Three voices. Three acts of defiance. One mass injustice. The story of camp as you’ve never seen it before. Japanese Americans complied when evicted from their homes in World War II -- but many refused to submit to imprisonment in American concentration camps without a fight. In this groundbreaking graphic novel, meet JIM AKUTSU, the inspiration for John Okada’s No-No Boy, who refuses to be drafted from the camp at Minidoka when classified as a non-citizen, an enemy alien; HIROSHI KASHIWAGI, who resists government pressure to sign a loyalty oath at Tule Lake, but yields to family pressure to renounce his U.S. citizenship; and MITSUYE ENDO, a reluctant recruit to a lawsuit contesting her imprisonment, who refuses a chance to leave the camp at Topaz so that her case could reach the U.S. Supreme Court. Based upon painstaking research, We Hereby Refuse presents an original vision of America’s past with disturbing links to the American present.

Treadmill is a truly unique and historically significant novel and the only book written about life in the Japanese-American internment camps during World War II written at the time by an internee.Hiroshi Nakamura, along with his family, spent the war years in Salinas Assembly Center, Salinas, California; Camp II of the Poston Relocation Center, Parker, Arizona; and Tule Lake Segregation Center, Newell, California. It was during this period that he put down on paper what he was observing, experiencing, and hearing and expressed them in this novel. Nakamura captures exquisitely the thinking and mood of the people. It accurately evokes the fears, anxieties, suspicions, cynicisms and passions brought out by camp life. Nakamura &‘almost' succeeded in getting Treadmill published in the late 1940s. While editors and publishers thought well of the novel, they would not publish it as it was &‘too sensitive' an issue. Professor Peter Suzuki discovered Treadmill while he was doing some research on internment camps of Japanese Americans.This revised edition of Treadmill contains a new introductory essay by Professor Tara Fickle discussing the historical importance of Nakamura's work. Also included are a series of photographs of Japanese internment camps in California taken by renowned photographer Ansel Adams taken in 1943. Adams had unprecedented access to life inside the camps and these photographs provide an exceptional visual accompaniment to Nakamura's story.

"An oral history about Japanese internment during World War II, after the bombing of Pearl Harbor, from the perspective of children and young people affected"--

Kelso's work is characterized by subject matter that fits roughly into two disparate camps: personal and semi-autobiographical stories that draw heavily on the details of her childhood and adolescence, and stories about the idea of America and American history, such as a trilogy of short pieces about Alexander Hamilton. Her work is distinguished from many of her contemporaries as much by her spare, elegant, calligraphic linework, leisurely pacing, and psychological acuity as it is by the absence of nihilism, scatology, pedantry, and formal experimentalism. Her work is charming, witty, nuanced, slightly elusive, and sharply observed. The Squirrel Mother features 15 stories of between three and twenty-two pages in full color, including two stories, "Meow Face" and "Aide de Camp," done especially for this volume. The personal stories are each self-contained but in a sense take place in the same world where similar characters inhabit different stories. The "America" stories are broader in subject matter, taking on events of political and historical significance and wrestling with ideas having to do with the American experience.

Without trial and without due process, the United States government locked up nearly all of those citizens and longtime residents who were of Japanese descent during World War II. Ten concentration camps were set up across the country to confine over 120,000 inmates. Almost 20,000 of them were shipped to the only two camps in the segregated South—Jerome and Rohwer in Arkansas—locations that put them right in the heart of a much older, long-festering system of racist oppression. The first history of these Arkansas camps, Concentration Camps on the Home Front is an eye-opening account of the inmates’ experiences and a searing examination of American imperialism and racist hysteria. While the basic facts of Japanese-American incarceration are well known, John Howard’s extensive research gives voice to those whose stories have been forgotten or ignored. He highlights the roles of women, first-generation immigrants, and those who forcefully resisted their incarceration by speaking out against dangerous working conditions and white racism. In addition to this overlooked history of dissent, Howard also exposes the government’s aggressive campaign to Americanize the inmates and even convert them to Christianity. After the war ended, this movement culminated in the dispersal of the prisoners across the nation in a calculated effort to break up ethnic enclaves. Howard’s re-creation of life in the camps is powerful, provocative, and disturbing. Concentration Camps on the Home Front rewrites a notorious chapter in American history—a shameful story that nonetheless speaks to the strength of human resilience in the face of even the most grievous injustices.

One of the Washington Post's Top Nonfiction Titles of 2001 In the spring of 1942, the federal government forced West Coast Japanese Americans into detainment camps on suspicion of disloyalty. Two years later, the government demanded even more, drafting them into the same military that had been guarding them as subversives. Most of these Americans complied, but Free to Die for Their Country is the first book to tell the powerful story of those who refused. Based on years of research and personal interviews, Eric L. Muller re-creates the emotions and events that followed the arrival of those draft notices, revealing a dark and complex chapter of America's history.

An account of the evacuation and internment of 110,000 Japanese Americans during World War II.

In 1945 Okinawa, a seven year old girl is wandering about carrying a white flag.

This book addresses the forced removal and confinement of Japanese Americans during World War II—a topic significant to all Americans, regardless of race or color. The internment of Japanese Americans was a violation of the Constitution and its guarantee of equal protection under the law—yet it was authorized by a presidential order, given substance by an act of Congress, and affirmed by the U.S. Supreme Court. Japanese internment is a topic that we as Americans cannot afford to forget or be ignorant of. This work spotlights an important subject that is often only described in a cursory fashion in general textbooks. It provides a comprehensive, accessible treatment of the events of Japanese American internment that includes topical, event, and biographical entries; a chronology and comprehensive bibliography; and primary documents that help bring the event to life for readers and promote inquiry and critical thinking.

The uprising at Attica Prison remains one of the bloodiest civil rights confrontations in American history... but without Frank “Big Black” Smith it could have been even worse. Now for the first time, the late Frank “Big Black” Smith shares his experience at the center of this uprising, struggling to protect hostages, prisoners and negotiators alike. Before his death, Frank “Big Black” Smith worked with writer and long time friend, Jared Reinmuth, to share the true story of his time in Attica State Prison. Adapted to a graphic novel by Améziane (Dark Horse’s Muhammad Ali), this is an unflinching look at the price of standing up to injustice.