The Republic of Benin in West Africa is home to more than forty ethnic groups, the largest of which is the Fon. In the early seventeenth century, the Fon established a society ruled by a dynasty of kings, who over the years forged the powerful kingdom of Dahomey. In their capital city of Abomey, they built a remarkable complex of palaces that became the center of the kingdom's political, social, and religious life. The palace walls were decorated with colorful low-relief sculptures, or bas-reliefs, which recount legends and battles and glorify the history of the dynasty's reign. Over the centuries, these visual stories have represented and perpetuated the history and myths of the Fon people. The Palace Sculptures of Abomey combines lavish color photographs of the bas-reliefs with a lively history of the Dahomey kingdom, complemented by period drawings, rare historical photographs, and colorful textile art. The book provides a vivid portrait of these exceptional narrative sculptures and the equally remarkable people who crafted them. Also included are a reading of the stories on the walls and details of the four-year collaboration between the Benin Ministry of Culture and Communications and the Getty Conservation Institute to conserve the bas-reliefs of Abomey. Final chapters describe the Historic Museum of Abomey, now housed in the palace complex, and discuss the continuing popularity of bas-reliefs in contemporary West African art.

The Republic of Benin in West Africa is home to more than 40 ethnic groups, the largest of which is the Fon. During the early 17th century, the Fon established a society ruled by a dynasty of kings, who over the years forged the powerful kingdom of Dahomey. In their capital city of Abomey, the rulers built a remarkable complex of palaces which became the centre of the kingdom's political, social and religious life. The palace walls were decorated with colourful low-relief sculptures, or bas-reliefs, recounting legends and battles and glorifying the dynasty's region. In a society with no written language, these visual stories have perpetuated the history and myths of the Fon people.

This volume provides a striking account of the life, destruction, rediscovery, and cultural significance of the ancient Roman town of Herculaneum and one of its grandest residences—the House of the Bicentenary. This volume vividly recounts, for general readers, the Roman town of Herculaneum, destroyed by the eruption of Mount Vesuvius in 79 CE and uniquely preserved for nearly two thousand years. Initial chapters offer an engaging historical overview of the town during antiquity, including the riveting story of its rediscovery in the eighteenth century, excavation in the nineteenth and twentieth centuries, and broad cultural significance in modern times. Subsequent chapters offer an interpretive tour of the ancient town, then focus on one of Herculaneum’s grandest and most beautifully decorated private residences, known as the House of the Bicentenary. Located on the town’s main street, it has a range of features—original rooms, magnificent wall paintings and mosaics, and remarkable documents—that illuminate daily life in the ancient world. Final chapters bring the story up to date, including recent discoveries about the site and its famous papyrus manuscripts, as well as ongoing conservation initiatives.

Dahomey’s Royal Architecture examines the West African kingdom of Dahomey, located in present-day Republic of Benin. The book explores the Royal Palace of Dahomey’s relationship to the religious, cultural, and national identity of the pre-colonial Kingdom of Dahomey (c. 1625–1892), colonial Dahomey (1892–1960) and post-colonial Benin (1960–present). The Royal Palace of Dahomey covers more than 108 acres and was surrounded by a wall over two miles long. When the French colonial army arrived in Abomey in 1892, the ruling king set fire to the palace to keep it from falling into enemy hands. Though much of the palace structure was subsequently left to ruin, a portion of it was restored from which the French ruled for a short period. In 1945, the colonial administration transformed part of the palace into a museum, and in 1985 the entire palace was added to UNESCO’s World Heritage list. This book documents the palace’s physical transformations in relation to its changing purposes and explores how the space maintained religious significance despite change. The palace’s construction, destruction, and restorations demonstrate how architecture can be manipulated and transformed according to the agendas of governments or according to the religious and cultural needs of a populace. The palace functions as a historic record by discussing aspects of documentation, revision, language, and interpretation. Covering almost four centuries of Dahomey’s history, this book will be of interest to researchers and students of African art and architecture, religious studies, west African history, and post-colonial studies.

An exciting tour of remarkable wall art around the globe, from prehistoric caves to futuristic wonders. People have been drawing on walls since ancient times. They do it to create beauty, to tell a story, to make a statement, or just to say, “I was here.” You can find wall art in a remote cave in Patagonia and a desert castle in Jordan, a kingly palace in the Republic of Benin and the National Palace of Mexico, a miles-long flood channel in Los Angeles and a sky-high rooftop in Norway. In Wall to Wall, award-winning author, illustrator, and muralist Mary Ann Fraser takes readers on a worldwide journey through time, stopping to see amazing mural art along the way. Stunning color illustrations and fascinating photographs illuminate both famous and little-known examples, and lighthearted text tells engaging stories about the people who inspired or created them. A glossary, selected bibliography, and section about the preservation of murals conclude the book. No reader will ever again pass by a mural—whether in a historic building, a museum, or out on the street—without stopping to take a closer look.

Teaching Women’s History: Breaking Barriers and Undoing Male Centrism in K-12 Social Studies challenges and guides K-12 history teachers to incorporate comprehensive and diverse women’s history into every region and era of their history curriculum. Providing a wealth of practical examples, ideas, and lesson plans – all backed by scholarly research – for secondary and middle school classes, this book demonstrates how teachers can weave women’s history into their curriculum today. It breaks down how history is taught currently, how teachers are prepared, and what expectations are set in state standards and textbooks and then shows how teachers can use pedagogical approaches to better incorporate women’s voices into each of these realms. Each chapter explores a major barrier to teaching an inclusive history and how to overcome it, and every chapter ends with an inquiry-based lesson plan on women or using women's sources which stands counter to the way curriculum is traditionally taught, a case in point that tasks readers to realize how women have been integral to every period of history. With expert guidance from an award-winning social studies teacher, this guidebook will be important reading for middle and high school history educators. It will also be beneficial to preservice teachers, particularly within Social Studies Education and Gender Studies. Additional resources for educators are available to view at www.remedialherstory.com.

This volume examines the archaeology of precolonial West African societies in the era of the trans-Atlantic slave trade. Using historical and archaeological perspectives on landscape, this collection of essays sheds light on how involvement in the commercial revolutions of the early modern period dramatically reshaped the regional contours of political organization across West Africa. The essays examine how social and political transformations occurred at the regional level by exploring regional economic networks, population shifts, cultural values and ideologies. The book demonstrates the importance of anthropological insights not only to the broad political history of West Africa, but also to an understanding of political culture as a form of meaningful social practice.

The Gift tells the story of one silver ceremonial sword offered as a gift by French traders to an African agent, and reveals how prestigious gifts shaped the trade of enslaved Africans. This compelling account will interest historians of slavery and material culture.

This volume examines political life in the Kingdom of Dahomey, located in the Republic of Bénin.