The Old Norse and Icelandic poets have left us vivid accounts of conflict and peace-making in the Viking Age. Russell G. Poole's editorial and critical analysis reveals much about the texts themselves, the events that they describe, and the culture from which they come. Poole attempts to put right many misunderstandings about the integrity of the texts and their narrative techniques. From a historical perspective, he weighs the poems' authenticity as contemporary documents which provide evidence bearing upon the reconstruction of Viking Age battles, peace negotiations, and other events. He traces the social roles played by violence in medieval Scandinavian society, and explores the many functions of the poet within that society. Arguing that these texts exhibit a mind-style so vastly different from our own present 'individualism, ' Poole suggests that the mind-set of the medieval Scandinavian could be termed 'non-individualist.' The poems discussed are the 'Darradarljód, ' where the speakers are Valkyries; 'Lidsmannaflokkr, ' a rank-and-file warrior's description of Canute the Great's siege of London in 1016; 'Torf-Einarr's Revenge'; 'Egil's Duel with Ljótr, ' five verses from the classic Egils saga Skallagrimssonar; 'A Battle on the Health, ' marking the culmination of a famous feud described in a very early Icelandic saga, the Heidarviga saga; and two extracts from the poem Sexstefia, one describing Haraldr of Norway's great fleet and victory over Sveinn of Denmark, and the other the peace settlement between these two kinds. The texts are presented in association with translations and commentaries as a resource not merely for medieval Scandinavian studies but also for the increasingly interwoven specialisms of literary theory and anthropology.

English Poetry and Old Norse Myth: A History traces the influence of Old Norse myth - stories and poems about the familiar gods and goddesses of the pagan North, such as Odin, Thor, Baldr and Freyja - on poetry in English from Anglo-Saxon times to the present day. Especial care is taken to determine the precise form in which these poets encountered the mythic material, so that the book traces a parallel history of the gradual dissemination of Old Norse mythic texts. Very many major poets were inspired by Old Norse myth. Some, for instance the Anglo-Saxon poet of Beowulf, or much later, Sir Walter Scott, used Old Norse mythic references to lend dramatic colour and apparent authenticity to their presentation of a distant Northern past. Others, like Thomas Gray, or Matthew Arnold, adapted Old Norse mythological poems and stories in ways which both responded to and helped to form the literary tastes of their own times. Still others, such as William Blake, or David Jones, reworked and incorporated celebrated elements of Norse myth - valkyries weaving the fates of men, or the great World Tree Yggdrasill on which Odin sacrificed himself - as personal symbols in their own poetry. This book also considers less familiar literary figures, showing how a surprisingly large number of poets in English engaged in individual ways with Old Norse myth. English Poetry and Old Norse Myth: A History demonstrates how attitudes towards the pagan mythology of the north change over time, but reveals that poets have always recognized Old Norse myth as a vital part of the literary, political and historical legacy of the English-speaking world.

"Although this book provides a selection from sources and interpretations of warfare in Viking-Age England, and presents a consideration of them, it is more than a purely historiographical study. It investigates the current state of scholarship and the key points of its development, indicating areas for enquiry and point out some less familiar sources along the way. The intention is not to deal with the canon of historical works on the Anglo-Saxon army, for remarkably there is no 'canon' as such. Much, though by no means all, scholarship on the organization of military systems in the Anglo-Saxon state has been undertaken by historians and scholars from related disciplines for whom warfare is not a primary concern. Many of the sources used will be familiar to students of early medieval England, but others are included because they are less often considered ... I have not attempted to use a chronological structure, nor have I retold any particular narrative history of the English Kingdom during the Viking Age, although for the reader's convenience a chronology of events is included as an appendix. The focus is rather the exploration of the practice and politics of warfare."--Preface.

Chronicles of the Vikings defines the social values of the Viking Age, their heroic view of life which sometimes contrasts with their more prosaic way of looking at things.

