Havana . . . lilting rumbas, caf con leche, sultry sea breezes. Sparkling white beaches by day, scintillating nightclubs after dark. This sophisticated, international capital was the crown jewel of an island paradise-until the idealism that fed the Cuban Revolution yielded a nightmare of soul-crushing dictatorship. Adios, Havana is a true account of romance and peril, adventure and patriotism. Fueled by love-love of family, of country, and of each other-a young couple must face the most wrenching of choices: remain in the country they cherish, lose the wealth and position their families strove for generations to attain, and watch their children grow up impoverished under a terrifying regime; or risk escaping with no money or possessions and leave behind all they have ever known to begin a new life in a strange land. A legacy to future generations, this memoir is intended to remind readers of the fragility of freedom . . . to describe the disintegration of a prosperous civilized society and offer counsel on how to prevent a similar catastrophe from happening in America . . . and to show how and why penniless refugees flourish in the land of the free-why anyone who resists oppression would be driven to tell his beloved homeland, Adios.

“Lush, evocative.” —School Library Journal “Raul Colón’s art…has a sweetness that’s sometimes tinged with anxiety, sometimes with hope. A fine addition to books about the immigrant experience.” —Booklist “This gentle look back at an important time will also speak to contemporary children whose families are starting anew in the United States.” —Publishers Weekly When five year old Gabriella hears talk of Castro and something called revolution in her home in Cuba, she doesn't understand. Then when her parents leave suddenly and she remains with her grandparents, life isn't the same. Soon the day comes when she goes to live with her parents in a new place called the Bronx. It isn't warm like Havana, and there is traffic not the ocean outside her window. Their life is different—it snows in the winter and the food at school is hot dogs and macaroni. What will it take for the Bronx to feel like home?

In a detective story set against the backdrop of Hemingway's Cuba, the discovery of the skeletal remains of the victim of a forty-year-old murder on the Havana estate of Ernest Hemingway, draws ex-cop Mario Conte back into the game to investigate a crime with roots in Hemingway's Cuba four decades earlier.

This Edgar Award–winning crime novel offers “pulp fiction in Castro’s Cuba” (Martin Cruz Smith, author The Girl from Venice). Alicia is a smart, confident, and gorgeous prostitute in Havana. She is not a streetwalker. Rather, she displays her wares on bicycle, seducing men through the irresistible pull of her fine derrière. John King, her new client, is a Canadian businessman with a striking resemblance to movie star Alain Delon. This is no ordinary john, and as Alicia’s feelings for him grow, she sees in their relationship the possibility of escape from her dead-end life in a city plagued with scarcity. So when King’s wealthy and sexually deviant boss is suddenly killed, Alicia and John hatch a get-rich-quick scheme. A web of deception is woven—but it will be quickly and disastrously unraveled, and only one person will be able to say adiós to the dilapidated island of Cuba . . . “Fun, fast, and intelligent . . . A madcap caper full of twisted sex, devious schemes and high-rolling hijinks . . . Will leave readers clamoring for more.” —Publishers Weekly “The book’s cynical take on ambition and greed is tempered by humor and humanity.” —The New York Times “Impossible to put down. This is a great read.” —Library Journal

A collection of autobiographical vignettes by the respected food writer profiles the pre-Castro Havana of her youth, remembers her large and often eccentric family, and shares a series of recipes that she associates with particular family members, from Calabaza fritters and oxtail stew to concellita and rice with chorizo. 35,000 first printing.

Alfredo José Estrada's intimate ties to Havana form the basis for this "autobiography," written as though from the city's own heart. Covering the island's five hundred year history, Estrada portrays the adventurers and dreamers who left their mark on Havana, including José Martí, martyr for Cuban independence; and Ernest Hemingway, the most American of writers who became an unabashed Habanero. Deeply personal and affecting, Havana is the accessible and complete story of the city for the history buff and armchair traveler alike.

"Alexis Daria's A Lot Like Adiós is a charming, sexy spitfire of a novel! Romance readers, this is your new favorite book!" --Emily Henry, #1 New York Times bestselling author of People We Meet on Vacation The national bestselling author of You Had Me at Hola returns with a seductive second-chance romance about a commitment-phobic Latina and her childhood best friend who has finally returned home. Hi Mich. It’s Gabe. After burning out in her corporate marketing career, Michelle Amato has built a thriving freelance business as a graphic designer. So what if her love life is nonexistent? She’s perfectly fine being the black sheep of her marriage-obsessed Puerto Rican-Italian family. Besides, the only guy who ever made her want happily-ever-after disappeared thirteen years ago. It’s been a long time. Gabriel Aguilar left the Bronx at eighteen to escape his parents’ demanding expectations, but it also meant saying goodbye to Michelle, his best friend and longtime crush. Now, he’s the successful co-owner of LA’s hottest celebrity gym, with an investor who insists on opening a New York City location. It’s the last place Gabe wants to go, but when Michelle is unexpectedly brought on board to spearhead the new marketing campaign, everything Gabe’s been running from catches up with him. I’ve missed you. Michelle is torn between holding Gabe at arm’s length or picking up right where they left off—in her bed. As they work on the campaign, old feelings resurface, and their reunion takes a sexy turn. Facing mounting pressure from their families—who think they’re dating—and growing uncertainty about their futures, can they resolve their past mistakes, or is it only a matter of time before Gabe says adiós again?

The volume asks how the literatures of the Americas and the Caribbean present multiple or internally differentiated spaces and how these are distinguished or traversed by different temporalities. The historical and (post)colonial experiences of these areas turns them into especially fertile ground for the exploration of the connections between landscape/geography and historical/temporal palimpsests as well as the specificities of literary form. The contributions are dedicated to individual, yet conceptually interconnected studies of staggered, multiple, non-simultaneous temporalities in modern and contemporary literature. The volume adopts a comparative perspective throughout and intends to foster the dialogue between the study of Latin/American and Caribbean literatures—in Spanish, Portuguese, French, and English. Therefore, the individual essays are not grouped according to geographical or linguistic areas, but follow a trajectory from spatiotemporal constellations of the 19th century to ruined/catastrophic landscapes and the geopoetic inscriptions of time in regions. The essays should appeal to all readers interested in World Literature, Hemispheric Studies as well as temporal approaches to space and geography.

Scorching novel from a star of Cuban fiction. The return of Mario Conde.