This that I now tell is as I saw my mothers do, or did myself, when I was young. My mothers were industrious women, and our family had always good crops; and I will tell now how the women of my father's family cared for their fields, as I saw them, and helped them. --Buffalo Bird Woman

Buffalo Bird Girl (ca. 1839-1932) was a member of the Hidatsa, a Native American community that lived in permanent villages along the Missouri River on the Great Plains. Like other girls her age, Buffalo Bird Girl learned the ways of her people through watching and listening, and then by doing. She helped plant crops in the spring, tended the fields through the summer, and in autumn joined in the harvest. She learned to prepare animal skins, dry meat, and perform other duties. There was also time for playing games with friends and training her dog. When her family visited the nearby trading post, there were all sorts of fascinating things to see from the white man’s settlements in the East. Award-winning author and artist S. D. Nelson (Standing Rock Sioux) captures the spirit of Buffalo Bird Girl by interweaving the actual words and stories of Buffalo Bird Woman with his artwork and archival photographs. Backmatter includes a history of the Hidatsa and a timeline.

Agriculture of the Hidatsa Indians is the account of anthropologist Gilbert Wilson on the Hidatsa Indian's agricultural practices. Wilson formed a close friendship with Buffalo Bird Woman and her son and compiled all this information from their routine practices to provide this research.

A young Native American girl recounts her experiences growing up in North Dakota in the years following the devastating smallpox epidemic of 1839.

Hidatsa Social and Ceremonial Organization, a study of an important horticultural Plains Indian tribe, synthesizes the rich material Alfred W. Bowers recorded in the early 1930s from the last generation of Hidatsas who lived in the historic village of Like-a-Fishhook. This documentary record of their nineteenth-century lifeways is now a classic in American ethnography. The book is distinguished for its presentation of extensive personal and ritual narratives that allow Hidatsa elders to articulate directly their conceptions of traditional culture. It combines archeological and ethnographic approaches to reconstruct a Hidatsa culture history that is shaped by a concern for cultural detail stemming from the American ethnographic tradition of Franz Boas. At the same time, its concern for the understanding of social structure reflects the influence of the British structural-functional approach of A. R. Radcliffe-Brown. The most comprehensive account ever published on the Hidatsas, it is of enduring value and interest.

Presents a biographical dictionary profiling important Native American women, including birth and death dates, major accomplishments, and historical influence.

"Eccentric and unusual with an appealing, gentle charm," raves Kirkus Reviews, in a starred review. Every morning, Fred climbs three flights of stairs—up to his rooftop in Brooklyn, New York—and greets the members of his enormous family: "Good morning, my bees, my darlings!" His honeybee workers are busy—they tend the hive, feed babies, and make wax rooms. They also forage in flowers abloom across Brooklyn... so that, one day, Fred can make his famous honey, something the entire neighborhood looks forward to tasting. Lela Nargi's beautifully written story—accompanied by Kyrsten Brooker's collage-style illustrations—offers an inside look at the life of an endearing beekeeper and the honey-making process. A Junior Library Guild Selection, a Bank Street College of Education Best Book of the Year, a Cook Prize Honor Book, and a NSTA-CBC Outstanding Science Trade Book.