"In three days the number of so-called 'volunteers' reached over three hundred men. Very quickly they organized us into military units. Just like that I became a North Korean soldier and was on the way to some unknown place." -- from the book South Korean Lee Young Ho was seventeen years old when he was forced to serve in the North Korean People's Army during the first year of the Korean War. After a few months, he deserted the NKPA and returned to Seoul where he joined the South Korean Marine Corps. Ho's experience is only one of the many compelling accounts found in Voices from the Korean War. Unique in gathering war stories from veterans from all sides of the Korean War -- American, South Korean, North Korean, and Chinese -- this volume creates a vivid and multidimensional portrait of the three-year-long conflict told by those who experienced the ground war firsthand. Richard Peters and Xiaobing Li include a significant introduction that provides a concise history of the Korean conflict, as well as a geographical and a political backdrop for the soldiers' personal stories.

The Vietnam War's influence on politics, foreign policy, and subsequent military campaigns is the center of much debate and analysis. But the impact on veterans across the globe, as well as the war's effects on individual lives and communities, is a largely neglected issue. As a consequence of cultural and legal barriers, the oral histories of the Vietnam War currently available in English are predictably one-sided, providing limited insight into the inner workings of the Communist nations that participated in the war. Furthermore, many of these accounts focus on combat experiences rather than the backgrounds, belief systems, and social experiences of interviewees, resulting in an incomplete historiography of the war. Chinese native Xiaobing Li corrects this oversight in Voices from the Vietnam War: Stories from American, Asian, and Russian Veterans. Li spent seven years gathering hundreds of personal accounts from survivors of the war, accounts that span continents, nationalities, and political affiliations. The twenty-two intimate stories in the book feature the experiences of American, Chinese, Russian, Korean, and North and South Vietnamese veterans, representing the views of both anti-Communist and Communist participants, including Chinese officers of the PLA, a Russian missile-training instructor, and a KGB spy. These narratives humanize and contextualize the war's events while shedding light on aspects of the war previously unknown to Western scholars. Providing fresh perspectives on a long-discussed topic, Voices from the Vietnam War offers a thorough and unique understanding of America's longest war.

Voices from the Korean War presents a collection of first-person accounts of those who served in the Korean War. The Korean War is often dubbed the Forgotten War, although more than 36,000 soldiers died in this three-year conflict. In Voices from the Korean War, author Douglas Rice makes certain the men who served are not forgotten as he shares first-person accounts from seventy-nine soldiers who fought in the war from June of 1950 through July of 1953. Voices from the Korean War follows the soldiers as they trek and fly over the mountainous terrain of the Korean peninsula. Through these eyewitness accounts, hear a soldier describe what happened to a small group of North Korean villagers who refused to divulge their location. Listen in as a wounded soldier tells a flight nurse the story of how he was rescued by American soldiers as he lay wounded in a North Korean home. Learn how some prisoners of war walked their imaginary dogs to irritate their captors. This compilation of different soldiers perspectives conveys what it must have been like to be directly involved in the conflict. It serves as a reminder of the challenges and the sacrifices the soldiers made in the name of war.

The bitter realities of a war that pitted brother against brother and lingers on to this day.

Largely overshadowed by World War II’s “greatest generation” and the more vocal veterans of the Vietnam era, Korean War veterans remain relatively invisible in the narratives of both war and its aftermath. Yet, just as the beaches of Normandy and the jungles of Vietnam worked profound changes on conflict participants, the Korean Peninsula chipped away at the beliefs, physical and mental well-being, and fortitude of Americans completing wartime tours of duty there. Upon returning home, Korean War veterans struggled with home front attitudes toward the war, faced employment and family dilemmas, and wrestled with readjustment. Not unlike other wars, Korea proved a formative and defining influence on the men and women stationed in theater, on their loved ones, and in some measure on American culture. In the Shadow of the Greatest Generation not only gives voice to those Americans who served in the “forgotten war” but chronicles the larger personal and collective consequences of waging war the American way.

