of painting and sculpture, graphic design, and architecture, Sheila Hicks has redefined how fiber is used to create art, influencing a generation of artists. Sheila Hicks: Material Voices explores sixty years of her prolific career through four diverse perspectives. Karin Campbell considers how Hicks's oeuvre has taken shape over time and highlights the essential links between the artist's work and lived experience. Ted Kooser reflects on the aesthetic and poetic power Hicks's work, while Jason Farago delves into Hicks's incomparable eye for color. Finally, a conversation between the artist and Monique Lévi-Strauss looks back to formative experiences from early in Hicks's life and career.

Issued in connection with an exhibition held May 18, 2011-July 31, 2011, Bard Graduate Center, New York.

World renowned Dutch designer Irma Boom is known for her bold experimental approach to her projects, often challenging the convention of traditional books in both physical design and printed content.0In the book 'Book Manifest' Irma Boom presents her vision on the essence, meaning and relevance of the book. The basis for this book is formed by the in-depth research that Irma Boom carried out into the development of the book in the library of the Vatican. The knowledge she gained about this, and the inspiration it gave her, is shared with a selection of more than 350 books she designed, in which she extensively discusses the context and relationship with the old book. With this 1000-page, richly illustrated book, Irma Boom aims to inspire and encourage the new generation of designers to experiment, in order to ensure the book's position for the future.0Boom's books in the permanent collection of MoMA in New York, and Special Collectons of the University of Amsterdam (NL) collect her complete oeuvre: the Irma Boom Archive. 00Exhibition: Allard Pierson Museum, Amsterdam, The Netherlands (01.02.-25.09.2022).