War and Peace and Poetry was inspired by the everyday lives of American soldiers. Their stories and the lives they live while deployed to Iraq are chronicled in these verses, as well as some of author Lonnie D. Ellis's childhood memories of growing up in the Deep South. Many of the poems in this collection address war and its effects on families. They reflect the emotions of the soldiers, their spouses, and their children, who have to deal with the realities of war. Ellis touches on a facet of life that reflects each individual family member. "Daddy, Don't Go" was inspired by his personal experience with his children and the children of his fellow soldiers as they prepared to deploy from Fort Stewart. It was, by far, the most difficult poem he has written. He wrote the poem "The Journey" after speaking with many of his friends and hearing about the loneliness of their spouses and loved ones. The poem say to them, "I am there with you in spirit always, even if I cannot be with you physically." War and Peace and Poetry offers a soldier's perspective on the sacrifices made during war and tells the stories of soldiers and their families with heartfelt emotion.

The Armistice of 1918 brought ceasefire to the war on the Western Front, but 'the Great War' would not as hoped be 'the war to end all wars'. In this affecting selection, the Poet Laureate, Carol Ann Duffy, guides us deep into the act and root of 'armistice': its stoppage or 'stand' of arms, its search for truce and ceasefire. In 100 poems, our most cherished poets of the Great War speak alongside those from other conflicts and cultures, so that we hear some of the lesser-heard voices of war, including wives, families, those left behind. These poems of war and peace memorialise the horror and the tragedy of conflict. At the same time, in armistice, they become a record of renewal and a testimony to hope.

The Old Norse and Icelandic poets have left us vivid accounts of conflict and peace-making in the Viking Age. Russell G. Poole's editorial and critical analysis reveals much about the texts themselves, the events that they describe, and the culture from which they come. Poole attempts to put right many misunderstandings about the integrity of the texts and their narrative techniques. From a historical perspective, he weighs the poems' authenticity as contemporary documents which provide evidence bearing upon the reconstruction of Viking Age battles, peace negotiations, and other events. He traces the social roles played by violence in medieval Scandinavian society, and explores the many functions of the poet within that society. Arguing that these texts exhibit a mind-style so vastly different from our own present 'individualism, ' Poole suggests that the mind-set of the medieval Scandinavian could be termed 'non-individualist.' The poems discussed are the 'Darradarljód, ' where the speakers are Valkyries; 'Lidsmannaflokkr, ' a rank-and-file warrior's description of Canute the Great's siege of London in 1016; 'Torf-Einarr's Revenge'; 'Egil's Duel with Ljótr, ' five verses from the classic Egils saga Skallagrimssonar; 'A Battle on the Health, ' marking the culmination of a famous feud described in a very early Icelandic saga, the Heidarviga saga; and two extracts from the poem Sexstefia, one describing Haraldr of Norway's great fleet and victory over Sveinn of Denmark, and the other the peace settlement between these two kinds. The texts are presented in association with translations and commentaries as a resource not merely for medieval Scandinavian studies but also for the increasingly interwoven specialisms of literary theory and anthropology.

A selection of poetry written during World War I. In the introduction Jon Silkin traces the changing mood of the poets - from patriotism through anger and compassion to an active desire for social change. The book includes work by Sassoon, Owen, Blunden, Rosenberg, Hardy and Lawrence.

A masterful new collection of poetry from the winner of the Pulitzer Prize and the Ruth Lilly Prize The poems in Carl Dennis’s thirteenth collection, Night School, are informed by an engagement with a world not fully accessible to the light of day, a world that can only be known with help from the imagination, whether we focus on ourselves, on people close at hand, or on the larger society. Only if we imagine alternatives to our present selves, Dennis suggests, can we begin to grasp who we are. Only if we imagine what is hidden from us about the lives of others can those lives begin to seem whole. Only if we can conceive of a social world different from the one we seem to inhabit can we begin to make sense of the country we call our own. To read these poems is to find ourselves invited into a dialogue between what is present and what is absent that proves surprising and enlarging.

A bilingual edition of one of Guillaume Apollinaire's most important volumes of poetry, with extensive commentary by the translators.

Begun by poet Sam Hamill in reaction to an invitation to attend First Lady Laura Bush's White House Symposium "Poetry and the American Voice" on February 12, 2003 (subsequently canceled), site contains poems or personal statements from over 4,600 poets to register their opposition to the Bush administration's policies toward war in Iraq. Allows for the submission of new poems and also provides links to anti-war activities, news items and other anti-war organizations.

Poetry and Peace explores Longley's and Heaney's poetic fidelity to the imagination and their creation, through poetry, of a powerful cultural and sacred space.

Lynda Van Devanter--author of the backlist classic Home Before Morning, which inspired the TV show "China Beach"--edited this powerful collection of poems reminiscent of Dear America: Letters Home from Vietnam. All author proceeds from the book will go to the Vietnam Women's Memorial Project. 6 photographs.

"The poems gathered here span the last three decades of Levertov's life, their subjects ranging from Vietnam to the death-squads of El Salvador to the first Gulf War." -- Back cover. -- Provided by publisher.