This volume provides a striking account of the life, destruction, rediscovery, and cultural significance of the ancient Roman town of Herculaneum and one of its grandest residences—the House of the Bicentenary. This volume vividly recounts, for general readers, the Roman town of Herculaneum, destroyed by the eruption of Mount Vesuvius in 79 CE and uniquely preserved for nearly two thousand years. Initial chapters offer an engaging historical overview of the town during antiquity, including the riveting story of its rediscovery in the eighteenth century, excavation in the nineteenth and twentieth centuries, and broad cultural significance in modern times. Subsequent chapters offer an interpretive tour of the ancient town, then focus on one of Herculaneum’s grandest and most beautifully decorated private residences, known as the House of the Bicentenary. Located on the town’s main street, it has a range of features—original rooms, magnificent wall paintings and mosaics, and remarkable documents—that illuminate daily life in the ancient world. Final chapters bring the story up to date, including recent discoveries about the site and its famous papyrus manuscripts, as well as ongoing conservation initiatives.

A vivid portrayal of life in Pompeii's sister city, this book includes a detailed description of the ancient Villa dei Papyri, on which the present Getty Museum in Malibu is modeled.

A sumptuously illustrated survey of the art and architecture of this prosperous Roman town, remarkably preserved by the eruption of Mount Vesuvius in AD 79 Herculaneum, located on the picturesque Bay of Naples, was buried in the same volcanic eruption as its larger neighbor, Pompeii. But while Pompeii was covered by a relatively shallow layer of loose volcanic ash, Herculaneum was submerged in deep flows of hot volcanic mud, which preserved the upper stories of buildings, as well as organic materials like wooden furnishings and foodstuffs. This oversized volume opens with an account of the city's catastrophic destruction in AD 79, and of the excavations, underway since 1738, that have brought at least a part of its treasures back to light. It then surveys the principal public buildings and private residences that have been uncovered, including the famous Villa of the Papyri, perched to the northwest of the town. The splendid decoration of these ancient structures—in particular, their wall paintings—is presented as never before, thanks to an extensive photographic campaign carried out especially for this book. With these superb illustrations complementing an authoritative text, Herculaneum is sure to be welcomed by all students and enthusiasts of archaeology.

"This book is published to accompany the exhibition at the British Museum from 28 March to 29 September 2013"--T.p. verso.

The original edition of Pompeii: A Sourcebook was a crucial resource for students of the site. Now updated to include material from Herculaneum, the neighbouring town also buried in the eruption of Vesuvius, Pompeii and Herculaneum: A Sourcebook allows readers to form a richer and more diverse picture of urban life on the Bay of Naples. Focusing upon inscriptions and ancient texts, it translates and sets into context a representative sample of the huge range of source material uncovered in these towns. From the labels on wine jars to scribbled insults, and from advertisements for gladiatorial contests to love poetry, the individual chapters explore the early history of Pompeii and Herculaneum, their destruction, leisure pursuits, politics, commerce, religion, the family and society. Information about Pompeii and Herculaneum from authors based in Rome is included, but the great majority of sources come from the cities themselves, written by their ordinary inhabitants – men and women, citizens and slaves. Encorporating the latest research and finds from the two cities and enhanced with more photographs, maps, and plans, Pompeii and Herculaneum: A Sourcebook offers an invaluable resource for anyone studying or visiting the sites.

The relationship between archaeology and conservation has long been complex and, at times, challenging. Archaeologists are often seen as interested principally in excavation and research, while conservators are concerned mainly with stabilization and the prevention of deterioration. Yet it is often initial conservation in the field that determines the long-term survival and intelligibility of both moveable artifacts and fixed architectural features. This user-friendly guide to conservation practices on archaeological excavations covers both structures and artifacts, starting from the moment when they are uncovered. Individual chapters discuss excavation and conservation, environmental and soil issues, deterioration, identification and condition assessment, detachment and removal, initial cleaning, coverings and shelters, packing, and documentation. There are also eight appendixes. Geared primarily for professionals engaged in the physical practice of excavation, this book will also interest archaeologists, archaeological conservators, site managers, conservation scientists, museum curators, and students of archaeology and conservation.

A collection of essays and reports examining key issues in conservation and management of archaeological sites. It is divided into parts that focuses on historical methods, concepts, and issues; conserving the archaeological resource; physical conservation of archaeological sites; the cultural values of archaeological sites; and site management.

This volume presents in new English translations the scattered fragments and testimonies regarding Hermes Thrice Great that complete Brian Copenhaver's translation of the Hermetica (Cambridge, 1992). It contains the twenty-nine fragments from Stobaeus (including the famous Kore Kosmou), the Oxford and Vienna fragments (never before translated), an expanded selection of fragments from various authors (including Zosimus of Panopolis, Augustine, and Albert the Great), and testimonies about Hermes from thirty-eight authors (including Cicero, Pseudo-Manetho, the Emperor Julian, Al-Kindī, Michael Psellus, the Emerald Tablet, and Nicholas of Cusa). All translations are accompanied by introductions and notes which cite sources for further reading. These Hermetic texts will appeal to a broad array of readers interested in western esotericism including scholars of Egyptology, the New Testament, the classical world, Byzantium, medieval Islam, the Latin Middle Ages, and the Renaissance.

The original Getty Museum, housed in a replica of a Roman Villa on a site overlooking the Pacific Ocean, is one of Los Angeles's most treasured landmarks. Closed for almost ten years while renovations were made to the building and the site itself was transformed into a center for the study of antiquities and conservation, the Getty Villa is now set to open late in 2005. The Getty Villa is a lively history of the Getty Museum, its renowned antiquities collections, and its growth from a small museum in a ranch house in Malibu to its first home in a building designed to replicate what we know of the Villa dei Papiri, an ancient Roman villa partially uncovered in Herculaneum. Most engagingly, this book records the ten-year adventure in reconfiguring a beautiful, but topographically challenging, site into one that could continue to accommodate the splendid Museum building and also provide for an outdoor theater, laboratories for conservation work and research, offices for staff and visiting scholars, and an education program for adults and children. This is a story of architectural imagination, geographical challenges, and legal hurdles, all of which have resulted in a truly unique and beautiful site. The story is an enlightening and rewarding one for anyone interested in architecture and in the difficulties posed by building on a grand scale in the twenty-first century. Beautifully illustrated throughout, the book includes 250 reproductions of works of art, photographs of both the old and the new Getty Museum, site plans, and architectural elevations.

'Hiller offers extraordinary resilience and moments of immense, liberatory tenderness. [...] This is a harrowing book, yes, but ultimately, with its invitation to “billow forth the wrecks we hold”, with its emphasis on resistance and joy, it is a staggeringly beautiful piece of life-affirming work.' Stephanie Sy-Quia, The Poetry Review