An extraordinary novel of love, war, and art, based on the turbulent real-life romance of legendary photojournalists Gerda Taro and Robert Capa Artists, Jews, nonconformists, exiles. Gerta Pohorylle meets André Friedmann in Paris in 1935 and is drawn to his fierce dedication to justice, journalism, and the art of photography. Assuming new names, Gerda Taro and Robert Capa travel together to Spain, Europe’s most harrowing war zone, to document the rapidly intensifying turmoil of the Spanish Civil War. In the midst of the peril and chaos of brutal conflict, a romance for the ages is born, marked by passion and recklessness . . . until tragedy intervenes. Already published to international acclaim, Waiting for Robert Capa is an exhilarating tale of art and love—and a moving tribute to all those who risk their lives to document the world’s violent transformations.

An extraordinary novel of love, war, and art, based on the turbulent real-life romance of legendary photojournalists Gerda Taro and Robert Capa Artists, Jews, nonconformists, exiles. Gerta Pohorylle meets AndrÉ Friedmann in Paris in 1935 and is drawn to his fierce dedication to justice, journalism, and the art of photography. Assuming new names, Gerda Taro and Robert Capa travel together to Spain, Europe’s most harrowing war zone, to document the rapidly intensifying turmoil of the Spanish Civil War. In the midst of the peril and chaos of brutal conflict, a romance for the ages is born, marked by passion and recklessness . . . until tragedy intervenes. Already published to international acclaim, Waiting for Robert Capa is an exhilarating tale of art and love—and a moving tribute to all those who risk their lives to document the world’s violent transformations.

Packed with dramatic photos, posters, and maps, this compelling book captures the fascinating story of photojournalism in modern times.

In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier’s magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces — John G. Morris, Magnum Photos’ first executive editor, called Capa “the century’s greatest battlefield photographer” — and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.—Print Ed.

Robert Capa: A Graphic Biography, written in the first person, follows [Capa's] personal and professional life and through his eyes, the social upheaval and earth-shattering wars of the 20th century.

The beautiful Casablanca star, the world's greatest war photographer, and the secret love affair that would change their lives forever . . . in Chris Greenhalgh's Seducing Ingrid Bergman June 1945. When Ingrid Bergman walks into the lobby of the Ritz hotel in Paris, war photographer Robert Capa is enchanted. From the moment he slips a mischievous invitation to dinner under her door, the two find themselves helplessly attracted. Played out against the cafés and nightclubs of post-war Paris and the parties and studios of Hollywood, they pursue an intense and increasingly reckless affair. But the light-hearted Capa, who likes nothing more than to spend his mornings reading in the tub and his afternoons at the racetrack, is not all that he seems. And Ingrid offers the promise of salvation to a man haunted by the horrors of war, his father's suicide, and the death of a former lover for which he blames himself. Addicted to risk, Capa must wrestle his devils, including gambling and drink, and resist an impulse to go off and photograph yet another war. Meanwhile, Ingrid, trapped in a passionless marriage and with a seven-year-old daughter to bring up, must court scandal and risk compromising her Hollywood career and saintly reputation if their love is to survive. With their happiness and identities at stake, both Capa and Ingrid are presented with terrible choices.

This text looks at Robert Capa's colour photography, a little-known but important aspect of the great photographer's work, and includes many never-before-published images. Capa regularly used colour film from the 1940s until his death in 1954. Some of these photographs were published in magazines of the day, but the majority have never been printed, seen, or even studied. "Capa in Color" presents this work an integral part of his post-war career and fundamental in remaining relevant to magazines.

Susie Linfield addresses the issue of whether photographs depicting past scenes of violence & cruelty are voyeuristic, arguing that if we do not look & understand that we are seeing at people, rather than depersonalised acts of inhumanity, our hopes of curbing political violence today are probably limited.

The life of a female war photographer killed in action is told by three of her friends in this biographical novel by the author of Bloody Cow. Gerda Taro was a German-Jewish war photographer, anti-fascist activist, artist, and innovator who, together with her partner, the Hungarian Endre Friedmann, was one half of the alias Robert Capa, widely considered to be the twentieth century’s greatest war and political photographer. She was killed while documenting the Spanish Civil War and tragically became the first female photojournalist to be killed on a battlefield. August 1, 1937, Paris. Taro’s twenty-seventh birthday, and her funeral. Friedmann leads the procession. He is devastated, but there are others, equally bereft, with him: Ruth Cerf, Taro’s old friend from Leipzig with whom she fled to Paris; Willy Chardack, ex-lover; Georg Kuritzkes, another lover and a key figure in the International Brigades. They have all known a different Gerda, and one who is at times radically at odds with the heroic anti-fascist figure being mourned by the multitudes . . . Another character in the novel is the era itself, the 1930s, with economic depression, the rise of Nazism, hostility towards refugees in France, the century’s ideological warfare, the cultural ferment, and the ascendency of photography as the age’s quintessential art form. Winner of the Strega Prize, The Girl with the Leica is a must-read for fans of historical fiction centered on extraordinary women’s lives. “A biography, a feminist parable, a declaration of love for photography, and a tableau of the 1930s: The Girl with the Leica is all this at once.” —Il Sole 24 Ore (Italy) “Janeczek creatively and seamlessly spotlights war photographer Gerda Pohorylle.” —Publishers Weekly

Amid the rubble of a city blasted by a civil war that many fear will cross borders and engulf Europe, the Hotel Florida on Madrid's chic Gran Via has become a haven for foreign journalists and writers. It is here that six people meet and find their lives changed forever. Ernest Hemingway, his career stalled, his marriage sour, hopes that this war will give him fresh material and a new romance; Martha Gellhorn, an ambitious young journalist hungry for love and experience, thinks she will find both with Hemingway in Spain. Robert Capa and Gerda Taro, idealistic and ground-breaking young photographers based in Paris, want to capture history in the making and are inventing moder photojournalism in the process. And Arturo Barea, chief of the Republican government's foreign press office, and Ilsa Kulcsar, his Austrian deputy, are struggling to balance truth-telling with their loyalty to their sometimes-compromised cause - a struggle that places both of their lives at risk. Hotel Florida traces the tangled wartime destinies of these three couples - and a host of supporting characters - living as intensely as they had ever done, against the backdrop of a critical moment in history. It is a narrative of love and reinvention that is, finally, a story about truth, finding it, telling it - and living it, whatever the cost.