A young Native American girl recounts her experiences growing up in North Dakota in the years following the devastating smallpox epidemic of 1839.

Buffalo Bird Girl (ca. 1839-1932) was a member of the Hidatsa, a Native American community that lived in permanent villages along the Missouri River on the Great Plains. Like other girls her age, Buffalo Bird Girl learned the ways of her people through watching and listening, and then by doing. She helped plant crops in the spring, tended the fields through the summer, and in autumn joined in the harvest. She learned to prepare animal skins, dry meat, and perform other duties. There was also time for playing games with friends and training her dog. When her family visited the nearby trading post, there were all sorts of fascinating things to see from the white man’s settlements in the East. Award-winning author and artist S. D. Nelson (Standing Rock Sioux) captures the spirit of Buffalo Bird Girl by interweaving the actual words and stories of Buffalo Bird Woman with his artwork and archival photographs. Backmatter includes a history of the Hidatsa and a timeline.

This that I now tell is as I saw my mothers do, or did myself, when I was young. My mothers were industrious women, and our family had always good crops; and I will tell now how the women of my father's family cared for their fields, as I saw them, and helped them. --Buffalo Bird Woman

A young Native American girl recounts her experiences growing up in North Dakota in the years following the devastating smallpox epidemic of 1839.

A rare, documented account of the life of a Crow medicine woman, drawn from interviews conducted by legendary writer and ethnographer Frank Bird Linderman and told in her own words. In the spring of 1931, Pretty-shield, a grandmother and medicine healer in the Crow tribe, met Frank Linderman for a series of interviews. When Linderman asked Pretty-shield about her life, the old woman relaxed and laughed. “We shall be here until we die.” In this rich account, Linderman, using sign language and an interpreter, pieces together the story of Pretty-shield’s extraordinary life, from her youth migrating across the High Plains with her people to their forced settlement on the reservation, to how she became a medicine woman. Pretty-shield vividly recalls the centuries-long traditions of the Crow people, bringing into focus the many complex facets of Crow womanhood and the ways in which Indigenous communities care for each other. Pretty-shield: Medicine Woman of the Crows reveals the everyday concerns and deep-rooted customs of tribal life for a new generation coming to terms with the violence and racism of America’s past, and offers a fascinating and authentic portrait of the Crow, their customs and traditions, their relationship to nature and healing, and the timeless insights of their lived experiences. As Pretty-shield reminds us, “Listen to the old ones. . . keep their wisdom within your heart, and understand that wisdom in your mind.” An essential contribution to the American experience, Pretty-shield illuminates a segment of our society which has for too long been relegated to the shadows of history, and celebrates Crow life and its contributions to our rich culture.

A Broken Flute is a book of reviews that critically evaluate children's books about Native Americans written between the early 1900s and 2003, accompanied by stories, essays and poems from its contributors. The authors critique some 600 books by more than 500 authors, arranging titles A to Z and covering pre-school, K-12 levels, and evaluations of some adult and teacher materials. This book is a valuable resource for community and educational organizations, and a key reference for public and school libraries, and Native American collections.

"Impressive....Haunting....Enchanting...Every story in the book, which covers nearly a century of tradition, is interesting, written with intelligent passion." THE NEW YORK TIMES BOOK REVIEW Native American scholar, literary critic, poet, and novelist Paula Gunn Allen, who is herself a Laguna Pueblo-Sioux Indian, became increasingly aware in her academic career that the writings of Native Americans, especially women, have been marginalized by the Western literary canon. Allen set out to understand why this was so and, more importantly, to remedy the situation. The result is this powerful collection of traditional tales, biographical writings, and contemporary short stories, many by the most accomplished Native American women writing today, including: Louise Erdrich, Mary TallMountain, Linda Hogan, and many others.

Not many would dare to take challenging decisions in life when life itself is full of uncertainties and confusions. But I had to; may be because of my birth as the eldest daughter to a typical Indian middle class family which was surmounted by a variety of problems and the responsibilities attached therewith. But the Way I tread never deceived me, rather I was led to a glorious place called the Parliament of India about which I have never dreamt of. The Way is the inspiring account of my life which vividly portrays the struggles I had to face to reach this place from a humble beginning. Though circumstances were not in my favour, faith in God and willingness to move on with optimism helped me to achieve success in life. Jesus had been my counselor during the difficult period of life and set my Way because He Himself is the Way. My life is a wakeup call for the readers to move on in life in spite of various unfavorable situations and to assure that all the sorrows and uncertainties will be transformed into joy and peace soon.