In 1972, when she was a young, divorced, single mother, restless and idealistic, Elena Schwolsky made a decision that changed her life: leaving her eighteen-month-old son with his father, she joined hundreds of other young Americans on a work brigade in Cuba. They spent their days building cinderblock houses for workers and their nights partying and debating politics. The Cuban revolution was young, and so were they. At a moment of transition in Schwolsky’s life, Cuba represented hope and the power to change. Twenty years later, she is drawn back to this forbidden island, yearning to move out of grief following the death of her husband from AIDS and feeling burned out after spending ten years as a nurse on the frontlines of the epidemic. Back in Cuba, she experiences the chaotic bustle of a Havana most Americans never see—a city frozen in time yet constantly changing. She takes readers along with her through her humorous attempts to communicate in a new language and navigate this very different culture—through the leafy tranquility of the controversial AIDS Sanitorium and into the lives of the resilient, opinionated, and passionate Cubans who become her family and help her to heal.

Grieving the loss of her husband to AIDS, a young widow and burned-out nurse steps away from the frontlines of the epidemic and returns to Cuba, the revolutionary island that transformed her life twenty years earlier--and, as she navigates the hardships and humor of life on this forbidden island, finds the strength to heal.

A childhood in a privileged household in 1950s Havana was joyous and cruel, like any other-but with certain differences. The neighbour's monkey was liable to escape and run across your roof. Surfing was conducted by driving cars across the breakwater. Lizards and firecrackers made frequent contact. Carlos Eire's childhood was a little different from most. His father was convinced he had been Louis XVI in a past life. At school, classmates with fathers in the Batista government were attended by chauffeurs and bodyguards. At a home crammed with artifacts and paintings, portraits of Jesus spoke to him in dreams and nightmares. Then, in January 1959, the world changes: Batista is suddenly gone, a cigar-smoking guerrilla has taken his place, and Christmas is cancelled. The echo of firing squads is everywhere. And, one by one, the author's schoolmates begin to disappear-spirited away to the United States. Carlos will end up there himself, without his parents, never to see his father again. Narrated with the urgency of a confession, WAITING FOR SNOW IN HAVANA is both an ode to a paradise lost and an exorcism. More than that, it captures the terrible beauty of those times in our lives when we are certain we have died-and then are somehow, miraculously, reborn.

Havana . . . lilting rumbas, caf con leche, sultry sea breezes. Sparkling white beaches by day, scintillating nightclubs after dark. This sophisticated, international capital was the crown jewel of an island paradise-until the idealism that fed the Cuban Revolution yielded a nightmare of soul-crushing dictatorship. Adios, Havana is a true account of romance and peril, adventure and patriotism. Fueled by love-love of family, of country, and of each other-a young couple must face the most wrenching of choices: remain in the country they cherish, lose the wealth and position their families strove for generations to attain, and watch their children grow up impoverished under a terrifying regime; or risk escaping with no money or possessions and leave behind all they have ever known to begin a new life in a strange land. A legacy to future generations, this memoir is intended to remind readers of the fragility of freedom . . . to describe the disintegration of a prosperous civilized society and offer counsel on how to prevent a similar catastrophe from happening in America . . . and to show how and why penniless refugees flourish in the land of the free-why anyone who resists oppression would be driven to tell his beloved homeland, Adios.

The dazzling true story of one of Hollywood’s most celebrated Hispanic actresses and her daughter’s search for answers. Cuba, 1936: When Estelita Rodriguez sings in a hazy Havana nightclub for the very first time, she is nine years old. From then on, that spotlight of adoration — from Havana to New York’s Copacabana and then Hollywood — becomes the one true accomplishment no one can take from her. Not the 1933 Cuban Revolution that drove her family into poverty. Not the revolving door of husbands and the fickle world of film. Not even the tragic devastation of Castro’s revolution that rained down on her loved ones. Thirty years later, her young adult daughter, Nina Rodriguez, is blindsided by her mother’s mysterious, untimely death. Seeking answers no one else wants to hear, the grieving Nina navigates the troubling, opulent memories of their life together and discovers how much Estelita sacrificed to live the American dream on her own terms. Based on true events and exclusive interviews with the real Nina Rodriguez, Find Me in Havana weaves two unforgettable voices into one extraordinary journey that explores the unbreakable bond between mother and child, and the ever-changing landscape of self-discovery.

It is one of the most extraordinary cases in the history of science: the mating calls of insects were mistaken for a “sonic weapon” that led to a major diplomatic row. Since August 2017, the world media has been absorbed in the “attack” on diplomats from the American and Canadian Embassies in Cuba. While physicians treating victims have described it as a novel and perplexing condition that involves an array of complaints including brain damage, the authors present compelling evidence that mass psychogenic illness was the cause of “Havana Syndrome.” This mysterious condition that has baffled experts is explored across 11-chapters which offer insights by a prominent neurologist and an expert on psychogenic illness. A lively and enthralling read, the authors explore the history of similar scares from the 18th century belief that sounds from certain musical instruments were harmful to human health, to 19th century cases of “telephone shock,” and more contemporary panics involving people living near wind turbines that have been tied to a variety of health complaints. The authors provide dozens of examples of kindred episodes of mass hysteria throughout history, in addition to psychosomatic conditions and even the role of insects in triggering outbreaks. Havana Syndrome: Mass Psychogenic Illness and the Real Story Behind the Embassy Mystery and Hysteria is a scientific detective story and a case study in the social construction of mass psychogenic illness.

