Explains the unique events and practices that shaped the Vietnam War, bringing together the stories of people who experienced it firsthand, as told in their own voices. Reprint.

Arranged chronologically and in counterpoint, this unique book samples all conceivable forms of oral and written documentation to illuminate the United States' involvement in its longest and most divisive war. From foot soldiers to generals, politicians to protesters, hawks and doves, their attitudes and experiences are graphically revealed.

Voices of the Vietnam War is an oral history told by the soldiers who fought, and others who were impacted by the fighting halfway around the world, most especially the wives and siblings who waited at home. This book listens to two people who were against the war and had to take their own philosophical stand, often against their own families and friends. The book features chapters personally written by three military veterans. Two wives tell the story of how they waited at home while their husbands fought in Vietnam, relying on letters and television news for information.Decorated combat officer David Christian is the strongest voice in the book, describing his unit's war experiences and then detailing the loss of his brother Doug to Agent Orange-linked cancer. Christian became a leading advocate for veterans' disability pensions and helped gain government approval for Agent Orange benefits.Vietnam War veteran Terry Nau wrote and edited this book, his fifth on the subject. He interviewed soldiers from his artillery unit, high school friends who went to war, and also convinced acquaintances to tell their own story in their own words.

The Vietnam War's influence on politics, foreign policy, and subsequent military campaigns is the center of much debate and analysis. But the impact on veterans across the globe, as well as the war's effects on individual lives and communities, is a largely neglected issue. As a consequence of cultural and legal barriers, the oral histories of the Vietnam War currently available in English are predictably one-sided, providing limited insight into the inner workings of the Communist nations that participated in the war. Furthermore, many of these accounts focus on combat experiences rather than the backgrounds, belief systems, and social experiences of interviewees, resulting in an incomplete historiography of the war. Chinese native Xiaobing Li corrects this oversight in Voices from the Vietnam War: Stories from American, Asian, and Russian Veterans. Li spent seven years gathering hundreds of personal accounts from survivors of the war, accounts that span continents, nationalities, and political affiliations. The twenty-two intimate stories in the book feature the experiences of American, Chinese, Russian, Korean, and North and South Vietnamese veterans, representing the views of both anti-Communist and Communist participants, including Chinese officers of the PLA, a Russian missile-training instructor, and a KGB spy. These narratives humanize and contextualize the war's events while shedding light on aspects of the war previously unknown to Western scholars. Providing fresh perspectives on a long-discussed topic, Voices from the Vietnam War offers a thorough and unique understanding of America's longest war.

This is a stunning collection of absorbing and evocative eyewitness accounts of the war in Southeast Asia, America's domestic protests against it, and the costs of the conflict to those who survived it.

Unsure whether they would be greeted as traitors or heroes, POWs returning from Vietnam responded by holding tight to their chosen motto, "Return with Honor." "We're giving the American people what they want and badly need--heroes," said a Vietnam jungle POW. "I feel it's our responsibility, our duty to help them where possible shed the idea this war was a waste, useless, as unpopular as it may have been." In the first book to explore the entire range of memoirs, biographies, and group histories published since America's Vietnam POWs returned home, Craig Howes explores the development of a collective history. He describes how these captives drew upon their national heritage to compose a unified, common story while still in prison, and how individual POWs have responded to this Official Story. Examining what racial, cultural, and political assumptions support this shared Official Story, Howes places the POWs' experiences squarely in the center of American history, and within those larger clashes of opinion and belief which characterized the nation's response to the Vietnam War. The result is an engrossing study of what these captivity narratives can tell us about the POWs, their captors, and America's Vietnam legacy.

