Presents a vivid picture of the various ways in which the French people experienced war: resistance and collaboration, the colonial wars, the military and the state, the military-industrial complex, war propaganda, and literary and cultural representations of war.

The US invasion of Iraq in 2003 was done mainly, if one is to believe US policy at the time, to liberate the people of Iraq from an oppressive dictator. However, the many protests in London, New York, and other cities imply that the policy of “making the world safe for democracy” was not shared by millions of people in many Western countries. Thinking about this controversy inspired the present volume, which takes a closer look at how society responded to the outbreaks and conclusions of the First and Second World Wars. In order to examine this relationship between the conduct of wars and public opinion, leading scholars trace the moods and attitudes of the people of four Western countries (Great Britain, France, Germany and Italy) before, during and after the crucial moments of the two major conflicts of the twentieth century. Focusing less on politics and more on how people experienced the wars, this volume shows how the distinction between enthusiasm for war and concern about its consequences is rarely clear-cut.

"War and the Future: Italy, France and Britain at War" is a work of non–fictional war propaganda by H. G. Wells that was published in North America under the title Italy, France, and Britain at War (the subtitle of the British original). It examines the First World War from the lens of "an avowed pacifist" though he opines that the War should not lead to what he terms a "yielding pacifism" that accepts peace at any terms. Wells visited the French and Italian fronts during the war, taking in the sights and sounds. He writes about his visits and the people he met there, some who impressed him greatly and others who were underwhelming to his taste...

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

This book has long established itself as the most authoritative guide to the modern history of French politics and society. This new edition broadens the book's scope and appeal by adding three new chapters on ideas, identities and culture, exploring the themes of 'Frenchness,' the distinctiveness of French political culture, the role of intellectuals and the avant-garde, and the creation of a mass culture. Additionally, there is new material on the end of the Mitterrand presidency and a completely new chapter on France under Jacques Chirac. All chapters have been revised to take account of the latest historiography, and the bibliography has been brought fully up to date.

How war has been remembered collectively is the central question in this volume. War in the twentieth century is a vivid and traumatic phenomenon which left behind it survivors who engage time and time again in acts of remembrance. This volume, containing essays by outstanding scholars of twentieth-century history, focuses on the issues raised by the shadow of war in this century. The behaviour, not of whole societies or of ruling groups alone, but of the individuals who do the work of remembrance, is discussed by examining the traumatic collective memory resulting from the horrors of the First World War, the Spanish Civil War, the Second World War, and the Algerian War. By studying public forms of remembrance, such as museums and exhibitions, literature and film, the editors have succeeded in bringing together a volume which demonstrates that a popular kind of collective memory is still very much alive.

This book offers fresh research and insights into the complex relationship between the press, war, and society in the 20th century, by examining the role of the newspaper press in the period c.1900– 1960, with a particular focus on the Second World War. During the warfare of the 20th century, the mass media were used to sustain domestic morale and promote combatants’ views to an international audience. Topics covered in this book include British newspaper cartoonists’ coverage of the Russo- Japanese War, the role of the French press in Anglo- French diplomacy in the 1930s, Irish press coverage of Dunkirk and D- Day, government censorship of the press in wartime Portugal, the reporting of American troops in North Africa, and how the Greek press became the focus of British government propaganda in the 1940s. Particular attention is given to the role of the British press in the Second World War: its coverage of evacuation, popular politics, and D- Day; the war as seen through commercial press advertising; the wartime Daily Mirror; and Fleet Street’s role as a ‘national’ press in wartime. This book explores how— and why— newspapers have presented wars to their readers, and the importance of the press as an agent of social and political power in an age of conflict. This book was originally published as a special issue of Media History.