“Impressive . . . [Cristina García’s] story is about three generations of Cuban women and their separate responses to the revolution. Her special feat is to tell it in a style as warm and gentle as the ‘sustaining aromas of vanilla and almond,’ as rhythmic as the music of Beny Moré.”—Time Cristina García’s acclaimed book is the haunting, bittersweet story of a family experiencing a country’s revolution and the revelations that follow. The lives of Celia del Pino and her husband, daughters, and grandchildren mirror the magical realism of Cuba itself, a landscape of beauty and poverty, idealism and corruption. Dreaming in Cuban is “a work that possesses both the intimacy of a Chekov story and the hallucinatory magic of a novel by Gabriel García Márquez” (The New York Times). In celebration of the twenty-fifth anniversary of the novel’s original publication, this edition features a new introduction by the author. Praise for Dreaming in Cuban “Remarkable . . . an intricate weaving of dramatic events with the supernatural and the cosmic . . . evocative and lush.”—San Francisco Chronicle “Captures the pain, the distance, the frustrations and the dreams of these family dramas with a vivid, poetic prose.”—The Washington Post “Brilliant . . . With tremendous skill, passion and humor, García just may have written the definitive story of Cuban exiles and some of those they left behind.”—The Denver Post

WINNER OF THE PULITZER PRIZE IN HISTORY WINNER OF THE LOS ANGELES TIMES BOOK PRIZE IN HISTORY “Full of…lively insights and lucid prose” (The Wall Street Journal) an epic, sweeping history of Cuba and its complex ties to the United States—from before the arrival of Columbus to the present day—written by one of the world’s leading historians of Cuba. In 1961, at the height of the Cold War, the United States severed diplomatic relations with Cuba, where a momentous revolution had taken power three years earlier. For more than half a century, the stand-off continued—through the tenure of ten American presidents and the fifty-year rule of Fidel Castro. His death in 2016, and the retirement of his brother and successor Raúl Castro in 2021, have spurred questions about the country’s future. Meanwhile, politics in Washington—Barack Obama’s opening to the island, Donald Trump’s reversal of that policy, and the election of Joe Biden—have made the relationship between the two nations a subject of debate once more. Now, award-winning historian Ada Ferrer delivers an “important” (The Guardian) and moving chronicle that demands a new reckoning with both the island’s past and its relationship with the United States. Spanning more than five centuries, Cuba: An American History provides us with a front-row seat as we witness the evolution of the modern nation, with its dramatic record of conquest and colonization, of slavery and freedom, of independence and revolutions made and unmade. Along the way, Ferrer explores the sometimes surprising, often troubled intimacy between the two countries, documenting not only the influence of the United States on Cuba but also the many ways the island has been a recurring presence in US affairs. This is a story that will give Americans unexpected insights into the history of their own nation and, in so doing, help them imagine a new relationship with Cuba; “readers will close [this] fascinating book with a sense of hope” (The Economist). Filled with rousing stories and characters, and drawing on more than thirty years of research in Cuba, Spain, and the United States—as well as the author’s own extensive travel to the island over the same period—this is a stunning and monumental account like no other.

Born into a well-to-do family in Cuba in 1953, Eduardo Machado saw firsthand the effects of the rising Castro regime. When he and his brother were sent to the United States on one of the Peter Pan flights of 1961, they did not know if they would ever see their parents or their home again. From his experience living in exile in Los Angeles to becoming an actor, director, playwright and professor in New York, Machado explores what it means to say good-bye to the only home one’s ever known, and what it means to be a Latino in America today. Filled with delicious recipes and powerful tales of family, loss, and self discovery, Tastes Like Cuba delivers the story of Eduardo’s rich and delectable life—reminding us that no matter where we go, there is no place that feels (and tastes) better than home.

In this “exquisitely made thriller” by the author of Havana Lunar, a Cuban doctor is caught up in a web of espionage and international crime (Booklist). During the summer of 1997, a series of bombings terrorize Havana hotels. The targets are tourists, and the terrorists are exiles seeking to cripple Cuban tourism and kill the revolution. After Dr. Mano Rodriguez finds himself helpless to save one of the victims, his nemesis Colonel Emilio Pérez of the National Revolutionary Police recruits him into Havana’s top-secret Wasp Network of spies for an undercover job in the most dangerous city in Latin America: Miami . . . “Action [and] rich landscapes of daily life in Cuba during the special period, including blackouts, food shortages, the intricacies of conversation under an authoritarian government, and the craftiness of locals who offer guided tours to tourists for money—all details from over a decade of Arellano’s journals from his trips in the ‘90s.” —Miami New Times “A remarkably powerful narrative. The interrogation scene repulses while it grips . . . but readers are advised to stay with it for a rich reading experience.” —Booklist, starred review “Arellano’s world of clinic doctors, hotel hustlers, secret police, and neighborhood spies is as rich and vibrant a place as I’ve come across in fiction in a long while. His style has something of Bolaño’s cynical, madcap energy, but with Graham Greene’s eye for the small absurdities in life, the same absurdities that, under the right (or wrong) circumstances, spin out into an international catastrophe.” —Literary Hub