On April 30, 1975, the Hanoi government of North Vietnam took control over the South. South Vietnamese, particularly "intellectuals" and those thought to have been associated with the previous regime, underwent terrible punishment, persecution and "re-education." Seeking their freedom, thousands of South Vietnamese took to the sea in rickety boats, often with few supplies, and faced the dangers of nature, pirates, and starvation. While the sea and its danger claimed many lives, those who made it to the refugee camps still faced struggle and hardships in their quest for freedom. Here are collected the narratives of nineteen men and women who survived the ordeal of escape by sea. Today, they live in the United States as students, professors, entrepreneurs, scientists, and craftspeople who have chosen to tell the stories of their struggles and their triumph. Each narrative is accompanied by biographical information. Instructors considering this book for use in a course may request an examination copy here.

Introduction. On Radio, Red Music, and Revolution -- Sound, Technology, and Culture in French Indochina -- Battle of the Airwaves during the First Indochina War -- Songs of the Golden Age in the Democratic Republic -- National Radio in the Reform Era -- Studio Production in Contemporary Vietnam -- Conclusion. Nostalgia for the Past, Hope for the Future.

“No heroes, everyone did their part, and everyone was scared to death.” They are the words of soldier Mark W. Harms in 1968, summing up his combat experience during the Vietnam War. His stunning letter home is just one of hundreds featured in this unforgettable collection, Letters from Vietnam. In these affecting pages are the unadorned voices of men and women who fought–and, in some cases, fell–in America’s most controversial war. They bring new insights and imagery to a conflict that still haunts our hearts, consciences, and the conduct of our foreign policy. Here are the early days of the fight, when adopting a kitten, finding gold in a stream, or helping a local woman give birth were moments of beauty amid the brutality . . . shattering first-person accounts of firefights, ambushes, and bombings (“I know I will never be the same Joe.”–Marine Joe Pais) . . . and thoughtful, pained reflections on the purpose and progress of the entire Southeastern Asian cause (“All these lies about how we’re winning and what a great job we’re doing . . . It’s just not the same as WWII or the Korean War.” –Lt. John S. Taylor.) Here, too, are letters as vivid as scenes from a film–Brenda Rodgers’s description of her wedding to a soldier on the steps of Saigon City Hall . . . Airman First Class Frank Pilson’s recollection of President Johnson’s ceremonial dinner with the troops (“He looks tired and worn out–his is not an easy job”) . . . and, perhaps most poignant, Emil Spadafora’s beseeching of his mother to help him adopt an orphan who is a village’s only survivor (“This boy has nothing, and his future holds nothing for him over here.”) From fervent patriotism to awakening opposition, Letters from Vietnam captures the unmistakable echoes of this earlier era, as well as timeless expressions of hope, horror, fear, and faith.

“The diversity of voices and songs reminds us that the home front and the battlefront are always connected and that music and war are deeply intertwined.” —Heather Marie Stur, author of 21 Days to Baghdad For a Kentucky rifleman who spent his tour trudging through Vietnam’s Central Highlands, it was Nancy Sinatra’s “These Boots Are Made for Walkin’.” For a black marine distraught over the assassination of Martin Luther King Jr., it was Aretha Franklin’s “Chain of Fools.” And for countless other Vietnam vets, it was “I Feel Like I’m Fixin’ to Die” or the song that gives this book its title. In We Gotta Get Out of This Place, Doug Bradley and Craig Werner place popular music at the heart of the American experience in Vietnam. They explore how and why U.S. troops turned to music as a way of connecting to each other and the World back home and of coping with the complexities of the war they had been sent to fight. They also demonstrate that music was important for every group of Vietnam veterans—black and white, Latino and Native American, men and women, officers and “grunts”—whose personal reflections drive the book’s narrative. Many of the voices are those of ordinary soldiers, airmen, seamen, and marines. But there are also “solo” pieces by veterans whose writings have shaped our understanding of the war—Karl Marlantes, Alfredo Vea, Yusef Komunyakaa, Bill Ehrhart, Arthur Flowers—as well as songwriters and performers whose music influenced soldiers’ lives, including Eric Burdon, James Brown, Bruce Springsteen, Country Joe McDonald, and John Fogerty. Together their testimony taps into memories—individual and cultural—that capture a central if often overlooked component of the American war in Vietnam.