Broken Voices is the first English-language book on Korea’s rich folksong heritage, and the first major study of the effects of Japanese colonialism on the intangible heritage of its former colony. Folksongs and other music traditions continue to be prominent in South Korea, which today is better known for its technological prowess and the Korean Wave of popular entertainment. In 2009, many Koreans reacted with dismay when China officially recognized the folksong Arirang, commonly regarded as the national folksong in North and South Korea, as part of its national intangible cultural heritage. They were vindicated when versions from both sides of the DMZ were included in UNESCO’s Representative List of the Intangible Cultural Heritage of Humanity a few years later. At least on a national level, folksongs thus carry significant political importance. But what are these Korean folksongs about, and who has passed them on over the years, and how? Broken Voices describes how the major repertoires were transmitted and performed in and around Seoul. It sheds light on the training and performance of professional entertainment groups and singers, including kisaeng, the entertainment girls often described as Korean geisha. Personal stories of noted singers describe how the colonial period, the media, the Korean War, and personal networks have affected work opportunities and the standardization of genres. As the object of resentment (and competition) and a source of creative inspiration, the image of Japan has long affected the way in which Koreans interpret their own culture. Roald Maliangkay describes how an elaborate system of heritage management was first established in modern Korea and for what purposes. His analysis uncovers that folksong traditions have changed significantly since their official designation; one major change being gender representation and its effect on sound and performance. Ultimately, Broken Voices raises an important issue of cultural preservation—traditions that fail to attract practitioners and audiences are unsustainable, so compromises may be unwelcome, but imperative.

An oral history of the themes of war provides letters, photographs, and sketches from from U.S. veterans' who fought in World War I and II, Korea, Vietnam, and the Persian Gulf.

Personal accounts of more than thirty men and women who served with the American and Canadian forces in Korea during the years 1950-1953. What is it like to go to war? How does a war affect the men and women who are fighting in it? Here are vivid first-person accounts that address these questions and offer powerful insights into what it means to serve in the armed forces in an unfamiliar country far from home. Award-winning author Linda Granfield has collected the stories of thirty-two men and women who were part of the U.S. and Canadian forces in Korea during the years 1950-53, and has set them against a backdrop of historical and geographical information. The veterans in this book represent a variety of service areas, such as medical, supplies, infantry, and naval. Their sometimes grim, sometimes lighthearted recollections are illustrated with their own personal photographs. From a prisoner of war's gripping description of being held captive for nearly three years to a machine gunner's fond memories of the canned hamburgers and bacon his battalion loved to eat, these stories emphasize the human face of war at a time when it's more important than ever to try to understand the many different ways that war changes people's lives. A foreword by renowned author Russell Freedman relates some of his own experiences while serving in Korea with the Counter Intelligence Corps. Also included are a timeline, glossary, bibliography, Internet resources, and index.

Exploring what it means to be human through the Korean diaspora, Caroline Kim’s stories feature many voices. From a teenage girl in 1980’s America, to a boy growing up in the middle of the Korean War, to an immigrant father struggling to be closer to his adult daughter, or to a suburban housewife whose equilibrium depends upon a therapy robot, each character must face their less-than-ideal circumstances and find a way to overcome them without losing themselves. Language often acts as a barrier as characters try, fail, and momentarily succeed in connecting with each other. With humor, insight, and curiosity, Kim’s wide-ranging stories explore themes of culture, communication, travel, and family. Ultimately, what unites these characters across time and distance is their longing for human connection and a search for the place—or people—that will feel like home.

BOOK DESCRIPTION The stories in this collection are written by twelve Korean women writers whose experience, insight, and writing skill make them truly representative of Korean fiction at its best. "The Rooster" is a comical revelation of an old man who accepts the truth that Man and Nature revolve around the same immutable natural law. In "The Fragment," refugees who flee to Pusan during the Korean War suffer the unspeakable squalor and despair when jammed in a warehouse. "The Young Elm Tree" tells the story of a high school girl who falls in love with the son of her mother's new husband. What all these twelve writers share in common is a keen eye that penetrates into the lives of Korean women from the early part of the 20th century to the present. THE AUTHORS Authors included fall into two groups-those born during the Japanese occupation of Korea (1910-1945) and those born after 1945. All the eight authors in the first group experienced the Second World War in childhood and the Korean War as adults. They saw pain, hardship, and death, but they observed courage, resilience, humor, and love even in the most dire times. The four younger writers are active creators of works that have won top literary awards. Their fresh new look at life, their bold experimental style, and their refreshing voices are a reflection of their generation. THE TRANSLATOR Dr. Jin-Young Choi is Professor of English at Chung-Ang University in Seoul. She has translated two novels, numerous short stories and tales. Her Saturday columns in The Korea Herald were collected into one volume form One Woman's Way. All of her translated short stories were published in Korean Literature Today.