"Covering the years between the end of the Hundred Years War and the beginning of the Thirty Years War, this book explains the part played by war in the lives of individuals in the early modern phase of European history."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The new edition of this classic history examines the political, economic, social, religious and cultural life of Europe at the height of the Renaissance. J.R. Hale not only records the events of 1480-1520, but also suggests what it was like to have lived in this period. He provides readers with an understanding of the quality of lives of people living at this time and includes processes and personalities not often covered by other books. For the second edition Professor Michael Mallet provides an updated bibliography and an extended introduction explaining the book's place in the historiography of the subject. The book is arranged thematically, each chapter designed to provide information about a specific field of inquiry and also give an insight into the people of this era. J. R. Hale investigates how these people felt about their environment and the passage of time; their relationships with government and other institutions, from the Church to the family; their economic frameworks; the part religion played in their lives; and what cultural and intellectual pursuits were available to them. Renaissance Europe compares our own attitudes to those of the Renaissance and vice versa, thereby enriching the readers understanding of everyday life in the past.

As Europe descended into an era of war and 19th century hopes for peace faded, warfare was itself transformed by the growth of nationalism and technological advances. This study assesses the influence of war on European society between 1870 and 1970.

Exploring every aspect of art, philosophy, politics, life and culture between 1450 and 1620, this enthralling panorama examines one of the most fascinating and exciting periods in European history. "A rich, dense book which combines inspiring generalizations with idiosyncratic detail".--The Spectator. Photos.

Beginning with the chapters on warfare in the first three volumes of the New Cambridge Modern History, Sir John Hale's writings on the subject present an original and rich assessment of war's place in Renaissance life and thought. The first section of this collection constitutes a major contribution to the study of Renaissance fortifications, their design, planning and execution, and their political as well as their military significance. The second deals with the recruitment and training of officers and men. In the third, contemporary reactions to war are analysed in a variety of social and intellectual contexts. The archival and literary sources drawn on are primarily Italian, in the second place English, but the imaginative scene is that of western Europe as a whole.

This fourth edition of Sir John Hale’s classic history of England and the Italian Renaissance includes a detailed introduction by Edward Chaney surveying scholarly developments since the book was first published. Fourth edition of Sir John Hale’s classic history of England and the Italian Renaissance, first published in 1954. The book’s focus on fundamental issues and basis in little-read primary sources ensures that it endures as an important contribution to historical scholarship. Clear, chronological narrative, beautifully written. Provides essential understanding of the period, illuminating both British and Italian cultural history. The fourth edition includes a new introduction by Edward Chaney who is an expert on Anglo-Italian cultural relations. Chaney surveys the scholarship of the last 50 years and supplies an up-to-date bibliography.

For thousands of years, art has interpreted the experience of war_its methods, human costs, and moral ambiguities_and has offered historians a wealth of testimony that is only beginning to be systematically explored. In this wide-ranging study, Peter Paret discusses forty-seven paintings and prints as complex documents of war in Europe since the Renaissance and as examples of the artist's use of war as a metaphor for the human condition. The images include works by such major artists as Uccello, Géricault, and Dix as well as academic history paintings and popular prints. By setting each in its historical environment and analyzing it from the perspective of the wars of its time, illuminates the place of war in Western consciousness and expands our understanding of works that are too often approached with little concern for the reality they depict or symbolically transform. Perhaps the most significant of the themes he traces over five centuries is the gradual change from the prince or general to the common soldier and civilian victim as central figures in the interpretation of war in art.

While the majority of these essays are about wars fought against Venice's enemies or on the building and defence of Venetian and other fortifications, there are also essays on other aspects of Venetian life and art: on Giorgione's earliest work; on the career of a Venetian pope; on the building of the Ca' d'Oro; and on the Diarii of Marino Sanuto.

War and Society in Early Modern Europe takes a fresh approach to military history. Rather than looking at tactics and strategy, it aims to set warfare in social and institutional contexts. Focusing on the early-modern period in western Europe, Frank Tallett gives an insight into the armies and shows how warfare had an impact on different social groups, as well as on the economy and on patterns of settlement.