The legendary war photographer Robert Capa carried into his personal life the same remarkable vitality that characterizes his pictures. Driven from his native Hungary by political oppression, he was first recognized for photographing the Spanish Civil War. In 1938 he was in China recording the Japanese invasion. During World War II he was in London, North Africa, and Italy, and then in France covering D-Day on Omaha Beach, the liberation of Paris, and the Battle of the Bulge. When the new nation of Israel was founded in 1948 he was there. In 1954 he was in Vietnam, taking photographs until the moment he was killed. Away from battle, Capa gather about him such famous people as Ernest Hemingway and his wife (the war correspondent Martha Gellhorn), Gary Cooper, Irwin Shaw, and Gene Kelly. Whelan shows Capa photographing the street life of Paris, crisscrossing America on assignment from Life, in Russia with John Steinbeck, in Italy with John Huston, on the Riviera with Picasso, and with Ingrid Bergman.

In 1942, a dashing young man who liked nothing so much as a heated game of poker, a good bottle of scotch, and the company of a pretty girl hopped a merchant ship to England. He was Robert Capa, the brilliant and daring photojournalist, and Collier’s magazine had put him on assignment to photograph the war raging in Europe. In these pages, Capa recounts his terrifying journey through the darkest battles of World War II and shares his memories of the men and women of the Allied forces who befriended, amused, and captivated him along the way. His photographs are masterpieces — John G. Morris, Magnum Photos’ first executive editor, called Capa “the century’s greatest battlefield photographer” — and his writing is by turns riotously funny and deeply moving. From Sicily to London, Normandy to Algiers, Capa experienced some of the most trying conditions imaginable, yet his compassion and wit shine on every page of this book. Charming and profound, Slightly Out of Focus is a marvelous memoir told in words and pictures by an extraordinary man.—Print Ed.

A reexamination of the woman who created the legend of Robert Capa, the world'sfirst female photojournalist to die in combat, Gerda Taro In Paris in 1934, a young and beautiful Jewish émigrée, Gerda Pohorylles, met a Hungarian political exile, André Friedmann. They reinvented themselves as the photographers Gerda Taro and Robert Capa--and he would become the most important photojournalist of his generation. When Gerda was killed in the Spanish Civil war at the age of 26, Robert Capa was her most notable mourner--his grief was beyond control. Her funeral drew crowds of thousands and she became a hero of the political left. Despite the legend that was built around her, she subsequently became a mere footnote in Capa's story. Seventy years after her death a long-lost suitcase was discovered in Mexico, containing thousands of negatives by Capa and Taro. Most astonishingly of all, the "Mexican suitcase" showed that photographs that had been attributed previously to Capa were, in fact, the work of Taro. Jane Rogoyska's book will trace Taro's life and reveal the depth of her relationship with Capa. Charismatic and extraordinary, they epitomized one of the most tumultuous periods of the century.

An extraordinary novel of love, war, and art, based on the turbulent real-life romance of legendary photojournalists Gerda Taro and Robert Capa Artists, Jews, nonconformists, exiles. Gerta Pohorylle meets André Friedmann in Paris in 1935 and is drawn to his fierce dedication to justice, journalism, and the art of photography. Assuming new names, Gerda Taro and Robert Capa travel together to Spain, Europe’s most harrowing war zone, to document the rapidly intensifying turmoil of the Spanish Civil War. In the midst of the peril and chaos of brutal conflict, a romance for the ages is born, marked by passion and recklessness . . . until tragedy intervenes. Already published to international acclaim, Waiting for Robert Capa is an exhilarating tale of art and love—and a moving tribute to all those who risk their lives to document the world’s violent transformations.

Packed with dramatic photos, posters, and maps, this compelling book captures the fascinating story of photojournalism in modern times.

Mid-Michigan was an untamable wilderness, good only for trappers and Native Americans until America's population exploded and the demand for timber suddenly changed everything. By the 1860s, Clare was at the center of this lumberman's paradise. Starting from a small village beside an abandoned lumber camp, the town prospered as farmers, ranchers, and merchants replaced loggers. Hastily thrown-up frame buildings gave way to brick, and interesting local life mirrored small-town America of the early 20th century. Then came oil, and colorful men such as Henry Ford and Jack Dempsey arrived. Purple Gangsters from Detroit moved in to take advantage of a "clean" investment. A famous murder at the local grand hotel brought national attention. On the eve of World War II, Clare had risen from the wilderness to be a fascinating community tucked away in middle America.

This title offers a glimpse into the life of the revered photojournalist Robert Capa. Focusing on the story of his Paris studio, and organized chronologically, the book explores his relationship with notable photographers, friends and loved ones, as well as the environment in which his career developed.

Robert Capa: A Graphic Biography, written in the first person, follows [Capa's] personal and professional life and through his eyes, the social upheaval and earth-shattering wars of the 20th century.

This text looks at Robert Capa's colour photography, a little-known but important aspect of the great photographer's work, and includes many never-before-published images. Capa regularly used colour film from the 1940s until his death in 1954. Some of these photographs were published in magazines of the day, but the majority have never been printed, seen, or even studied. "Capa in Color" presents this work an integral part of his post-war career and fundamental in remaining relevant to magazines.