A novel about a fifteen-year-old prostitute who is actually a 2,000-year old werefox who seduces men with her tail and drains them of their sexual power. She falls in love with a KGB officer who is actually a werewolf.

A darkly comic work by the author of Buddha's Little Finger finds fifteen-year-old Moscow prostitute A. Huli hiding her identity as a two-thousand-year-old were-fox who seduces men to absorb their life force, a practice that catches the attention of a high-ranking intelligence officer and fellow werewolf. 10,000 first printing.

Satirical stories by a Russian writer. The story, Vera Pavlovna's Ninth Dream, is on the transition from communism to capitalism as experienced by the cleaner of a public toilet, Bulldozer Driver's Day is on a hydrogen bomb assembly line, while The Ontology of Childhood compares childhood to prison. By the author of The Blue Lantern.

The Sacred Texts, a set of books created by the archangels of Heaven, have been kept locked away by the Creator since the early times of human history: the Book of Water crafted by Gabriel/Gabrielle, the Book of Fire forged by Michael, the Book of Earth made by Uriel, and the Book of Language created by Azrael. It is said that the last of those books, the one created by the very hands of Death Himself, is one of two keys to deciphering the language of the angels and with it the ability to control God and all in known existence. For the past two hundred years, the Fallen Angel Lucifer has waited for the proper moment to strike, the proper moment to invade Avalon and take control of the Book of Azrael in hopes of defeating the Creator once and for all. Aware of the imminent danger, Azrael tasks a single magic wielding mortal with entering Hell itself and destroying his Sacred Text. After becoming weakened in his determination to complete the task given to him by the Archangel of Death, Raven the Archmage finds that he must pass on the responsibilities of destroying The Book of Azrael to his insecure and often difficult apprentice, Jaguar. Follow Jaguar's arduous journey alongside his best friend Lion, and a mysterious earth wielding mage and his werewolf sister, as they travel through the halls of Perdition in hopes of keeping evil from gaining victory and throwing off the balance of all of Creation.The Sacred Text Series is a coming of age story that seamlessly weaves many ancient archetypes into a cohesive whole. Enter a world where vampires, angels, demons, werewolves, magic, and human myths from a myriad of cultures collide.

NATIONAL BESTSELLER • “Vintage Anne Rice—a lushly written, gothic … metaphysical tale. This time, with werewolves.” —The Wall Street Journal When Reuben Golding, a young reporter on assignment, arrives at a secluded mansion on a bluff high above the Pacific, it’s at the behest of the home’s enigmatic female owner. She quickly seduces him, but their idyllic night is shattered by violence when the man is inexplicably attacked—bitten—by a beast he cannot see in the rural darkness. It will set in motion a terrifying yet seductive transformation that will propel Reuben into a mysterious new world and raise profound questions. Why has he been given the wolf gift? What is its true nature—good or evil? And are there others out there like him?

In this fascinating book, Brian J. Frost presents the first full-scale survey of werewolf literature covering both fiction and nonfiction works. He identifies principal elements in the werewolf myth, considers various theories of the phenomenon of shapeshifting, surveys nonfiction books, and traces the myth from its origins in ancient superstitions to its modern representations in fantasy and horror fiction. Frost's analysis encompasses fanciful medieval beliefs, popular works by Victorian authors, scholarly treatises and medical papers, and short stories from pulp magazines of the 1930s and 1940s. Revealing the complex nature of the werewolf phenomenon and its tremendous and continuing influence, The Essential Guide to Werewolf Literature is destined to become a standard reference on the subject.

The collapse of the Soviet Union has opened up a huge consumer market, but how do you sell things to a generation that grew up with just one type of cola? When Tatarsky, a frustrated poet, takes a job as an advertising copywriter, he finds he has a talent for putting distinctively Russian twists on Western-style ads. But his success leads him into a surreal world of spin doctors, gangsters, drug trips, and the spirit of Che Guevera, who, by way of a Ouija board, communicates theories of consumer theology. A bestseller in Russia, Homo Zapiens displays the biting absurdist satire that has gained Victor Pelevin superstar status among today's Russian youth, disapproval from the conservative Moscow literary world, and critical acclaim worldwide.

Vladimir Propp is the Russian folklore specialist most widely known outside Russia thanks to the impact of his 1928 book Morphology of the Folktale-but Morphology is only the first of Propp's contributions to scholarship. This volume translates into English for the first time his book The Russian Folktale, which was based on a seminar on Russian folktales that Propp taught at Leningrad State University late in his life. Edited and translated by Sibelan Forrester, this English edition contains Propp's own text and is supplemented by notes from his students. The Russian Folktale begins with Propp's description of the folktale's aesthetic qualities and the history of the term; the history of folklore studies, first in Western Europe and then in Russia and the USSR; and the place of the folktale in the matrix of folk culture and folk oral creativity. The book presents Propp's key insight into the formulaic structure of Russian wonder tales (and less schematically than in Morphology, though in abbreviated form), and it devotes one chapter to each of the main types of Russian folktales: the wonder tale, the "novellistic" or everyday tale, the animal tale, and the cumulative tale. Even Propp's bibliography, included here, gives useful insight into the sources accessible to and used by Soviet scholars in the third quarter of the twentieth century. Propp's scholarly authority and his human warmth both emerge from this well-balanced and carefully structured series of lectures. An accessible introduction to the Russian folktale, it will serve readers interested in folklore and fairy-tale studies in addition to Russian history and cultural studies.

A thrilling new voice in fiction injects the absurd into the everyday to present a startling vision of modern life, “[as] if Kafka and Camus and Bradbury were penning episodes of Black Mirror” (Chang-Rae Lee, author of My Year Abroad). “Stories so sharp and ingenious you may cut yourself on them while reading.”—Kelly Link, author of Get In Trouble With a focus on the weird and eerie forces that lurk beneath the surface of ordinary experience, Kate Folk’s debut collection is perfectly pitched to the madness of our current moment. A medical ward for a mysterious bone-melting disorder is the setting of a perilous love triangle. A curtain of void obliterates the globe at a steady pace, forcing Earth’s remaining inhabitants to decide with whom they want to spend eternity. A man fleeing personal scandal enters a codependent relationship with a house that requires a particularly demanding level of care. And in the title story, originally published in The New Yorker, a woman in San Francisco uses dating apps to find a partner despite the threat posed by “blots,” preternaturally handsome artificial men dispatched by Russian hackers to steal data. Meanwhile, in a poignant companion piece, a woman and a blot forge a genuine, albeit doomed, connection. Prescient and wildly imaginative, Out There depicts an uncanny landscape that holds a mirror to our subconscious fears and desires. Each story beats with its own fierce heart, and together they herald an exciting new arrival in the tradition of speculative literary fiction.