The first important fictional treatment of the werewolf theme in English literature, this Victorian thriller traces Wagner's blood-soaked trail through 16th-century Italy in a gothic feast of murder and intrigue.

A gentle werewolf is saved by the king and returns to the princess who loves him.

A novel about a fifteen-year-old prostitute who is actually a 2,000-year old werefox who seduces men with her tail and drains them of their sexual power. She falls in love with a KGB officer who is actually a werewolf.

Wagner the Werewolf First published in 1847, Wagner the Werewolf is one of the very earliest treatments of the Werewolf theme in English literature, and has lost none of its power to shock, it is one of the greatest works of George W. M. Reynolds, once the most popular author in England George William MacArthur Reynolds (23 July 1814 - 19 June 1879) was a British author and journalist. He was born in Sandwich, Kent, the son of Captain Sir George Reynolds, a flag officer of the Royal Navy. Reynolds was educated first at Dr. Nance's school in Ashford, Kent, and then attended the Royal Military College, Sandhurst. He was intended for a career in the British Army, but on the death of his parents during 1829 and his subsequent inheritance, he decided to quit the military and devote himself instead to literary pursuits. He left Sandhurst on 13 September 1830 and for the next few years he traveled a great deal, particularly in France, and became a naturalised French citizen

Wagner the werewolf represents the compiled exploits of one Fernand Wagner, a bitter old man visited on a stormy night by the legendary Dr. Faust. As in Faust's own tale, Wagner is made a tempting offer - renewed youth, intelligence and unlimited wealth. All he has to do is agree to accompany him for a time ... and to become a werewolf. When Wagner agrees, his youth is restored at a horrible price. on the last day of each month he becomes a mindless beast, part animal and part man. after realizing the error of his decision he begins a quest to find a cure. But Satan has a solution of his own for Wagner's condition ...

Dredd versus Werewolves. HAIR-RAISING ADVENTURES IN MEGA-CITY ONE! Mega-City One – A vast, nightmarish future metropolis built on top of the polluted cities that once populated the eastern seaboard of the United States. The forgotten Undercity is now a lawless refuge for unwanted outcasts from the ‘Big Meg’ – mutants, monsters and escaped criminals all struggle to survive on the streets of old Manhattan. A chemical spill in the Undercity has spawned a race of super-stong lycanthropes, all desperate to get above ground and feast on the flesh of Mega-City One’s citizens. Things could get hairy, but thankfully Judge Dredd is on the case! This collection of dog-eat-dog tales features some of 2000 AD’s finest talents, including John ‘the werewolf’ Wagner (A History of Violence), ‘growling’ Gordon Rennie (Necronauts), ‘snarling’ Steve Dillon (Preacher) and ‘lycanthropic’ Leigh Gallagher (Defoe), amongst others.

Examines the cultural significance of the werewolf filmProvides the first academic monograph dedicated to developing a cultural understanding of the werewolf filmReconsiders the psychoanalytic paradigms that have dominated scholarly discussion of werewolves in pop cultureIncludes over 40 individual case studies to illustrate how werewolf films can be understood as products of their cultural momentIdentifies the cinematic werewolf's most common metaphorical dimensionsHorror monsters such as the vampire, the zombie and Frankenstein's creature have long been the subjects of in-depth cultural studies, but the cinematic werewolf has often been considered little more than the 'beast within': a psychoanalytic analogue for the bestial side of man. This book, the first scholarly study of the werewolf in cinema, redresses the balance by exploring over 100 years of werewolf films, from The Werewolf (1913) to Wildling (2018) via The Wolf Man (1941), The Curse of the Werewolf (1961), The Howling (1981) and WolfCop (2014). Revealing the significance of she-wolves and wolf-men as evolving metaphors for the cultural fears and anxieties of their times, Phases of the Moon serves as a companion and a counterpoint to existing scholarship on the werewolf in popular culture, and illustrates how we can begin to understand one of our oldest mythical monsters as a rich and diverse cultural metaphor.

"Fifteen chilling stories of lycanthropy and murder written from 1838 to 1896, many of them reprinted here for the first time. This edition includes a new introduction, notes, and numerous rare Victorian werewolf illustrations"--P. [4] of cover.

Endore's classic werewolf novel - now back in paperback for the first time in over forty years - helped define a genre and set a new standard in horror fiction The werewolf is one of the great iconic figures of horror in folklore, legend, film, and literature. And connoisseurs of horror fiction know that The Werewolf of Paris is a cornerstone work, a masterpiece of the genre that deservedly ranks with Mary Shelley's Frankenstein, Bram Stoker's Dracula, and Robert Louis Stevenson's The Strange Case of Dr. Jekyll and Mr. Hyde. Endore's classic novel has not only withstood the test of time since it was first published in 1933, but it boldly used and portrayed elements of sexual compulsion in ways that had never been seen before, at least not in horror literature. In this gripping work of historical fiction, Endore's werewolf, an outcast named Bertrand Caillet, travels across pre-Revolutionary France seeking to calm the beast within. Stunning in its sexual frankness and eerie, fog-enshrouded visions, this novel was decidedly influential for the generations of horror and science fiction authors who came afterward.