The pre-eminence of Anglo-Saxon England in its field can be seen as a result of its encouragement of interdisciplinary approaches to the study of all aspects of Anglo-Saxon culture. Thus this volume includes an important assessment of the correspondence of St Boniface, in which it is shown that the unusually formulaic nature of Boniface's letters is best understood as a reflex of the saint's familiarity with vernacular composition. A wide-ranging historical contextualization of The Letter of Alexander to Aristotle illuminates the way English readers of the later tenth century may have defined themselves in contradistinction to the monstrous unknown, and a fresh reading of the gendering of female portraiture in a famous illustrated manuscript of the Psychomachia of Prudentius (CCCC 23) shows the independent ways in which Anglo-Saxon illustrators were able to respond to their models. The usual comprehensive bibliography of the previous year's publications rounds off the book; and a full index of the contents of volumes 26-30 is provided. (Previous indexes have appeared in volumes 5, 10, 15, 20 and 25.)

A selection of papers from the 13th Viking Congress focusing on the northern, central, and eastern regions of Anglo-Saxon England colonised by invading Danish armies in the late 9th century, known as the Danelaw. This volume contributes to many of the unresolved scholarly debates surrounding the concept, and extent of the Danelaw.

The Historical Dictionary of the Vikings traces Viking activity in Europe, North America, and Asia for over three centuries. During this period people from Scandinavia used their longships to launch lightning raids upon their European neighbors, to colonize new lands in the east and west, and to exchange Scandinavian furs for eastern wine and spices and Arab silver. The Viking age also saw significant changes at home in Scandinavia - kings extended their power, Norse paganism lost ground to christianity, and new towns and ports thrived as a result of increased contact with the wider world. This book provides a comprehensive work of reference for people interested in the Vikings, including entries on the main historical figures involved in this dramatic period, important battles and treaties, significant archaeological finds, and key works and sources of information on the period. It also summarizes the impact the Vikings had on the areas where they traveled and settled. There is a chronological table, detailed and annotated bibliographies for different themes and geographical locations, and an introduction discussing the major events and developments of the Viking age.

The A to Z of the Vikings traces Viking activity in Europe, North America, and Asia for over three centuries. During this period people from Scandinavia used their longships to launch lightning raids upon their European neighbors, to colonize new lands in the east and west, and to exchange Scandinavian furs for eastern wine and spices and Arab silver. The Viking age also saw significant changes at home in Scandinavia--kings extended their power, Norse paganism lost ground to Christianity, and new towns and ports thrived as a result of increased contact with the wider world. This book provides a comprehensive work of reference for people interested in the Vikings, including entries on the main historical figures involved in this dramatic period, important battles and treaties, significant archaeological finds, and key works and sources of information on the period. It also summarizes the impact the Vikings had on the areas where they traveled and settled. There is a chronological table, detailed and annotated bibliographies for different themes and geographical locations, and an introduction discussing the major events and developments of the Viking age.

Laughing Shall I Die explores the Viking fascination with scenes of heroic death. The literature of the Vikings is dominated by famous last stands, famous last words, death songs, and defiant gestures, all presented with grim humor. Much of this mindset is markedly alien to modern sentiment, and academics have accordingly shunned it. And yet, it is this same worldview that has always powered the popular public image of the Vikings—with their berserkers, valkyries, and cults of Valhalla and Ragnarok—and has also been surprisingly corroborated by archaeological discoveries such as the Ridgeway massacre site in Dorset. Was it this mindset that powered the sudden eruption of the Vikings onto the European scene? Was it a belief in heroic death that made them so lastingly successful against so many bellicose opponents? Weighing the evidence of sagas and poems against the accounts of the Vikings’ victims, Tom Shippey considers these questions as he plumbs the complexities of Viking psychology. Along the way, he recounts many of the great bravura scenes of Old Norse literature, including the Fall of the House of the Skjoldungs, the clash between the two great longships Ironbeard and Long Serpent, and the death of Thormod the skald. One of the most exciting books on Vikings for a generation, Laughing Shall I Die presents Vikings for what they were: not peaceful explorers and traders, but warriors, marauders, and storytellers.